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Picture of a movie: Crimes of the Future
Picture of a movie: Possessor
Picture of a movie: Men
Picture of a movie: Don't Look Now
Picture of a movie: The Killing of a Sacred Deer
Picture of a movie: Antichrist
Picture of a movie: mulholland drive
Picture of a movie: Mandy
Picture of a movie: Color Out of Space
Picture of a movie: Alien
Picture of a movie: The Thing
Picture of a movie: Videodrome
Picture of a movie: Invasion of the Body Snatchers
Picture of a movie: The Witch
Picture of a movie: Midsommar
Picture of a movie: The Fog

34 Movies

Visually Compelling Horror

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Good lookin' scary movies.

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Videodrome

1983
Max Renn is the President of Channel 83 Civic-TV, a small television station on the UHF dial. He defends his programming of largely X-rated shows - which depict graphic sex and extreme violence - as a pure matter of economic survival as a small station. Behind closed doors in specific company, he would admit that he enjoys such programming, but as President will stay away from associated activities that may be dangerous for him in its purchase. His current girlfriend, radio personality Nicki Brand, who he met on a television talk show, is sexually aroused by light mutilation on her person, that despite or because her radio show is like an open air crisis hotline. On that same talk show, the other guest via video feed was Professor Brian O'Blivion - solely his stage name - who believes that television and video broadcasts will one day overtake the world as reality, which may make Max's programming in combination more dangerous. In Max's search for the next big thing in like programming already on Channel 83, Harlan, his pirater who scans satellite signals, illegally obtains a satellite feed of something called Videodrome, which depicts continual sexualized torture and murder with no storyline of which to speak. The background behind Videodrome is unknown, but believing it is that big thing for which he is looking, Max is determined to find the producers so that he can purchase it for his station. He is concerned for Nicki if she goes ahead against his warnings in wanting to appear on Videodrome, however it does not lessen his desire to purchase it. If Max in turn does not heed the warning of Masha, one of his long time show suppliers, based on what little she discovers about it, Max may discover that Videodrome is just the next but destructive step in O'Blivion's prognostication.

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Picture of a movie: The Wicker Man
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The Wicker Man

1974
On Sunday, April 29, 1973, Sergeant Neil Howie with the West Highland Constabulary flies solo to Summerisle off the coast of Scotland. He is there to follow up on a letter addressed specifically to him from an anonymous source on Summerisle reporting that a twelve year old girl who lives on the island, Rowan Morrison, the daughter of May Morrison, has long been missing. The correspondence includes a photograph of Rowan. Upon his arrival on Summerisle, Howie finds that the locals are a seemingly simple minded lot who provide little information beyond the fact that they know of no Rowan Morrison and do not know the girl in the photo. Mrs. Morrison admits to having a daughter, seven year old Myrtle, but no Rowan. As Howie speaks to more and more people, he begins to believe that Rowan does or did live on the island, but that the locals are hiding their knowledge of her. He also begins to see that the locals all have pagan beliefs, their "religion" which centers on procreation as the source of life. That procreation does not necessarily need to be within marriage, and openly flaunts the act of sex, both in private and in public. These beliefs do not sit well against Howie's strict Christian morals, he who regularly attends church, prays, and accepts communion. Everything that happens on the island seems to be dictated by Lord Summerisle, whose ancestors bought the island generations ago. Howie begins to believe that Rowan was murdered, she a sacrifice by the islanders to their higher power to ensure a bountiful apple crop - the main crop of the island - which did not materialize last season. With May Day approaching, Howie not only tries to find out if Rowan was indeed murdered/sacrificed, which includes trying to locate her body, but if there will be another sacrifice on this important day within the cycle of life.
Picture of a movie: Saint Maud
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Saint Maud

2021
There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure.