A chance meeting with his uncle leads to George Eastman (Montgomery Clift) being caught in the middle of two worlds, neither side in which he truly belongs. The son of poor missionaries, his father who has passed away, George met his wealthy paternal uncle Charles Eastman (Herbert Heyes) while George was working as a bellhop in his uncle's hotel in Chicago, Illinois. Wanting a better life for himself, George takes his uncle up on his offer for a placement somewhere in one of the Eastman factories, Charles' want in this offer being for any Eastman to take his proper place in the world. Under the directive of his cousin Earl (Keefe Brasselle), George is placed on the factory assembly line, largely neglected by the Eastmans as a whole. Regardless, George still does see this position as a stepping stone to something better, for which he is willing to work hard to achieve. George, lonely in his new surroundings, breaks the company rule of no fraternizing with fellow employees when he starts to date fellow Eastman assembly line worker Alice Tripp (Shelley Winters). Several months later, Charles, remembering about his nephew, promotes George both professionally and personally. Although uncomfortable in society gatherings, George eventually is befriended by one person in this new world, the beautiful society maiden Angela Vickers (Dame Elizabeth Taylor), who George fell in love with at first sight even before he arrived in town. Angela too falls in love with George, which does not sit well with her parents if only because they know nothing of him. George is caught between his want for prosperity and being with Angela, the woman he truly loves, and his obligations to needy Alice, who learns of his society friends and Angela, who ends up getting pregnant by him, and who uses whatever means in her limited powers to pressure him to do right by her in marrying her.

Based on the story "Mob Rule" by Norman Krasna. Joe Wilson and Katherine Grant are in love, but he doesn't have enough money for them to get married. So Katherine moves across the country to make money. But things go disastrously wrong for Joe when he stops in a small town and is mistaken for a wanted kidnapper. Through the course of the movie, Fritz Lang shows us how a decent and once civilized man can become a ruthless and bitter man.

Sullivan is a successful, spoiled, naive director of fluffy films with a heart of gold, who decides that he wants to make a film about the troubles of the downtrodden poor. Much to his producers' chagrin, he sets off in tramp's clothing with a single dime in his pocket to experience poverty first-hand, and he feels the sting of reality.

Chaplin's last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital - When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out.

It's a dreary Christmas 1944 for the American POWs in Stalag 17. For the men in Barracks 4, all sergeants, have to deal with a grave problem - there seems to be a security leak. The Germans always seem to be forewarned about escapes and in the most recent attempt the two men, Manfredi and Johnson, walked straight into a trap and were killed. For some in Barracks 4, especially the loud-mouthed Duke, the leaker is obvious: J.J. Sefton, a wheeler-dealer who doesn't hesitate to trade with the guards and who has acquired goods and privileges that no other prisoner seems to have. Sefton denies giving the Germans any information and makes it quite clear that he has no intention of ever trying to escape. He plans to ride out the war in what little comfort he can arrange, but it doesn't extend to spying for the Germans. As tensions mount and mob mentality takes root, it becomes obvious Sefton will have to find the real German agent in their midst, which he finally does.

In suburban Lochester, New England, three people end up living together in high school teacher Nora Shelley's rental house. The first is her new tenant, renowned Harvard law professor Michael Lightcap, who has rented the house for the summer while he writes his new book. The second is Nora herself. Despite having an auspicious first meeting, Lightcap hires Nora to be his live-in cook and secretary for a week until his manservant Tilney arrives. The third is Joseph, the property's gardener, who is currently laid up with a sprained ankle. In reality, Joseph is Nora's childhood friend Leopold Dilg, who has just escaped from prison. Leopold was being tried for the arson of the factory where he worked, and for murder for the death of the factory foreman Clyde Bracken, whose body was never recovered but who is assumed to have died in the fire. Despite the danger to herself, Nora hides Leopold since she believes his story that although he, as an activist, did speak out about the dangerous conditions at the factory, he did not set the fire, which he assumes was done by the factory's owner, Andrew Holmes, to collect the insurance money, all the while having Leopold as a scapegoat. Nora campaigned to get the job with Lightcap if only to be able to better hide Leopold in the house. Leopold escaped if only because he knew he would not get a fair trial due to the rabble rousing being conducted by Holmes against him. Lightcap and who he knows as Joseph end up getting along famously, although activist Leopold believes Lightcap's view of the law is too clinical for him truly to be a great lawyer or great judge, those thoughts arising if only because Nora and Leopold learn clandestinely that Lightcap is being appointed to the Supreme Court. Nora, Leopold and Leopold's lawyer, Sam Yates, try to get Lightcap involved in helping Leopold by showing him that Leopold indeed will not get a fair trial. In the process, Lightcap may in turn show Leopold and Nora that his current way of thinking has much merit.

