Spanish films

After a chance encounter at a theater, two men, Benigno and Marco, meet at a private clinic where Benigno works. Lydia, Marco's girlfriend and a bullfighter by profession, has been gored and is in a coma. It so happens that Benigno is looking after another woman in a coma, Alicia, a young ballet student. The lives of the four characters will flow in all directions, past, present and future, dragging all of them towards an unsuspected destiny.

Trevor Reznik is a machinist in a factory. An extreme case of insomnia has led to him not sleeping in a year, and his body withering away to almost nothing. He has an obsessive compulsion to write himself reminder notes and keep track of his dwindling weight, both scribbled on yellow stickies in his apartment. The only person he lets into his life in an emotional sense is Stevie, a prostitute, although he has an infatuation with Maria, a single mother waitress working in an airport diner. His co-workers don't associate with and mistrust him because of not knowing what is going on in his life that has led to his emaciated physical appearance. A workplace incident further alienates him with his coworkers, and in conjunction with some unfamiliar pieces of paper he finds in his apartment, Trevor believes that someone or some people - probably one or some of his coworkers - are out to get him, using a phantom employee named Ivan as their front. As Trevor goes on a search for evidence as to Ivan's schemes and whereabouts, Trevor may come to a true understanding of what has caused his insomnia.

After the death of the blind Sara, who hanged herself in the basement of her house, her twin sister Julia suspects that she was actually murdered. Julia has a degenerative problem with her eyes and is losing her sight, and she temporarily moves with her husband Isaac to Sara's house to arrange her funeral. Julia goes to the Centro Baumann for the blind, which Sara frequented, and she learns from other members that Sara had a boyfriend. Julia is chased by a mysterious man, but police inspector Dimas does not believe her. Julia follows Sara's last steps trying to find the identity of her secret lover. Julia is surrounded by deaths and weird events while she loses her sight.

An enigmatic tale of four incredibly lucky people whose lives are intertwined by destiny are subject to the laws of fate. They discover that they cannot afford to be without luck as they gamble with the highest stakes possible in a deadly game.

The action now takes place miles away from the original location and partly in broad daylight, giving the film an entirely fresh yet disturbing new reality. The infection has left the building. In a clever twist that draws together the plots of the first two movies, this third part of the saga also works as a decoder to uncover information hidden in the first two films and leaves the door open for the final installment, the future '[REC] 4 Apocalypse.'

Apartment concierge Cesar (Luis Tosar) is a miserable person who believes he was born without the ability to be happy. As a result, he decides his mission is to make life hell for everyone around him. A majority of the tenants are easy to agitate, but Clara (Marta Etura) proves to be harder than the most. So Cesar goes to creepy extremes to make this young woman mentally break down. Things get even more complicated in this twisted relationship when her boyfriend, Marcos (Alberto San Juan), shows up.

An American nurse takes a temporary position on the night shift at a closing children's hospital on the Isle of Wight. When every shift is plagued by spooky occurrances and things that go bump in the night, she begins to believe the stories of one of the child pateints, who insists the hospital is haunted by a dangerous presence emanating from the long abandoned second floor.

Passion, obsession, wealth, jealousy, family, guilt, and creativity. In Madrid, Harry Caine is a blind screenwriter, assisted by Judit and her son Diego. The past comes rushing in when Harry learns of the death of Ernesto Martel, a wealthy businessman, and Ernesto's son pays Harry a visit. In a series of flashbacks to the 1990s, we see Harry, who was then Mateo Blanco, a director; he falls in love with Ernesto's mistress, Lena, and casts her in a film, which Ernesto finances. Ernesto is jealous and obsessive, sending his son to film the making of the movie, to follow Lena and Mateo, and to give him the daily footage. Judit doesn't like Lena. It's a collision course.

Miranda is a crew member of a nightly radio programmme. She and her husband Felix, a cop, are parents of a girl. Miranda's daily dog walking strolls are excuses to pursue sexual encounters with men, who she readily discards afterwards. In order to deal with her sex addiction, she signs up for therapy. Also in the group is Javier, a successful scriptwriter and producer who is a sex-phone junkie. The two misfits hit off and a steamy affair ensues. But things get a little complicated when Javier finds out that this phone sex trysts have been secretly taped and being distributed all over Madrid, and that his ex-wife is living with his business partner. Elsewhere, while investigating a murder case, Felix discovers Miranda's affair with Javier.

