When May was a child, she was a lonely girl with a lazy eye and without any friends except a strange, homemade doll kept in a glass case given by her mother on her birthday. May becomes a lonely, weird young woman, working in an animal hospital and assisting the veterinarian in surgeries and sewing operated animals most of the time. Her lesbian colleague Polly has a sort of attraction for her. When the shy May meets the mechanic Adam Stubbs, she loves his hands and has a crush on him. They date, but the bizarre behavior of May one night pushes Adam away from her. Alone, May has a brief affair with Polly, but she feels rejected again when her colleague meets Ambrosia. When her doll is accidentally broken, the deranged May decides to build a friend for her, using the best parts her acquaintances can offer.

A Sharp-Tongued New Yorker who appears to have it all: a sought-after position at a glossy magazine, a killer wardrobe, and a dream Nantucket wedding on the horizon. But when the director of a crime documentary invites her to tell her side of the shocking incident that took place when she was a teenager at the prestigious Brentley School, Ani is forced to confront a dark truth that threatens to unravel her meticulously crafted life.

Pushing thirty, and defined by a hideous crime involving her bosom friend, Nina, emotionally scarred medical school dropout, Cassie, knows firsthand that some wounds never heal. Leading an uneventful existence, still living with her parents, waiting tables at a cheap coffee shop to earn a living, Cassie has found the perfect way to deal with the painful past. Dressed to kill, at night, Cassie frequents the local bars and nightclubs, pretending to be dead-drunk, utterly helpless and vulnerable. And, every week, lethally beautiful Cassie is on the prowl for all sorts of nocturnal predators and other wolves in sheep's clothing, who are unaware that, sometimes, the hunter can become the prey. Then, Ryan, a kindly and caring old classmate who is the bee's knees, enters the picture, and just like that, Cassie wants out. However, everybody knows that breaking bad habits is easier said than done. Could Ryan be the one?

There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure.

The story is based on Jane Austen's novel about five sisters - Jane (Rosamund Pike), Elizabeth (Keira Knightley), Mary (Talulah Riley), Kitty (Carey Mulligan), and Lydia Bennet (Jena Malone) - in Georgian England. Their lives are turned upside down when wealthy young Mr. Bingley (Simon Woods) and his best friend, Mr. Darcy (Matthew Macfadyen), arrive in their neighborhood.

Margaret Wells struggles to reconcile her roles as brothel owner and mother to her daughters. When her business comes under attack from a rival madam with a ruthless streak, Margaret must fight back even if it means losing her family and possibly her life.

In acclaimed director Edgar Wright's psychological thriller, Eloise, an aspiring fashion designer, is mysteriously able to enter the 1960s where she encounters a dazzling wannabe singer, Sandie. But the glamour is not all it appears to be and the dreams of the past start to crack and splinter into something far darker.

A series about a powerful friendship that blossoms between a tightly wound widow and a free spirit with a shocking secret.

A Swedish family travels to the French Alps to enjoy a few days of skiing. The sun is shining and the slopes are spectacular but, during a lunch at a mountainside restaurant, an avalanche turns everything upside down. With diners fleeing in all directions, mother Ebba calls for her husband Tomas as she tries to protect their children. Tomas, meanwhile, is running for his life... The anticipated disaster failed to occur, and yet the family's world has been shaken to its core, a question mark hanging over their father in particular. Tomas and Ebba's marriage now hangs in the balance as Tomas struggles desperately to reclaim his role as family patriarch.

Blessed--and at the same time cursed--with the precious but fatal gift of beauty, the young peasant, Jeanne, falls in love with the beautiful villager, Jean, in middle-aged France. However, as the village's foul feudal lord exercises the "Droit du Seigneur" or the "Right of the First Night" on the couple's wedding night, a desperate plunge to a world of disturbing hallucinations will eventually lead Jeanne to a damned Faustian bargain with the Prince of Darkness. Thirsting for power and sweet retribution, Jeanne will gradually transform into an omnipotent and destructive vessel of seduction, as her newly acquired powers go hand in hand with the blackest of witchcraft. Is there a limit to Jeanne's hatred?

A dry-witted woman, known only as Fleabag, has no filter as she navigates life and love in London while trying to cope with tragedy. The angry, grief-riddled woman tries to heal while rejecting anyone who tries to help her, but Fleabag continues to keep up her bravado through it all. Comic actress Phoebe Waller-Bridge stars as the titular character on the series, which is based on Waller-Bridge's 2013 one-woman show of the same name.

Mima leaves the idol group CHAM, in order to pursue her dream as an actress. Mima climbs up the rocky road to success by performing as rape victims and posing nude for magazines, but is haunted by her reflections of the past.

A man about forty years of age tells the story from when he was a teenager in upscale suburban Detroit of his and three of his friends' fascination with the mysterious and doomed Lisbon sisters. In 1974, the sisters were seventeen year old Therese, sixteen year old Mary, fifteen year old Bonnie, fourteen year old Lux, and thirteen year old Cecilia. Their fascination still remains as they try to piece together the entire story. The sisters were mysteries if only because of having a strict and overprotective upbringing by their father, who taught math at the girls' private co-ed school, and overly devout Catholic mother, who largely dictated the household rules. The story focuses primarily on two incidents and the resulting situations on the girls' lives. The first was an action by Cecilia to deal with her emotions over her life. And the second was the relationship between Lux - the sister who pushed the boundaries of the household rules most overtly in doing what most teenagers want to do - and Trip Fontaine, he who could have any girl he wanted but wanting solely Lux.

1999 American film directed by Sofia Coppola

Set in the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants, and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock's life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.

2017 film directed by Paul Thomas Anderson

*not terrible as in bad, terrible as in devastating

terrible* movies for girls

movie

tv show

Natalie

1997 film directed by Paul W. S. Anderson

sci-fi that doesn't feel like it was made by Apple

horror/thriller compilation that made me watch cartoons after

scary stuff

cool & engaging action movies

as well as some slavic historical movies that I personally love,  they're not always good

2020 film directed by Tomm Moore and Ross Stewart

about upirs, zmijs and rusalkas 

suspense, thriller, all that psychological stuff

cannibalism may or may not be involved it's a 50/50 chance

weird shit with gay undertones

2004 science fiction film directed by Paul W. S. Anderson

terror in the arctic

kill your double

American fantasy comedy-drama television series

2005 British-American stop-motion-animated dark fantasy film