USA in the 1970s. We follow the highly intelligent Jack over a span of 12 years and are introduced to the murders that define Jack's development as a serial killer. We experience the story from Jack's point of view, while he postulates each murder is an artwork in itself. As the inevitable police intervention is drawing nearer, he is taking greater and greater risks in his attempt to create the ultimate artwork. Along the way we experience Jack's descriptions of his personal condition, problems and thoughts through a recurring conversation with the unknown Verge - a grotesque mixture of sophistry mixed with an almost childlike self-pity and psychopathic explanations. The House That Jack Built is a dark and sinister story, yet presented through a philosophical and occasional humorous tale.

Jacob Singer is trying to make sense of his fractured life and memories. Plagued by hallucinations, flashbacks, and conspiracies, he struggles down a path to enlightenment from these manic strains. With nothing but support from friends and loved ones will he be able to push through the haze of his PTSD.

In a lonesome house in the countryside between woods and cornfields live nine-year-old twin brothers who are waiting for their mother in the heat of summer. When she comes home, bandaged after cosmetic surgery, nothing is like before. The children start to doubt that this woman is actually their mother. An existential struggle for identity and fundamental trust emerges.

2014 film by Veronika Franz and Severin Fiala

College student Jeffrey Beaumont returns to his idyllic hometown of Lumberton to manage his father's hardware store while his father is hospitalized. Walking though a grassy meadow near the family home, Jeffrey finds a severed human ear. After an initial investigation, lead police Detective John Williams advises Jeffrey not to speak to anyone about the case as they investigate further. Detective Williams also tells Jeffrey that he cannot divulge any information about what the police know. Detective Williams' high school aged daughter, Sandy Williams, tells Jeffrey what she knows about the case from overhearing her father's private conversations on the matter: that it has to do with a nightclub singer named Dorothy Vallens, who lives in an older apartment building near the Beaumont home. His curiosity getting the better of him, Jeffrey, with Sandy's help, decides to find out more about the woman at the center of the case by breaking into Dorothy's apartment while he knows she's at work. What Jeffrey finds is a world unfamiliar to him, one that he doesn't truly understand but one that he is unable to deny the lure of despite the inherent dangers of being associated with a possible murder. Still, he is torn between this world and the prospect of a relationship with Sandy, the two who are falling for each other, despite Sandy already being in a relationship with Mike, the school's star football player.

After his wife, Alice, tells him about her sexual fantasies, William Harford sets out for a night of sexual adventure. After several less than successful encounters, he meets an old friend, Nick Nightingale--now a musician--who tells him of strange sex parties where he is required to play the piano blindfolded. All the men at the party are costumed and wear masks while the women are all young and beautiful. Harford manages to find an appropriate costume and heads out to the party. Once there, however, he is warned by someone who recognizes him, despite the mask, that he is in great danger. He manages to extricate himself, but the threats prove to be quite real and sinister.

There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure.

Three brothers and a sister have just lost their mother. After her death they fear to be separated, so to protect themselves and prevent this from happening they decide to flee to an abandoned farm, a place that is not what it seems, because it hides a dark secret between its walls.

As the wavering cry of the foghorn fills the air, the taciturn former lumberjack, Ephraim Winslow, and the grizzled lighthouse keeper, Thomas Wake, set foot in a secluded and perpetually grey islet off the coast of late-19th-century New England. For the following four weeks of back-breaking work and unfavourable conditions, the tight-lipped men will have no one else for company except for each other, forced to endure irritating idiosyncrasies, bottled-up resentment, and burgeoning hatred. Then, amid bad omens, a furious and unending squall maroons the pale beacon's keepers in the already inhospitable volcanic rock, paving the way for a prolonged period of feral hunger; excruciating agony; manic isolation, and horrible booze-addled visions. Now, the eerie stranglehold of insanity tightens. Is there an escape from the wall-less prison of the mind?

The twenty-one-year-old Timothy "Tim" Allen Russell is discharged from a mental institution by his psychiatric Dr. Shawn Graham completely healed from a childhood trauma where his father purportedly tortured and killed his mother before being killed himself by Tim. His sister Kaylie welcomes him in the parking area and brings him home. Then she tells that they need to destroy an ancient mirror that she has found through working at an auction house. She then steals the mirror and the reluctant Tim follows his sister and has fragmented recollections from their childhood, going back to when his father Alan buys a mirror for the home office of their new family home. Kaylie and Tim see a woman with their father in his office and the behaviors of Alan and Marie change, ending in a family tragedy. Kaylie blames the mirror and now she wants to destroy it with Tim. Will they succeed?