The mutilated body of a six year old girl is found in a water hole. The girl is identified as the missing daughter of Claudia. However, only two pieces of evidence could be used to identify her; a bracelet with her name on it near the crime scene, and the fact that her right leg was three centimeters longer than her left. All other methods of identification were removed from her body. Five years later Claudia, now addicted to tranquilizers, receives a phone call from someone claiming to be her daughter, asking for her mother to come find her before 'they' kill her. Other mysterious clues show up, further indicating that Claudia's daughter is indeed still alive, and very much in danger. Claudia, a run-down ex-cop, and a parapsychology reporter put together the clues to discover Angela's whereabouts.

Waking groggy in pitch darkness, Paul Conroy, an American truck driver working in Iraq in 2006, slowly realizes he is trapped inside a wooden coffin, buried alive. With his cigarette lighter, he can see the trap he is in, and he quickly realizes that there's not enough air for him to live long. He finds within the coffin a working cellphone, which allows him contact with the outside world. But the outside world proves not to be very helpful at finding a man buried in a box in the middle of the Iraqi desert. Paul must rely on his best resource--himself.

It is 1939, the end of three years of bloody civil war in Spain, and General Franco's right-wing Nationalists are poised to defeat the left-wing Republican forces. A ten-year-old boy named Carlos, the son of a fallen Republican war hero, is left by his tutor in an orphanage in the middle of nowhere. The orphanage is run by a curt but considerate headmistress named Carmen and a kindly Professor Casares, both of whom are sympathetic to the doomed Republican cause. Despite their concern for him, and his gradual triumph over the usual schoolhouse bully, Carlos never feels completely comfortable in his new environment. First of all, there was that initial encounter with the orphanage's nasty caretaker, Jacinto, who reacts even more violently when anyone is caught looking around a particular storage room the one with the deep well. Second, and more inexplicable, is the presence of a ghost, one of the former occupants of the orphanage named Santi. Not long after Carlos' arrival, Santi latches onto Carlos, badgering him incessantly at night and gloomily intoning, "Many of you will die." As if that wasn't enough to keep the orphanage's occupants in an unrelenting state of terror, there's the un-exploded bomb that dominates the orphanage's courtyard, still ticking away; With the orphanage left defenseless by its isolation, and the swift progression of Franco's troops, the ghost's prediction seems depressingly accurate. Nevertheless, with every step of the plot, it becomes apparent that the ghost's predictions as to who (or what) will die, the real source of danger and even the definition of death itself may be more ambiguous than first thought.

Recently separated from his wife Vera, Félix a young architect, embittered, he finds it difficult to trust again, and being fragile and emotionally unstable, he lives secluded in his now deafeningly silent and vacant house. Unexpectedly, in the middle of the night, a stranger knocks on Félix's door desperately in need of a phone call, and without giving it much thought, hesitantly, he lets him in, however, after a while, when the man is nowhere to be found, paranoia will strike. Has he left or is he still somewhere inside the house hiding? In the following days, as unexplained sounds and strange noises banish the mansion's silence amplifying the tension and the uneasiness, Félix will question his very reason as he will gradually begin hearing and seeing things in the dimly lit corridors. Is the intruder indeed real, or is he a manifestation inside the obscure maze of Félix's mind?

A once handsome playboy, César finds himself in a mental facility and he can't remember why. All he can remember is meeting the love of his life for one day, and then getting into a car accident which left his face horribly disfigured. But the pain of becoming physically undesirable may help him to find the truth.

During IMF & World Bank Summit and demonstrations which upset Madrid, like other capitals, major corporation Dekia holds interviews to recruit a top executive from seven applicants. Their doubts start when they have to sign a clause accepting the Grönholm method, which nobody ever heard of. It soon becomes clear the tests are dirty mind games, but never what is true and what the trick. They must guess who among them is the HR mole, and repeatedly eliminate one of their number from the procedure. Their priorities, ethics and loyalty are put trough stressing tests.

Ángela Vidal, the spunky young television reporter that entered the building in 2007 has exited with the swat team. Little do they know that she carries the seed of the strange demonic infection. She is taken to an oil tanker miles off shore which has been especially equipped for the quarantine...

The teenager artist Ana is raised in Ibiza by her German father Klaus in a naturalist lifestyle in a cave. One day, she meets a woman called Justine that invites Ana to move to Madrid, offering education and economical support, to live in an old house with other artists having classes of Arts and with the only commitment of studying. Ana befriends her mate Linda (Bebe) and falls in love for the problematic Said, having her first sexual experience with him. After a period together, Said leaves Ana, and then she is hypnotized by Anglo, discovering her past lives and deaths.