Rebecca is suspicious of Ernessa, the new arrival at her boarding school. But is Rebecca just jealous of Ernessa's bond with Lucie, or does the new girl truly possess a dark secret?

One stormy Glasgow night Dorothy and Petula's lives are inextricably thrown together, bonded by a common flaw. Dorothy's on the run from her boyfriend and Petula should be doing the same. Evasion, blackmail, murder, betrayal, revenge and a suitcase loaded with a million quid... it's all there... and then some.

On a beautiful college campus, something ugly is about to be spread around. A bit of gossip that was told is starting to take a frightening turn. Who could it have offended and how far will the person on the other side of the gossip handle the embarrassing situation.

Cherry Bomb follows teenagers Luke, Malachy, and Michelle as they embark on a wild weekend of drink, drugs, shop-lifting and stealing cars. But what starts out as a game turns deadly serious when the three discover that they can't get off the wild ride they've set in motion.

Tanner Hall is a vivid peek into the private world of an all-girls boarding school. In a cozy, but run-down New England, the knot of adolescent complexity is unraveled through the coming-of-age stories of four teenage girls.

2009 film by Francesca Gregorini, Tatiana von Fürstenberg

Connie, an aging Bohemian photographer, meets mousy Harper, headed for Harvard Law from a high-powered San Francisco family, and immediately sees her beauty. He also guesses she has talent and invites her to be his pupil and share his bed. He's Alfred Stieglitz, she's Georgia O'Keefe, and he calls her his Guinevere. When she realizes she's the latest Guinevere in a string of ingenues, she bolts, only to return, sick of her family. She's blossoming, reading, learning, but hasn't yet taken her first photograph when he tells her they're going to L.A., broke, him drinking too much, to sell some photographs. On the trip, she finally snaps the shutter; so does her awe and dependence.

When their abusive parents are killed in a car crash, twin sisters Rosie and Violet vow to run away to Kentucky in search of a better life. While on the road, the girls meet up with Pete, a drifter working as a grounds keeper on a derelict army base, who takes them in. While Violet falls for him, Rosie becomes increasingly angry and hostile, and the sisters' childhood bond is eventually destroyed forever.

Six misfit schoolgirls at an all-girl Catholic high school, left alone at the school for Easter week, get mixed up with the occult and witchcraft after an old Satanic temple is found underneath the church where they attend as well as an old book of black magic spells for conjuring up an ancient demon from the pits of Hell. Janie, the most characteristic and cruelest of the girls, takes charge of the group and plots to resurrect the demon using a series of black arts spells, while one innocent girl, Faith, has a change of heart and tries to stop them from completing their spell which also includes a human sacrifice.

A psychotic serial slasher starts a bloodthirsty murder rampage at Cherry Falls high school that only kills the local high school virgins. This leads to the local teenage population organising a sex party in order to lose their virginity and thus no longer be targets...

Across a dark street in Los Angeles, a beautiful young woman is being brutally assaulted by an abusive boyfriend. Young lawyer Jeff Mills rushes to the woman's defense - and crosses into a world of unimaginable evil. On the surface, the young woman, Miranda Reed, is a dream come true, the perfect lover, a miracle healer and a soulmate. Before two days have passed, Jeff lives a real-life nightmare, an encounter so intense, death is almost merciful. Because Jeff learns that Miranda is a fugitive from the witches coven (to which she belongs) and they want her back. Back in time for a human sacrifice by the Unholy Night of the Winter Solstice.

While the general theme of this film resembles "The Blue Lagoon" (the film for which this is a sequel), the basic plot is quite different. We open the film with a ship finding the craft with our original characters in it, Richard and Emmeline dead and Paddy alive. Established in the first film, the only word Paddy ever says is "Richard", so the crew assumes Richard is the infant's name. Taken in by Sarah, a widow with an infant baby girl Lilli, Richard (Paddy) is cared for in a return to civilization. Struck by cholera, the crew of the ship start to die and the captain sets Sarah, Richard, Lilli and a healthy crew member on a lifeboat in an attempt to preserve their lives. With water and food running short, the crew member escorting Sarah and the children becomes dangerous, so Sarah takes the only course of action she feels suitable to preserve the children: she strikes him and throws him overboard. Taking control of the small craft, she eventually guides them back to the island of the first film. The infant Richard, recognizing where he is, finds his home and is very upset not to find his parents. Fixing up the hut and settling in the children, Sarah begins their life on the island, slowly teaching the children survival tools, as well as schooling them as though they were in school, and teaching them slowly about the facts of life, including Lilli's eventual growth to womanhood. When Sarah dies from pneumonia, she leaves the children far more prepared than Richard and Emmeline in the first film. Years later as the children grow into adulthood, the film skims the same themes as the first of their developing relationship, and introduces the characters to civilization when a ship, low on fresh water, stops on their island and offers to take them home. After a confrontation with one of the crew and the captain's daughter, Lilli finds herself pregnant and they decide to stay, as they feel the civilization the visitors have to offer will not compare to the life they lead on the island.

Shakespeare's intertwined love polygons begin to get complicated from the start--Demetrius and Lysander both want Hermia but she only has eyes for Lysander. Bad news is, Hermia's father wants Demetrius for a son-in-law. On the outside is Helena, whose unreturned love burns hot for Demetrius. Hermia and Lysander plan to flee from the city under cover of darkness but are pursued by an enraged Demetrius (who is himself pursued by an enraptured Helena). In the forest, unbeknownst to the mortals, Oberon and Titania (King and Queen of the faeries) are having a spat over a servant boy. The plot twists up when Oberon's head mischief-maker, Puck, runs loose with a flower which causes people to fall in love with the first thing they see upon waking. Throw in a group of labourers preparing a play for the Duke's wedding (one of whom is given a donkey's head and Titania for a lover by Puck) and the complications become fantastically funny.

When the father of privileged Rosina da Silva violently dies, she decides to pass herself off as a gentile and finds employment with a family in faraway Scotland. Soon she and the family father, Charles, start a passionate secret affair.

At age 10, Fanny Price is sent by her destitute mother to live with her aunt and uncle, Sir Thomas and Lady Bertram. As a child she was often made to feel that she was the poor relation but by the time she reaches 18, and in the absence of her uncle who leaves on a business trip for an extended period, she begins to enjoy herself. When Henry Crawford and his sister Mary become neighbors to the Bertrams, opportunities abound. Edmond Bertram falls in love with Mary but she wants to marry a man with money, not someone destined to life as a clergyman. Meanwhile, Fanny's love for her cousin Edmond prevents her from accepting Mr. Crawford's proposal of marriage.

A skeptical female clinical psychologist joins a priest-in-training and a blue-collar contractor as they investigate supposed miracles, demonic possession, and other extraordinary occurrences to see if there's a scientific explanation or if something truly supernatural is at work.

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