After an outlaw unknowingly leads a band of cannibalistic Troglodytes into the peaceful western town of Bright Hope, the monsters kidnap several settlers, including the wife of a local rancher. Despite his injured leg the rancher joins a small rescue party with the sheriff, his aging deputy and a strong-willed gunslinger. What follows is a journey into hell on earth as the posse comes to realize it is up against a foe whose savagery knows no bounds. The film takes place at the turn of the century around the border of what is now Texas and New Mexico.

A radio host interprets the possible outbreak of a deadly virus which infects the small Ontario town he is stationed in.

Welcome to Easter Cove, a remote and insular fishing village on Maine's rocky coast. In this small town, bonds run as deep as the ocean and secrets are as thick as the morning fog. Each day, droves of men take to sea for the daily catch while a handful of women serve as the community's powerful, albeit discrete, operators. Though the self-interested code of the town's old guard has governed for years, our tale takes place as the tides are turning in Easter Cove. Mary Margaret Connolly, a beloved and integral town matriarch, has just passed away. In the wake of her death, her daughters, Mary Beth and Priscilla, face an uncertain future, haunted by bills and unpaid loans left behind. Priscilla tries to fill her mother's shoes by taking over the family fish shop while her younger sister Mary Beth refuses to accept the new responsibilities. The sisters find themselves at odds and Mary Beth stubbornly defends her dream of leaving town - even if it means abandoning Priscilla altogether. Meanwhile, across town, at a bed and breakfast-turned-brothel, established town elder and madame Enid Nora Devlin is up to business as usual, except for two huge problems: someone stole $50K in cash and one of her girls, Dee, has gone missing. With little else to do, she sends her muscle, an outsider named Gorski, in pursuit of the cash and Dee. After a series of chance wrong turns sets Gorski on a collision course with Mary Beth, she accidentally kills him and must turn to the only person she has left: her sister. Together, the Connolly sisters must cover up Mary Beth's mistake and figure out what to do with the mysterious bag of cash they found in his shack. When Dee's body washes up on shore, the town's remaining matriarchs - Doreen, Gail and Susie - snap into action. These three, along with Enid and Mary Margaret, have quietly maintained the code of conduct for decades, navigating the murky water of the town's dubious past. The matriarchs intervene and make it their business to decide Enid's fate - as well as the fate of the Connolly sisters.

2019 film directed by Bridget Savage Cole and Danielle Krudy

The dark legend of the young woman Albrun and her struggle to preserve her own sanity, and tries to explore the fine line between ancient magic, faith and madness at a time when pagan beliefs in witches and nature spirits spread fear and terror in the minds of the rural population.

Since birth, a big fat lie defines the well-organised but humdrum life of the kind-hearted insurance salesman and ambitious explorer, Truman Burbank. Utterly unaware of the thousands of cleverly hidden cameras watching his every move, for nearly three decades, Truman's entire existence pivots around the will and the wild imagination of the ruthlessly manipulative television producer, Christof--the all-powerful TV-God of an extreme 24/7 reality show: The Truman Show. As a result, Truman's picturesque neighbourhood with the manicured lawns and the uncannily perfect residents is nothing but an elaborate state-of-the-art set, and the only truth he knows is what the worldwide television network and its deep financial interests dictate. Do lab rats know they are forever imprisoned?

Miles of twisting catacombs lie beneath the streets of Paris, the eternal home to countless souls. When a team of explorers ventures into the uncharted maze of bones, they uncover the dark secret that lies within this city of the dead. A journey into madness and terror, As Above, So Below reaches deep into the human psyche to reveal the personal demons that come back to haunt us all.

Kate and John Coleman are rebuilding their troubled marriage after the loss of their baby. The couple decide to adopt a child. When they meet 9-year-old Esther at the St. Marina Orphanage, they immediately fall in love with the well-educated orphan. Their son, Daniel is hostile to his new sister, but their deaf mute daughter, Max is enchanted with her - at first. Eventually, Kate begins to feel that Esther is manipulative and possibly even psychologically damaged. John refuses to listen to his wife's misgivings. Kate calls Sister Abigail at the orphanage, and the nun informs her that Esther has a troubled and mysterious history. Kate delves further into Esther's past and discovers she is not what she seems to be.

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