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This ultimate tribute to all independent filmmakers takes place during one day on the set of a non-budget movie.

Rupert Pupkin is obsessed with becoming a comedy great. However, when he confronts his idol, talk show host Jerry Langford, with a plea to perform on the Jerry's show, he is only given the run-around. He does not give up, however, but persists in stalking Jerry until he gets what he wants. Eventually he must team up with his psychotic Langford-obsessed friend Masha to kidnap the talk show host in hopes of finally getting to perform his stand-up routine.

The Brother is an alien who has crash-landed on Earth, in New York City. While mute, strongly empathic, and able to fix things, he resembles a Black man with strange feet. His attempt to make a place for himself in Harlem is an allegory for the immigrant experience in the United States. Meanwhile, two bounty hunters from the Brother's home planet arrive and try to capture him.

When a man dressed as a clown enters a bank and tries to rob it, no one takes him seriously at start. But as this New Yorker pulls this daring robbery with the help of his friends, it looks like leaving the bank with all the stolen money is the easy part! All they have to do now is make it out of the city and to the airport. They have plenty of time, but its not that easy as they seem to get out of one problem only to fall into another. Will they make before the cops catch up with them?

Cosmo Vitelli owns the Crazy Horse West, a strip joint in Los Angeles. He's laconic, vet, and a gambler. When we meet him, he's making his last payment on a gambling debt, after which, he promptly loses $23,000 playing poker. The guys he owes this time aren't so friendly, pressuring him for immediate payment. When he's not able to do so, they suggest he kill a Chinese bookie to wipe away his debt. Vitelli and the film move back and forth between the double-crossing, murderous insincerity of the gamblers and the friendships, sweetness, and even love among Vitelli, the dancers, a dancer's mother, and the club's singer, Mr. Sophistication.

An idealistic girl, Patsy Newquist, saves a young apathetic photographer, Alfred Chamberlain, from a gang of hooligans. She falls for him, but he turns out to be a nihilist. They go out anyway. All this happens against the background of random shootings in NYC (at the time the play the movie is based on was written, the city was going broke). Her family accept him, but when she tries to change him and get him to find meaning in life, things go horribly wrong in a cruel twist of fate.

Told from three perspectives, a story of a bunch of young Californians trying to get some cash, do and deal some drugs, score money and sex in Las Vegas, and generally experience the rush of life.

Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex-and-violence-filled journey through an America of psychos and quickie marts.

Recidivist hold-up man H.I. McDonnough and police woman Edwina marry, only to discover they are unable to conceive a child. Desperate for a baby, the pair decide to kidnap one of the quintuplets of furniture tycoon Nathan Arizona. The McDonnoughs try to keep their crime secret, while friends, co-workers and a feral bounty hunter look to use Nathan Jr. for their own purposes.

Malcolm is a chronically shy mechanical genius who has just been fired for building his own tram. He gets Frank, who has just been released from jail, to move in to help pay the bills. Malcolm, with Frank's help, turns to a life of crime.

Invisible aliens in a tiny flying saucer come to Earth looking for heroin. They land on top of a New York apartment inhabited by a drug dealer and her androgynous, bisexual nymphomaniac lover, who's also a fashion model. The aliens soon find the human pheromones created in the brain during orgasm preferable to heroin, and the model's casual sex partners begin disappearing. This increasingly bizarre scenario's observed by a lonely woman in the building across the street, a German scientist who's following the aliens, and an equally androgynous, drug-addicted male model (both models are played by Anne Carlisle). Darkly funny and thoroughly weird.

In front of the cameras and in public, famed Hollywood actress Honey Whitlock, a product of the studio system, is as sweet as her name. Behind the scenes, she is demanding and controlling, making life a nightmare for anyone who has to deal with her, especially her browbeaten assistant, Libby. She and her entourage are in Baltimore - what is emerging as the Hollywood of the east - for the premiere of her latest movie. The premiere gets hijacked by a group of guerrilla independent filmmakers, led by director Cecil B. DeMented, in wanting to make a statement against the Hollywood studio system and the bad movies they produce. Cecil and his band kidnap Honey in the process. What their goal is, with no money per se, to make their own movie starring Honey as a statement against the Hollywood studios. Their general process is to have the scripted elements of the movie, such as Honey's dialogue, being set against "real life" in they overtaking several of the Hollywood movie studio events in Baltimore, such as the filming of the sequel to

The story is set in the year of 2001 in a prison owned by a major company. A new prisoner sees his friends being harassed and killed by the guards and seeks his revenge.

A meek word processor in New York impulsively travels downtown to Soho for date with an attractive, but apparently disturbed young woman, and finds himself trapped in a nightmarishly surreal vortex of improbable coincidences and farcical circumstances.

A low budget, sci-fi satire that focuses on a group of scientists whose mission is to destroy unstable planets. 20 years into their mission, they have battle their alien mascot, that resembles a beach ball, as well as a "sensitive" and intelligent bombing device that starts to question the meaning of its existence.

The uneventful life of the businessman Charles Driggs suddenly changes when he meets the wild and sexy Lulu. When he accepts her offer to drive him back to his office, she instead takes him out of town and on a trip, leaving behind his old life. Posing as a married couple, Charles and "Audrey" (which turns out to be Lulu's real name) visit her mother and her high school reunion. At this reunion they meet Audrey's violent ex-husband Ray, who has just released from prison. When Ray makes it clear that he wants Audrey back, that is when the real trouble begins.

On the northwest side of Milwaukee, Mark Borchardt dreams the American dream: for him, it's making movies. Using relatives, local theater talent, slacker friends, his Mastercard, and $3,000 from his Uncle Bill, Mark strives over three years to finish "Coven," a short horror film. His own personal demons (alcohol, gambling, a dysfunctional family) plague him, but he desperately wants to overcome self-doubt and avoid failure. In moments of reflection, Mark sees his story as quintessentially American, and its the nature and nuance of his dream that this film explores.

When a Paul enters his apartment to find Mary fighting off a swinger who has gotten into the wrong apartement (and thinks that Mary is just playing hard to get) he hits the man with a frying pan, killing him. Their dreams of running a small resturant seem to be in jeopardy until they decide to dispose of the body, keep the wallet, and to advertise for other sexually oriented visitors who are summarily killed, bagged, robbed and disposed of. This goes along quite well until one night a burglar named Raoul breaks in and cuts himself in for a piece of the action.