A priest and his companion hunt silently through the fields, accompanied by a braying dog. They are armed and deadly. Their quarry is Camiel Borgman (Jan Bijvoet), living in military sparseness in an underground den, near companions Ludwig and Pascal. Camiel scrapes out with some difficulty, hitching a ride with a doomed truck driver on a relentless trip to the heart of suburbia. He passes by two odd women, Brenda and Ilonka, with whom he seems to share a history. When a dirty Camiel arrives at the door of artist Marina and media executive Richard's expansive, designer-chic home, the shifting perceptions of Van Warmerdam's screenplay begin to displace and disorient the audience. Hallucinogenic elements dot the consciousness as Camiel shifts between the roles of victim and aggressor. He asks for a bath. He toys with Richard's jealousy. He is viciously beaten up by his cruelly intolerant host and left wounded on the floor. Marina seeks to assuage her guilt by allowing him a space for the night. She treats his wounds. She makes him some food. She begins to deceive her husband. And Camiel Borgman insistently starts to install himself in the house as his dark advances ebb and flow, push and pull. Marina is self-obsessed; Richard a casual racist; they employ a nanny Magot to look after their three small children, the youngest of whom, Isolde, sees Camiel early on and is responsive to his presence. "There is something that surrounds us," says Marina, fearfully, but she is no longer in control. Large dogs roam casually through the house. There are flashes of something sinister in the garden as Camiel waits, and watches. Soon he is inhabiting Marina's dreams. "Couldn't you come back in another capacity?," she asks him. "I could," he says, "...but it will have consequences."

Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.

In acclaimed director Edgar Wright's psychological thriller, Eloise, an aspiring fashion designer, is mysteriously able to enter the 1960s where she encounters a dazzling wannabe singer, Sandie. But the glamour is not all it appears to be and the dreams of the past start to crack and splinter into something far darker.

Twenty-seven long years after the brutal Simion Research Hospital incident, abused Madison wakes up in a hospital in present-day Seattle. But with numbing visions of murder getting in the way of a normal life, more and more, Madison's obscure past emerges, baffling both herself and the local detectives. Are these explicitly violent killings figments of Madison's troubled imagination? Either way, someone, or better yet, something, links the past to the present, demanding closure and blood. Is the bogeyman real?

Follows a troubled couple and their daughter who go on vacation to an isolated house in the Louisiana bayou to reconnect as a family. But when unexpected visitors arrive, the unity starts to unravel.

When elderly mother Edna inexplicably vanishes, her daughter Kay and granddaughter Sam rush to their family's decaying country home, finding clues of her increasing dementia scattered around the house in her absence. After Edna returns just as mysteriously as she disappeared, Kay's concern that her mother seems unwilling or unable to say where she's been clashes with Sam's unabashed enthusiasm to have her grandma back. As Edna's behavior turns increasingly volatile, both begin to sense that an insidious presence in the house might be taking control of her. With RELIC, first-time writer/director Natalie Erika James crafts an unforgettable new spin on the haunted-house movie.

2020 film directed by Natalie Erika James

Sophia Howard rents a house in the countryside of Wales and hires the occultist Joseph Solomon to contact her son that was kidnapped and murdered by teenagers practicing black magic. Along the days, Sophia follows the guidance of Solomon in rituals to purify her soul. However Sophia has a hidden agenda that jeopardizes their lives.

When her mentally ill mother passes away, Annie (Toni Collette), her husband (Gabriel Byrne), son (Alex Wolff), and daughter (Milly Shapiro) all mourn her loss. The family turn to different means to handle their grief, including Annie and her daughter both flirting with the supernatural. They each begin to have disturbing, otherworldly experiences linked to the sinister secrets and emotional trauma that have been passed through the generations of their family.

For 19-year-old Jay, Autumn should be about school, boys, and weekends out at the lake. But after a seemingly innocent sexual encounter, she finds herself plagued by strange visions and the inescapable sense that someone, something, is following her. Faced with this burden, Jay and her friends must find a way to escape the horrors that seem to be only a few steps behind.

2014 horror film by David Robert Mitchell

Two children spend a week at their grandparents' house while their single mom goes on a relaxing vacation with her boyfriend. Becca decides to film a documentary about her grandparents to help her mom reconnect with her parents, and to find out some things about her parents as well. While filming, Becca and her little brother Tyler discover a dark secret about their grandparents.

Mystery Horror

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Mystery crime

Mockumentary horror

Ghost horror

serial killer Movies

Found Footage Horror

Body Horror

psychological Horror