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Quad rugby as played by the US team, between 2002 games in Sweden and the 2004 Paralympics in Athens. Young men, most with spinal injuries, play this rough and tumble sport in special chairs, seated gladiators. We get to know several and their families. They talk frankly about their injuries, feelings in public, sex lives, competitiveness, and love of the game. There's also an angry former team member gone north to coach the Canadian team, tough on everyone, including his viola-playing son. We meet a recently injured man, in rehab, at times close to despair, finding possible joy in quad rugby. After Athens, the team meets young men injured in war: the future stars of Team USA.

A documentary about branding, advertising and product placement that is financed and made possible by brands, advertising and product placement.

Walt Kowalski (Clint Eastwood) is a widower who holds onto his prejudices despite the changes in his Michigan neighborhood and the world around him. Kowalski is a grumpy, tough-minded, unhappy old man who can't get along with either his kids or his neighbors. He is a Korean War veteran whose prize possession is a 1972 Gran Torino he keeps in mint condition. When his neighbor Thao Lor (Bee Vang), a young Hmong teenager under pressure from his gang member cousin, tries to steal his Gran Torino, Kowalski sets out to reform the youth. Drawn against his will into the life of Thao's family, Kowalski is soon taking steps to protect them from the gangs that infest their neighborhood.

Bombay Beach is one of the poorest communities in southern California located on the shores of the Salton Sea, a man-made sea stranded in the middle of the Colorado desert that was once a beautiful vacation destination for the privileged and is now a pool of dead fish. Film director Alma Har'el tells the story of three protagonists. The trials of Benny Parrish, a young boy diagnosed with bipolar disorder whose troubled soul and vivid imagination create both suffering and joy for him and his complex and loving family. The story of CeeJay Thompson, a black teenager and aspiring football player who has taken refuge in Bombay Beach hoping to avoid the same fate of his cousin who was murdered by a gang of youths in Los Angeles; and that of Red, an ancient survivor, once an oil field worker, living on the fumes of whiskey, cigarettes and an irrepressible love of life. Together these portraits form a triptych of manhood in its various ages and guises, in a gently hypnotic style that questions whether they are a product of their world or if their world is a construct of their own imaginations.

The rags-to-riches-to-rags story of Troy Duffy, a blue collar Boston twenty something that struck a dream movie deal with Miramax in 1997 to direct the $15 million project "Boondock Saints" from his own script. It was a deal that received worldwide attention. But when Miramax jumped ship and put the film in turnaround, Duffy's overnight success soon starts to crash and burn.

Documents the sensational events surrounding the making of

It is happening all across America-rural landowners wake up one day to find a lucrative offer from an energy company wanting to lease their property. Reason? The company hopes to tap into a reservoir dubbed the "Saudi Arabia of natural gas." Halliburton developed a way to get the gas out of the ground-a hydraulic drilling process called "fracking"-and suddenly America finds itself on the precipice of becoming an energy superpower.

A 2007 documentary film by Ron Lamothe about Christopher McCandless notable for coming to a different conclusion on McCandless's death than Sean Penn's film, Into the Wild, and Jon Krakauer's book, Into the Wild.

Searching for The Wrong-Eyed Jesus is a captivating and compelling road trip through the creative spirit of the the Southern U.S. Director Andrew Douglas's film follows "Alt Country" singer Jim White through a gritty terrain of churches, prisons, truck stops, biker bars and coal mines. This is a journey through a very real contemporary Southern U.S., a world of marginalised white people and their unique and home-made society. Along the way are road-side encounters with modern musical mavericks including The Handsome Family, Johnny Dowd, 16 Horsepower and David Johansen; old time banjo player Lee sexton; rockabilly and mountain Gospel churches - and novelist Harry Crews telling grisly stories down a dirt track.

This documentary follows two young African-Americans through their high school years as they perfect their skills in basketball in the hopes of getting a college scholarship and eventually play in the NBA. Arthur Agee and William Gates both show great potential and are are actively recruited as they look to enter high school. They start off at the same high school but unable to pay an unexpected bill for tuition fees, Arthur has to withdraw and go to the local public high school. The film follows them through their four years of high school and their trials and tribulations: injuries, slumps and the never ending battle to maintain their grades. Through it all, their hoop dreams continue.

