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Maybe it was a grandparent, or a teacher or a colleague. Someone older, patient and wise, who understood you when you were young and searching, and gave you sound advice to help you make your way through it. For Mitch Albom, that person was Morrie Schwartz, his college professor from nearly twenty years ago.Maybe, like Mitch, you lost track of this mentor as you made your way, and the insights faded. Wouldn't you like to see that person again, ask the bigger questions that still haunt you? Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man's life. Knowing he was dying of ALS - or motor neurone disease - Mitch visited Morrie in his study every Tuesday, just as they used to back in college. Their rekindled relationship turned into one final 'class': lessons in how to live.

Imbued on every page with Frank McCourt's astounding humor and compassion. This is a glorious book that bears all the marks of a classic."When I look back on my childhood I wonder how I managed to survive at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood." So begins the Pulitzer Prize winning memoir of Frank McCourt, born in Depression-era Brooklyn to recent Irish immigrants and raised in the slums of Limerick, Ireland. Frank's mother, Angela, has no money to feed the children since Frank's father, Malachy, rarely works, and when he does he drinks his wages. Yet Malachy-- exasperating, irresponsible and beguiling-- does nurture in Frank an appetite for the one thing he can provide: a story. Frank lives for his father's tales of Cuchulain, who saved Ireland, and of the Angel on the Seventh Step, who brings his mother babies. Perhaps it is story that accounts for Frank's survival. Wearing rags for diapers, begging a pig's head for Christmas dinner and gathering coal from the roadside to light a fire, Frank endures poverty, near-starvation and the casual cruelty of relatives and neighbors--yet lives to tell his tale with eloquence, exuberance and remarkable forgiveness. Angela's Ashes, imbued on every page with Frank McCourt's astounding humor and compassion, is a glorious book that bears all the marks of a classic.

On the afternoon of October 12, 1990, my twin brother, Thomas, entered the Three Rivers, Connecticut, public library, retreated to one of the rear study carrels, and prayed to God the sacrifice he was about to commit would be deemed acceptable. . . .One of the most acclaimed novels of our time, Wally Lamb's I Know This Much Is True is a story of alienation and connection, devastation and renewal, at once joyous, heartbreaking, poignant, mystical, and powerfully, profoundly human.

The shocking thing about the girls was how nearly normal they seemed when their mother let them out for the one and only date of their lives. Twenty years on, their enigmatic personalities are embalmed in the memories of the boys who worshipped them and who now recall their shared adolescence: the brassiere draped over a crucifix belonging to the promiscuous Lux; the sisters' breathtaking appearance on the night of the dance; and the sultry, sleepy street across which they watched a family disintegrate and fragile lives disappear.

I bought this book cause I was walking through a bookstore with a friend of mine... a friend I adore more than newborn puppies and tiny rabbits hopping in fields of grass, and she said, "MIRANDA JULY! I love her. She made the movie You, Me, and Everyone We Know." I hadn't seen the movie, but I remember seeing an ad in the paper and thinking, "I want to see that movie."And it was because of that, and because I adore this girl more than newborn puppies, and rabbits hopping in fields of grass, and moonlit nights, and sundrenched mornings, that I bought two copies of the book (one for her, and one for me. One could say "Jeff: Nice boy." One has said, "Jeff: Helpless romanitc sucker." I loath both definitions.A book of short stories. Most are delicate. Like something you'd find in your grandmother's junk drawer. Not the one in her kitchen. The one that's the top drawer of her dresser. The one that's filled with pearl buttons, and half knitted doilies, and old black and white photos with a younger version of your grandmother, and complete strangers. You wonder who those people were? What kind of double life did your grandmother lead? Are these people still alive? Does she keep in contact with them? It's a whole world of possibility. You start to see your grandmother in a wholey different light. She's no longer this older woman who is constantly trying to feed or, or berating you for not wearing shoes or not having a job befitting of a college graduate. She's a real person now, with half knitted doilies, and pictures of random people. Old patches that look as if they were ripped off a G.I. uniform. It would break your heart if you asked, and your Grandmother said, "Oh, look at that. You found that in my drawer? No, I have no idea what that is."So you just let your imagination run wild. Some stories fall flat. Like opening your grandmother's junk drawer and finding nail clippers. But at least they're sharp nail clippers... not the kind that break your nails when you try to use them. And sometimes, that's enough to get you through the day.

Everywhere hailed as a novel of rare beauty and power, White Oleander tells the unforgettable story of Ingrid, a brilliant poet imprisoned for murder, and her daughter, Astrid, whose odyssey through a series of Los Angeles foster homes--each its own universe, with its own laws, its own dangers, its own hard lessons to be learned--becomes a redeeming and surprising journey of self-discovery.

