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Disasteradio is the pseudonym of Luke Rowell, a computer musician from Lower Hutt, New Zealand. He began writing a mixture of Chiptune and synthpop in 1999 and has released eight albums, toured New Zealand over ten times and completed several tours of Europe, and two of the US. In 2012, Luke created a pseudonym Eyeliner to explore vaporwave.

Vaporwave is a microgenre of electronic music, a visual art style, and an Internet meme that emerged in the early 2010s. It is defined partly by its slowed-down, chopped and screwed samples of smooth jazz, elevator, R&B, and lounge music from the 1980s and 1990s. The surrounding subculture is sometimes associated with an ambiguous or satirical take on consumer capitalism and pop culture, and tends to be characterized by a nostalgic or surrealist engagement with the popular entertainment, technology and advertising of previous decades. Visually, it incorporates early Internet imagery, late 1990s web design, glitch art, anime, 3D-rendered objects, and cyberpunk tropes in its cover artwork and music videos.

Vaporwave is a microgenre of electronic music, visual art style, and Internet meme that emerged in the early 2010s. It is defined partly by its slowed-down, chopped and screwed samples of smooth jazz, elevator, R&B, and lounge music from the 1980s and 1990s. The surrounding subculture is sometimes associated with an ambiguous or satirical take on consumer capitalism and pop culture, and tends to be characterized by a nostalgic or surrealist engagement with the popular entertainment, technology and advertising of previous decades. Visually, it incorporates early Internet imagery, late 1990s web design, glitch art, anime, 3D-rendered objects, and cyberpunk tropes in its cover artwork and music videos.

New Dreams Ltd. is the third studio album by American electronic musician Vektroid under the alias Laserdisc Visions released on July 1, 2011. The album is an early example of the genre vaporwave.

Black Horse and MIDI Dungeon are studio albums by electronic musician Vektroid under the alias esc不在, released on August 2, 2011. The albums' genre is recognized as vaporwave. These albums are some of Vektroid's more obscure work as they have never been uploaded to her Bandcamp or SoundCloud pages in their original forms. Select tracks on the albums would later be reused for Initiation Tape: Isle of Avalon Edition, a rework of the original Initiation Tape, released on the same day as the original esc不在 albums. The albums are not as popular as others, such as Floral Shoppe.

Vaporwave is a microgenre of electronic music, visual art style, and Internet meme that emerged in the early 2010s. It is defined partly by its slowed-down, chopped and screwed samples of smooth jazz, elevator, R&B, and lounge music from the 1980s and 1990s. The surrounding subculture is sometimes associated with an ambiguous or satirical take on consumer capitalism and pop culture, and tends to be characterized by a nostalgic or surrealist engagement with the popular entertainment, technology and advertising of previous decades. Visually, it incorporates early Internet imagery, late 1990s web design, glitch art, anime, 3D-rendered objects, and cyberpunk tropes in its cover artwork and music videos.

血影蛋白（Spectrin），一種細胞結構蛋白，大多位於紅血球細胞膜內側，是紅血球骨架的主要成分。血影蛋白在整個細胞膜內側形成可變形的架構，以維持紅血球的雙凹圓盤構造。血影蛋白形成五边形或六边形排列，形成支架并在维持细胞膜完整性和细胞骨架结构中起重要作用。六角形排列由血影蛋白亚基的四聚体形成，所述四聚体与四聚体两端的短肌动蛋白丝相关联。 这些短的肌动蛋白丝充当连接复合物，得以形成六边形网。 该蛋白质被命名为血影蛋白，因为它首先作为人类红细胞的主要蛋白质成分被分离出来，后者已经用温和的洗涤剂处理过; 洗涤剂裂解细胞，血红蛋白和其他细胞质成分被洗掉。

它是一種長且具有伸縮性的纖維狀蛋白，長約100nm，由兩條單體：αI、βI先平行排列結合成二聚體，兩個二聚體再以頭對頭的方式連接成200nm長的四聚體。5到6個四聚體的尾端透過protein4.1、protein4.2、protein4.9、肌動蛋白（actin）、錨定蛋白（ankyrin）等等蛋白質的幫助下，固定在某些跨膜蛋白（intergral membrane proteins）上。

在某些类型的脑损伤如弥漫性轴索损伤中，血影蛋白被蛋白酶解酶钙蛋白酶不可逆地切割，破坏细胞骨架。 血影蛋白裂解导致膜形成泡(细胞生物学)并最终降解，通常导致细胞死亡。血影蛋白亚基也可以被胱天蛋白酶家族酶切割，并且钙蛋白酶和半胱天冬酶产生不同的血影蛋白分解产物，其可以通过用适当的抗体进行Western印迹法(Western blot)来检测。 钙蛋白酶切割可能表明坏死的激活，而胱天蛋白酶切割可能表明细胞凋亡。

