Amidst a wild flat meadow encircled by an Edenic lush forest, a couple have cocooned themselves in a secluded mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus; however, he seems unable to break out of the persistent creative rut that haunts him. Then, unexpectedly, a knock at the door, the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer's stagnant imagination. Little by little, much to the perplexed wife's surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish, irreparably, the couple's inviolable sanctuary?

Wondering about the meaning and modalities of their triage, presumably to live or burn, Jewish Auschwitz barrack mates start to debate on how or why God can allow (his) people to suffer such fatal misery, which even further divides a devout father and his liberal son. They eventually form a Thora court, which hears theological argumentation as well as practical considerations.

P. K. is a comedy of ideas about a stranger in the city, who asks questions that no one has asked before. They are innocent, child-like questions, but they bring about catastrophic answers. People who are set in their ways for generations, are forced to reappraise their world when they see it from PK's innocent eyes. In the process PK makes loyal friends and powerful foes. Mends broken lives and angers the establishment. P. K.'s childlike curiosity transforms into a spiritual odyssey for him and millions of others. The film is an ambitious and uniquely original exploration of complex philosophies. It is also a simple and humane tale of love, laughter and letting-go. Finally, it is a moving saga about a friendship between strangers from worlds apart.

An impromptu goodbye party for Professor John Oldman becomes a mysterious interrogation after the retiring scholar reveals to his colleagues he has a longer and stranger past than they can imagine.

Mohammad, a boy at Tehran's institute for the blind, waits for his dad to pick him up for summer vacation. While waiting, he realizes a baby bird has fallen from its nest: he chases away a cat, finds the bird, climbs a tree, and puts it back. His father finally comes and takes him to their village where his sisters and granny await. The lad is a loving student of nature and longs for village life with his family, but his father is ashamed of him, wanting to farm the boy out to clear the way for marriage to a woman who knows nothing of this son. Over granny's objections, dad apprentices Mohammad far from home to a blind carpenter. Can anything bring father and son together?

In the not-too-distant future, a less-than-perfect man wants to travel to the stars. Society has categorized Vincent Freeman as less than suitable given his genetic make-up and he has become one of the underclass of humans that are only useful for menial jobs. To move ahead, he assumes the identity of Jerome Morrow, a perfect genetic specimen who is a paraplegic as a result of a car accident. With professional advice, Vincent learns to deceive DNA and urine sample testing. Just when he is finally scheduled for a space mission, his program director is killed and the police begin an investigation, jeopardizing his secret.

1997 science fiction film directed by Andrew Niccol

"In the beginning, there was nothing." So starts this version of the story centered on Noah (Russell Crowe), the man entrusted by God to save the innocent animals of Earth as the rising floodwaters cleansed the planet of mankind's evil. As the telling continues, we learn how Adam and Eve's sins have passed down through generations through their sons Cain and Abel, and how the descendants of their righteous sibling Seth were entrusted with defending creation. One day, while foraging in the country, a descendant of Seth, Noah, sees his father slain by a descendant of Cain. In the process, Noah's birthright is stolen from him. Decades later, as a father of three, Noah experiences a vision foretelling the great flood that will wash over the Earth, destroying every living thing that stands on the soil. That vision leads Noah to seek out his grandfather, Methuselah (Sir Anthony Hopkins), in order to understand his mission. When a second vision reveals that Noah is to construct a massive ark designed to shelter every living animal during the great flood, Noah, his wife Naameh (Jennifer Connelly), their three sons Shem (Douglas Booth), Ham (Logan Lerman), and Japheth (Leo McHugh Carroll), and their adoptive sister Ila (Emma Watson) immediately begin construction on the vessel with the help of the Watchers, a race of angels created as beings of light, but encrusted in stone and mud and forsaken by God for their attempts to help man. Meanwhile, word of Noah's work soon reaches Tubal-cain (Ray Winstone), who gathers an army on a mission to overtake the ark, and survive the coming storm by any cost.

In Canada, a writer visits the Indian storyteller Pi Patel and asks him to tell his life story. Pi tells the story of his childhood in Pondicherry, India, and the origin of his nickname. One day, his father, a zoo owner, explains that the municipality is no longer supporting the zoo and he has hence decided to move to Canada, where the animals the family owns would also be sold. They board on a Japanese cargo ship with the animals and out of the blue, there is a storm, followed by a shipwrecking. Pi survives in a lifeboat with a zebra, an orangutan, a hyena and a male Bengal tiger nicknamed Richard Parker. They are adrift in the Pacific Ocean, with aggressive hyena and Richard Parker getting hungry. Pi needs to find a way to survive.

A thriller in which a battle of philosophies between a fundamentalist Christian and an atheist escalates into a lethal battle of wills. Ultimately, as a test of faith, or lack of it, the believer forces the non-believer onto the ledge of a tall building. He then has one hour to make a choice between his own life and someone else's. Without faith in an afterlife, will he be capable of such a sacrifice?

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