Whilst painters, writers, musicians even dancers are talked about as Artists, stand-up comedians are often regarded as mere entertainers - yet their work has possibly more direct effect on an audience than any other art form. These are social and cultural commentators who at their best can change the way we think about important matters whilst making us howl with laughter. A stand-up comedian must be the writer, the director and the star performer, and unlike any other performance there is no rehearsal, no practice, no safety net, the stand-up can only work in front of a live audience - with feedback being instantaneous and often brutal. For most people baring their soul to then have an audience boo or heckle them would be a life-changing trauma, for stand-ups it's a weekly challenge. DYING LAUGHING is a unique glimpse into the agony and ecstasy of performance along with an singular examination into the day-to-day life of a professional stand-up.

Adult film director Jack Horner is always on the lookout for new talent and it's only by chance that he meets Eddie Adams who is working as a busboy in a restaurant. Eddie is young, good looking and plenty of libido to spare. Using the screen name Dirk Diggler, he quickly rises to the top of his industry winning awards year after year. Drugs and ego however come between Dirk and those around him and he soon finds that fame is fleeting.

On the northwest side of Milwaukee, Mark Borchardt dreams the American dream: for him, it's making movies. Using relatives, local theater talent, slacker friends, his Mastercard, and $3,000 from his Uncle Bill, Mark strives over three years to finish "Coven," a short horror film. His own personal demons (alcohol, gambling, a dysfunctional family) plague him, but he desperately wants to overcome self-doubt and avoid failure. In moments of reflection, Mark sees his story as quintessentially American, and its the nature and nuance of his dream that this film explores.

24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a new calm. Meanwhile, guilt consumes Earl's young wife, while two whiz kids, one grown and a loser and the other young and pressured, face their situations. The weather, too, is quirky.

When "the dude" Lebowski is mistaken for a millionaire Lebowski, two thugs urinate on his rug to coerce him into paying a debt he knows nothing about. While attempting to gain recompense for the ruined rug from his wealthy counterpart, he accepts a one-time job with high pay-off. He enlists the help of his bowling buddy, Walter, a gun-toting Jewish-convert with anger issues. Deception leads to more trouble, and it soon seems that everyone from porn empire tycoons to nihilists want something from The Dude.

It begins in 1979 with the chance meeting in a Salt Lake City parking lot where filmmaker Trent Harris is approached by an earnest small-town dreamer from Beaver, Utah. Harris jumps at the chance when the young man invites him to come to the small town of Beaver to film a talent show. At the show, the man dons black leather, blond wig and performs in drag as Olivia Newton John. Harris captures it all on tape. What unfolds is a strange, funny, and ultimately poignant portrait of a true outsider. Not willing to let the story go, Harris then created a dramatic piece, "Beaver Kid 2" based on the documentary. This interpretation, shot in 1981 on a home video camera with a budget of $100, features the young Sean Penn as the Beaver Kid re-enacting the same scenario. Still possessed, Harris then rewrote the script, cast Crispin Glover in the lead, and in 1985 created the final segment, "Orkly Kid" as an American Film Institute project. The three pieces were re-edited, compiled, and finally screened at the Lincoln Center in New York City in July of 2000. Beaver Trilogy unveils the inner world of a fantastic character compelled to hide, yet at the same time, tell the world about his secret life.

A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.

After escaping death by the skin of her teeth, the horribly disfigured prostitute, Delilah Fitzgerald, and her appalled and equally furious co-workers summon up the courage to seek retribution in 1880s Wyoming's dangerous town of Big Whiskey. With a hefty bounty on the perpetrators' heads, triggered by the tough Sheriff "Little Bill" Daggett's insufficient sense of justice, the infamous former outlaw and now destitute Kansas hog farmer, William Munny, embarks on a murderous last mission to find the men behind the hideous crime. Along with his old partner-in-crime, Ned Logan, and the brash but inexperienced young gunman, the "Schofield Kid", Munny enters a perilous world he has renounced many years ago, knowing that he walks right into a deadly trap; however, he still needs to find a way to raise his motherless children. Now, blood demands blood. Who is the hero, and who is the villain?