与其他细胞类型相比，使用红细胞的便利性意味着它们已成为研究血影蛋白细胞骨架的标准模型。通过αI和βI单体的横向缔合形成二聚体，形成二聚体。 然后，二聚体以头对头的形式缔合以产生四聚体。 这些四聚体与短肌动蛋白丝的端对端结合产生观察到的六边形复合物。

ヴェイパーウェイヴ（またはベイパーウェーブ、英：英: Vaporwave）は、2010年代初頭にWeb上の音楽コミュニティから生まれた音楽のジャンルである。過去に大量生産されて忘れ去られた人工物や技術への郷愁、消費資本主義や大衆文化、1980年代のヤッピー文化、ニューエイジへの批評や風刺として特徴づけられる。基本的にパソコンとDAWを用いて、素材の加工と切り貼りだけで制作される。

チルウェイヴやウィッチハウスと同様に、ヴェイパーウェイヴはネット上のコミュニティ（Turntable.fm.ほか）から誕生した。音楽的には、1980年代から1990年代にかけての大衆音楽、ラウンジ・ミュージック、スムースジャズ、コンテンポラリー・R&Bなどのサンプリングを基本とし、そこからループ、ピッチダウン、チョップド&スクリュードなどエフェクトを重ねていくことによって制作される。この編集により一種独特な音が生まれ、さながら蒸気に包まれるような感覚を与えることからヴェイパーウェイヴと名付けられたとも、もしくはチルウェイヴのパロディのように生まれた経緯からそう呼ばれるようになったとも推測されている。あるいはVaporwareの引用であるともされる。集めた素材を切り貼りする制作手法は現代音楽の1ジャンルであるミュージック・コンクレートと類似する。また、空気感で環境を表現する作品が多く、ある種のアンビエント音楽も兼ねている。現代のヴェイパーウェイヴは多数のサブジャンルに派生し、ジャンル発足当初の精神性に縛られなくなっており、画像・音声の寄せ集めによる矛盾だらけの世界観という点以外は共通点が無くなっている。

Home™ is the thirteenth studio album by American electronic musician Vektroid (under her alias PrismCorp Virtual Enterprises), released on April 20, 2013 by Beer on the Rug. Released simultaneously alongside ClearSkies™ under her PrismCorp alias, both albums contrast with her previous releases, which had a primary focus on samples. The two albums consist primarily of original MIDI-styled compositions, much akin to computer and video game music released during the 1990s and 2000s; Home™ additionally incorporates original MIDI covers of obscure music into its release, and it has been the first Vektroid release to use the PrismCorp Virtual Enterprises alias.

Ghosting war eine deutsche Musikformation, die 1989 von Sascha Tayefeh gegründet wurde. Die frühen Werke der Band werden aufgrund der als düster wahrgenommenen Grundstimmung dem Dark-Wave-Umfeld zugeordnet. Seit der zweiten Hälfte der 1990er bewegte sich Tayefeh primär im Goa-Trance-Umfeld.

Die Band wurde im Jahre 1989 in Koblenz gegründet und löste sich im Jahre 2003 auf. Der Einsatz von Synthesizern in Kombination mit klassizistischen Kompositionstechniken war stilprägend. Die Schaffensperiode der Band lässt sich stilistisch in vier deutlich unterscheidbare Phasen einteilen:

Nach Gründung der Band bis 1991 entstanden in der Ambient-Experimentelle Phase hauptsächlich melancholische und tragende Stücke, die am ehesten den frühen Werken von Coil, Dead Can Dance und Fad Gadget zuzuordnen sind. Die Stücke vermitteln Atmosphären und Stimmungen, vergleichbar mit dem modernen Ambient.

"Human Nature" is a 1982 song performed by American singer Michael Jackson, and the fifth single from his sixth solo album, Thriller. The track was produced by Quincy Jones and performed by members of Toto with Michael Jackson providing vocals.

It was originally written by keyboardist Steve Porcaro, based on a conversation he had with his young daughter Heather after a boy pushed her at school, Porcaro said "he probably likes you and it's human nature". Porcaro, along with some of his bandmates from the band Toto, had been assisting with the production of Thriller, but he had not intended for "Human Nature" to be used by Jackson. However, Thriller producer Quincy Jones inadvertently heard a demo version of the track and thought it would be a great fit for the album. Jones then brought in songwriter John Bettis to rewrite the verses, whose lyrics are about a passerby in New York City.