Unseen-Comedy Movies

Harvard educated lawyer Lucy Kelson, following in the footsteps of her lawyer parents, uses her career for social activism. She hides any sense of femininity behind her work. George Wade is the suave public face of the Manhattan-based Wade Corporation, a development firm that Lucy routinely opposes and whose true head is George's profit-oriented brother, Howard Wade. George, who has a reputation as a lady's man, has had as his legal counsel a series of beautiful female lawyers with questionable credentials, they who have more primarily acted as his casual sex partners. Needing a real lawyer, he offers Lucy the job of his legal counsel on a chance meeting. Despite warnings from her parents in working for the "enemy", Lucy, who has no intention of being the latest in his bed partners, accepts the job as she feels she can do more good from the inside, and as George, as part of the job offer, promises not to demolish a community center in a heritage building as part of a development project near her childhood Coney Island home where her parents still live. Although Lucy is able to effect the type of change she wanted from this position, she finds she cannot deal with George's expectations of her, namely being his primary confidante and advisor at all hours of the day and night, mostly about issues she considers frivolous. As such, she gives him two weeks notice, although she promises to help George find her replacement. As Lucy begins to review resumes, George himself unilaterally decides to hire June Carver, a fellow Harvardite, but who seems to have her sights set on George as both a boss and personal partner. As June begins to replace Lucy in seemingly all aspects of George's life, Lucy begins to realize that she herself has fallen for George. However, Lucy's feelings for George and her attempts to re-ingratiate herself into George's life are placed into jeopardy when she learns of a Wade Corporation decision against her basic sensibilities.

Helen Harris (Kate Hudson) is living the life she's always dreamed of: her career at a top modelling agency is on the rise; she spends her days at fashion shows and her nights at the city's hottest clubs. But her carefree lifestyle comes to a screeching halt when one phone call changes everything. Helen soon finds herself responsible for her sister's children: fifteen-year-old Audrey (Hayden Panettiere), ten-year-old Henry (Spencer Breslin), and five-year-old Sarah (Abigail Breslin). No one doubts that Helen is the coolest aunt in New York City, but what does this glamor girl know about raising kids? The fun begins as Helen goes through the transformation from super-hip to super-mom, but she quickly finds that dancing at 3a.m. doesn't mix with getting kids to school on time, advice that Helen's older sister, Jenny Portman (Joan Cusack), is only too quick to dish out. Along the way, Helen finds support in the most unusual place, with Dan Parker (John Corbett), the handsome young pastor and principal of the kids' new school, and realizes the choice she has to make is between the life she's always loved and the new loves of her life.

Successful and single businesswoman Kate Holbrook has long put her career ahead of a personal life. Now 37, she's finally determined to have a kid on her own. But her plan is thrown a curve ball after she discovers she has only a million-to-one chance of getting pregnant. Undaunted, the driven Kate allows South Philly working girl Angie Ostrowiski to become her unlikely surrogate. Simple enough ... After learning from the steely head of their surrogacy center that Angie is pregnant, Kate goes into precision nesting mode: reading childcare books, baby-proofing the apartment and researching top pre-schools. But the executive's well-organized strategy is turned upside down when her Baby Mama shows up at her doorstep with no place to live. An unstoppable force meets an immovable object as structured Kate tries to turn vibrant Angie into the perfect expectant mom. In a battle of wills, they will struggle their way through preparation for the baby's arrival. And in the middle of this tug-of-war, they'll discover two kinds of family: the one you're born to and the one you make.

Chicago Sun Times copy editor Josie Gellar (25), who was desperate to graduate from perfectionist copy editor to reporter, gets her chance when the goody owner orders the editor to cover the high-school scene by undercover. Josie, who was a frustrated, ridiculed nerd, gets a popular make-over from her drop-out, naturally funny brother Rob Geller. Both siblings find love and joys of youth again. But in Josie's case, it's sensitive bachelor teacher Sam Coulson, who enjoys sophisticated conversation. As the publication deadline approaches, the price of blowing their cover seems ever more daunting, yet inevitable unless she sacrifices her career.

In New York, faithful, boring book-jacket-summary writer Ben Holmes is ready to fly to Savannah, Georgia, to marry his beloved fiancee Bridget, but the plane crashes at takeoff and Ben is stranded in the airport. But soon he meets free-spirited Sarah, who finds a man called Vic who offers them a ride in his rented car if they will split the expenses. Along their troubled journey, the forces of nature seem to conspire against Ben as he gets better acquainted with unpredictable Sarah. Soon he questions whether or not he should go through with marrying Bridget.

Grace Bichon, who is managing her father Wyly King's riding-stable, discovers that her husband, Eddie, deceives her with another woman. After confronting him in the middle of the night on the streets of their small home town, she decides to stay at her sister Emma Rae's house for a while to make up her mind. Breaking out of her everyday life, she starts to question everyone's authority, especially Wyly's, thus causing a stir in her parents' marriage, too.

Harry Sanborn is an aged music industry exec with a fondness for younger women like Marin, his latest trophy girlfriend. Things get a little awkward when Harry suffers a heart attack at the home of Marin's mother Erica. Left in the care of Erica and his doctor, a love triangle starts to take shape.