David Sedaris' move to Paris from New York inspired these hilarious pieces, including the title essay, about his attempts to learn French from a sadistic teacher who declares that every day spent with you is like having a caesarean section. His family is another inspiration. You Can't Kill the Rooster is a portrait of his brother, who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers of food and cashiers with six-inch fingernails.

Carmen got the jeans at a thrift shop. They didn’t look all that great: they were worn, dirty, and speckled with bleach. On the night before she and her friends part for the summer, Carmen decides to toss them. But Tibby says they’re great. She'd love to have them. Lena and Bridget also think they’re fabulous. Lena decides that they should all try them on. Whoever they fit best will get them. Nobody knows why, but the pants fit everyone perfectly. Even Carmen (who never thinks she looks good in anything) thinks she looks good in the pants. Over a few bags of cheese puffs, they decide to form a sisterhood and take the vow of the Sisterhood of the Traveling Pants . . . the next morning, they say good-bye. And then the journey of the pants — and the most memorable summer of their lives — begins.

From the author of the phenomenal #1 New York Times bestseller Tuesdays with Morrie, a novel that explores the unexpected connections of our lives, and the idea that heaven is more than a place; it's an answer. Eddie is a wounded war veteran, an old man who has lived, in his mind, an uninspired life. His job is fixing rides at a seaside amusement park. On his 83rd birthday, a tragic accident kills him as he tries to save a little girl from a falling cart. He awakes in the afterlife, where he learns that heaven is not a destination. It's a place where your life is explained to you by five people, some of whom you knew, others who may have been strangers. One by one, from childhood to soldier to old age, Eddie's five people revisit their connections to him on earth, illuminating the mysteries of his "meaningless" life, and revealing the haunting secret behind the eternal question: "Why was I here?"

"I walk around the school hallways and look at the people. I look at the teachers and wonder why they're here. Not in a mean way. In a curious way. It's like looking at all the students and wondering who's had their heart broken that day...or wondering who did the heart breaking and wondering why."Charlie is a freshman. And while he's not the biggest geek in the school, he is by no means popular. Shy, introspective, intelligent beyond his years yet socially awkward, he is a wallflower, caught between trying to live his life and trying to run from it. Charlie is attempting to navigate his way through uncharted territory: the world of first dates and mixed tapes, family dramas and new friends; the world of sex, drugs, and The Rocky Horror Picture Show, when all one requires is that perfect song on that perfect drive to feel infinite. But Charlie can't stay on the sideline forever. Standing on the fringes of life offers a unique perspective. But there comes a time to see what it looks like from the dance floor.The Perks of Being a Wallflower is a deeply affecting coming-of-age story that will spirit you back to those wild and poignant roller-coaster days known as growing up.

Winner of the 2007 BookBrowse Award for Most Popular Book.An atmospheric, gritty, and compelling novel of star-crossed lovers, set in the circus world circa 1932, by the bestselling author of Riding Lessons. When Jacob Jankowski, recently orphaned and suddenly adrift, jumps onto a passing train, he enters a world of freaks, drifters, and misfits, a second-rate circus struggling to survive during the Great Depression, making one-night stands in town after endless town. A veterinary student who almost earned his degree, Jacob is put in charge of caring for the circus menagerie. It is there that he meets Marlena, the beautiful young star of the equestrian act, who is married to August, the charismatic but twisted animal trainer. He also meets Rosie, an elephant who seems untrainable until he discovers a way to reach her. Beautifully written, Water for Elephants is illuminated by a wonderful sense of time and place. It tells a story of a love between two people that overcomes incredible odds in a world in which even love is a luxury that few can afford.

"My name was Salmon, like the fish; first name, Susie. I was fourteen when I was murdered on December 6, 1973."So begins the story of Susie Salmon, who is adjusting to her new home in heaven, a place that is not at all what she expected, even as she is watching life on earth continue without her -- her friends trading rumors about her disappearance, her killer trying to cover his tracks, her grief-stricken family unraveling. Out of unspeakable tragedy and loss, The Lovely Bones succeeds, miraculously, in building a tale filled with hope, humor, suspense, even joy.

Set in South Carolina in 1964, The Secret Life of Bees tells the story of Lily Owens, whose life has been shaped around the blurred memory of the afternoon her mother was killed. When Lily's fierce-hearted black "stand-in mother," Rosaleen, insults three of the deepest racists in town, Lily decides to spring them both free. They escape to Tiburon, South Carolina--a town that holds the secret to her mother's past. Taken in by an eccentric trio of black beekeeping sisters, Lily is introduced to their mesmerizing world of bees and honey, and the Black Madonna. This is a remarkable novel about divine female power, a story women will share and pass on to their daughters for years to come.