Two sisters, plus a dead mother, a remarried father, and a hostile step-mother. The sisters, each in her way, have perfected the art of losing. The elder, Rose, is an attorney, responsible, lonely, with a closet full of shoes. The younger is Maggie, beautiful, selfish, and irresponsible. Her drunken behavior gets her tossed by her step-mother from her dad's house; worse behavior gets her tossed from Rose's apartment. Then, while searching in her father's desk for money to filch, Maggie finds an address; the past and the future open up to her and, with any luck, may open to her sister as well.

Sparks fly and cultures collide in this romantic comedy about a casual night of passion that turns into the love of a lifetime. Alex Whitman is a New Yorker sent to Las Vegas to oversee a construction project. There he meets Isabel Fuentes, and some serious chemistry brings them together for one night. But Alex doesn't see Isabel again until three months later, when he learns she is pregnant. On a whim and prayer, he proposes. However, there's more to marriage than a Vegas chapel and an Elvis impersonator, as Alex and Isabel soon learn.

Rosie (Michelle Pfeiffer), a 40-year-old divorced mother produces the has-been television comedy "You Go Girl," which seems doomed since her boss no longer allows the show to tackle any vaguely-controversial subjects. Then she meets Adam (Paul Rudd) , an attractive, spontaneously funny, single, 29-year-old actor at an audition. She successfully casts him, which revives the show's ratings. She also dates him, but her pathological insecurity, focused on their age difference, compromises the relationship. That culminates when she suspects him of infidelity with the show's star, and the studio gives those two their own sitcom.

New York columnist Ike Graham elaborates, for once without full fact checking, the story he heard from a bar mate of Maryland small town girl Maggie Carpenter, who left several grooms at the altar, taking off without warning or serious reason. Fearing a legal case from Maggie, Ike's editor and ex Ellie fires him. Staff buddy Fisher cues Ike to seek his job back (or earn another) by attempting to prove the alleged inaccuracies and/or writing a priceless follow-up piece. So his sports-car heads for her home Hale, where she runs a garage and designs glassware. His charms and journalistic nose get everyone to open up and reveal her embarrassing past before she can swear people to silence, from her three dumped grooms and family to her overconfident present groom, high school coach Bob Kelly. In the process, Maggie finds hating him as hard as tempting, while Ike develops a strange appreciation for the maverick, until even Bob sees reason to get jealous.

In the midst of a nasty public breakup of married movie stars, a studio publicist scrambles to put a cap on the escalating situation as the couple's latest film has found its only print kidnapped by the director.

Trentonian Stacy Holt's life has been guided by two general items. One is her father abandoning the family when she was young, leading to her and her mother turning to the music of

The needy Gigi Haim is a young woman seeking her prince charming somewhere amongst her unsuccessful dates. After dating estate agent Conor Barry, Gigi anxiously expects to receive a phone call from him. However Conor never calls her. Gigi decides to go to the bar where he frequents to see him, but she meets his friend Alex who works there. They become friends and Alex helps Gigi to interpret the subtle signs given out by her dates.

The film opens with a loving husband and wife preparing for a very important fund raising dinner. The evening ends with the loss of the wife. In a hospital a weak young woman who may die soon if she can not get a new heart. Jump ahead one year the young woman received a heart and is trying to adjust to a life no longer counted by hours or days, she can actually make plans. The grieving husband and his dog are still trying to adjust to life without his wife. His friends keep trying to pry him from his "work is my life" existence by setting him up on blinds dates. Finally he actually shows up for one at an Irish-Italian restaurant where he finds himself more attracted to the waitress than his blind date. He finds an excuse to return to the restaurant in hopes of seeing the waitress again, there's just something attractive about her. Unknown to both the attraction they both feel for one another is Grace has the heart of Bob's dead wife. What can you say after that! Carroll O'Connor says exactly the right thing to Bob after he finds out this ironic coincidence.

Rachel is a lawyer. When she was in law school she fell for another student, Dex, who comes from an affluent family, but she was too shy to say anything. When Dex meets her best friend Darcy, who sometimes treats her like dirt, Darcy makes a move on Dex and gets him. Eventually, they get engaged and Darcy asks Rachel to be her Maid of Honor. However, Rachel still has feelings for Dex and still can't say anything. Darcy throws her a birthday party and Dex is there. When she and Dex are alone she blurts out that she had a thing for him in college which surprised him, and after drinking a little they spend the night together. They try to forget the whole thing and agree that it means nothing. Ethan, Rachel's close friend, tells her that she'll spend her entire life regretting that if she does nothing.

In New York City, Molly Gunn is a spoiled, wealthy, immature young woman who lives as if she were a fairytale princess. Her father, a popular rock guitarist, died in a plane crash with her mother when she was little. In a nightclub on her birthday she meets Lorraine "Ray" Schleine, a nasty young girl with an adult attitude, who lives with her careless mother and a terminally-ill father in a fancy uptown apartment. When Molly's accountant vanishes with her US$ 100,000,000.00 inheritance, she is left with nothing but debts and must work to survive--with no previous experience or marketable skills. She is hired to be Ray's babysitter, and their close contact makes Molly reach maturity and Ray act like the 8-year-old she is.

Brad and Kate have been together three years, in love, having fun, doing all sorts of things together with no intention of marriage or children. Christmas morning, they're on their way to Fiji, having told their two sets of divorced parents that they're off to do charity work. Through a fluke, they have no choice but to visit each of their four idiosyncratic parents. As the day progresses, Brad and Kate remember growing up, each learns more about the other, and Kate realizes that her life may not be as good as it could be. Do they know each other well enough to weather the storms families bring?