In 1967, after a session with a psychiatrist she'd never seen before, eighteen-year-old Susanna Kaysen was put in a taxi and sent to McLean Hospital. She spent most of the next two years on the ward for teenage girls in a psychiatric hospital as renowned for its famous clientele--Sylvia Plath, Robert Lowell, James Taylor, and Ray Charles--as for its progressive methods of treating those who could afford its sanctuary. Kaysen's memoir encompasses horror and razor-edged perception while providing vivid portraits of her fellow patients and their keepers. It is a brilliant evocation of a "parallel universe" set within the kaleidoscopically shifting landscape of the late sixties. Girl, Interrupted is a clear-sighted, unflinching documnet that gives lasting and specific dimension to our definitions of sane and insane, mental illness and recovery.

Before Liz Lemon, before "Weekend Update," before "Sarah Palin," Tina Fey was just a young girl with a dream: a recurring stress dream that she was being chased through a local airport by her middle-school gym teacher. She also had a dream that one day she would be a comedian on TV.She has seen both these dreams come true.At last, Tina Fey's story can be told. From her youthful days as a vicious nerd to her tour of duty on Saturday Night Live; from her passionately halfhearted pursuit of physical beauty to her life as a mother eating things off the floor; from her one-sided college romance to her nearly fatal honeymoon—from the beginning of this paragraph to this final sentence.Tina Fey reveals all, and proves what we've all suspected: you're no one until someone calls you bossy.

Rarely am I left speechless, I usually have plenty to say, but as I reflected on this novel, I realized there would be no surefire way to describe this book. It is a complete conundrum. Readers will either love or hate this book, I don’t think it there is much of a middle road with this one. It will speak to those with similar personal experiences. I enjoyed the format. It gives the reader snapshots of Dex and Em’s life, like flipping through a stack of polaroids, just a flash of what was going on at a particular time. Picking the same day established a sequence and highlighted that life and circumstances can change so quickly at times, or not change at all as was in Em’s case when two days start exactly the same. I think this was an intelligent way to approach a story that spans 20 years. We don’t really need a full depiction of every single event in their lives to have a sense of what they are going through. Characterization was excellent. Dex and Em quickly became real in my mind, as if I was peeking into the lives of a couple of friends, or reading their journal pages. I too quickly began to know what Emma would or would not like just as Dex did. The characters were genuine. Some reviews say that they were stereotypical…but I find that some people latch onto stereotypes, it helps them define themselves. I feel this is what Emma was doing in her youth with her political stances and thus why they are not as important as she grows older. So are they really stereotypical characters? Or are they just portraying their ideal personas as so many people do?I find that comparisons to When Harry met Sally fall short. I understand the reasons for the comparisons in that they are both about friends that seem to circle back every few years and make sarcastic quips to one another. But I feel like it ends there. To me, this is more of a modernized Wuthering Heights. The author’s ability to write from a woman’s POV is refreshing. I am hesitant when I read something written by a man, trying to sound like a woman. I generally feel like it’s not authentic,like there is something off. Not with this book. Em thought the way I would think, said things that I would say. In the end, this novel deeply affected me. I have not read something that has touched me this much in some time. It spoke to me completely as I was tortured by my own Dex in my youth and early adulthood. The emotions are portrayed as they should be; the frustration, the yearning are, from my perspective, completely legitimate. I found myself feeling like I was reading bits and pieces of my own story. I had knots in my stomach through most of the book and after finishing this at 1 am this morning, I could do nothing but stare at the ceiling and walls, absorbing what I had read, tearing it apart mentally, and extracting lessons from it to be applied in life. That, for me, is the mark of a wonderful novel, reading that reaches into your soul and touches your heart, writing that moves you to feel.

Three ordinary women are about to take one extraordinary step.Twenty-two-year-old Skeeter has just returned home after graduating from Ole Miss. She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken.Minny, Aibileen's best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody's business, but she can't mind her tongue, so she's lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own.Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed.In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women, mothers, daughters, caregivers, friends, view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don't. (jacket flap)

A funny, often poignant tale of boy meets girl with a twist: what if one of them couldn't stop slipping in and out of time? Highly original and imaginative, this debut novel raises questions about life, love, and the effects of time on relationships.Audrey Niffenegger’s innovative debut, The Time Traveler’s Wife, is the story of Clare, a beautiful art student, and Henry, an adventuresome librarian, who have known each other since Clare was six and Henry was thirty-six, and were married when Clare was twenty-three and Henry thirty-one. Impossible but true, because Henry is one of the first people diagnosed with Chrono-Displacement Disorder: periodically his genetic clock resets and he finds himself misplaced in time, pulled to moments of emotional gravity in his life, past and future. His disappearances are spontaneous, his experiences unpredictable, alternately harrowing and amusing. The Time Traveler’s Wife depicts the effects of time travel on Henry and Clare’s marriage and their passionate love for each other as the story unfolds from both points of view. Clare and Henry attempt to live normal lives, pursuing familiar goals—steady jobs, good friends, children of their own. All of this is threatened by something they can neither prevent nor control, making their story intensely moving and entirely unforgettable.