1942 American film directed by George Stevens

September 1914, news reaches the colony German Eastern Africa that Germany is at war, so Reverend Samuel Sayer became a hostile foreigner. German imperial troops burn down his mission; he is beaten and dies of fever. His well-educated, snobbish sister Rose Sayer buries him and leaves by the only available transport, the dilapidated river steamboat 'African Queen' of grumpy Charlie Allnut. As if a long difficult journey without any comfort weren't bad enough for such odd companions, she is determined to find a way to do their bit for the British war effort (and avenge her brother) and aims high, as God is obviously on their side: construct their own equipment, a torpedo and the converted steamboat, to take out a huge German warship, the Louisa, which is hard to find on the giant lake and first of all to reach, in fact as daunting an expedition as anyone attempted since the late adventurous explorer John Speakes, but she presses till Charlie accepts to steam up the Ulana, about to brave a German fort, raging rapids, very bloodthirsty parasites and the endlessly branching stream which seems to go nowhere but impenetrable swamps... Despite fierce rows and moral antagonism between a bossy devout abstentionist and a free-spirited libertine drunk loner, the two grow closer to each-other as their quest drags on...

Dave Bannion is an upright cop on the trail of a vicious gang he suspects holds power over the police force. Bannion is tipped off after a colleague's suicide and his fellow officers' suspicious silence lead him to believe that they are on the gangsters' payroll. When a bomb meant for him kills his wife instead, Bannion becomes a furious force of vengeance and justice, aided along the way by the gangster's spurned girlfriend Debby. As Bannion and Debby fall further and further into the Gangland's insidious and brutal trap, they must use any means necessary (including murder) to get to the truth.

Leona Stevenson is sick and confined to her bed. One night while waiting for her husband to return home, she picks up the phone and accidentally overhears a conversation between two men planning a murder. She becomes increasingly desperate as she tries to work out who the victim is so the crime can be prevented.

At Maria Vargas' funeral, several people recall who she was and the impact she had on them. Harry Dawes was a not very successful writer/director when he and movie producer Kirk Edwards scouted her at a shabby nightclub where she worked as a flamenco dancer. He convinces her to take a chance on acting and her first film is a huge hit. PR man Oscar Muldoon remembers when Maria was in court supporting her father who was accused of murdering her mother. It was Maria's testimony that got him off and she was a bigger star than ever. Alberto Bravano, one of the richest men in South America, sets his sights on Maria and she goes off with him - as much to make Edwards angry as anything - but he treats her badly. When she meets Count Vincenzo Torlato-Favrini they fall deeply in love. They are married but theirs is not to be a happy life.

A high ranking Russian official defects to the U.S., where he is interviewed by U.S. Agent Michael Nordstrom. The defector reveals that a French spy ring codenamed "Topaz" has been passing N.A.T.O. secrets to the Russians. Michael calls in his French friend and counterpart Andre Devereaux to expose the spies.

The wife of a rubber plantation administrator shoots a man to death and claims it was self-defense. Her poise, graciousness and stoicism impress nearly everyone who meets her. Her husband is certainly without doubt; so is the district officer; while her lawyer's doubts may be a natural skepticism. But this is Singapore and the resentful natives will have no compunction about undermining this accused murderess. A letter in her hand turns up and may prove her undoing.

Chris Cross, 25 years a cashier, has a gold watch and little else. That rainy night, he rescues delectable Kitty from her abusive boyfriend Johnny. Smitten, amateur painter Chris lets Kitty think he's a wealthy artist. At Johnny's urging, she lets Chris establish her in an apartment (with his shrewish wife's money). There, Chris paints masterpieces; but Johnny sells them under Kitty's name, with disastrous and ironic results.

Harry Caul is a devout Catholic and a lover of jazz music who plays his saxophone while listening to his jazz records. He is a San Francisco-based electronic surveillance expert who owns and operates his own small surveillance business. He is renowned within the profession as being the best, one who designs and constructs his own surveillance equipment. He is an intensely private and solitary man in both his personal and professional life, which especially irks Stan, his business associate who often feels shut out of what is happening with their work. This privacy, which includes not letting anyone into his apartment and always telephoning his clients from pay phones is, in part, intended to control what happens around him. His and Stan's latest job (a difficult one) is to record the private discussion of a young couple meeting in crowded and noisy Union Square. The arrangement with his client, known only to him as "the director", is to provide the audio recording of the discussion and photographs of the couple directly to him alone in return for payment. Based on circumstances with the director's assistant, Martin Stett, and what Harry ultimately hears on the recording, Harry believes that the lives of the young couple are in jeopardy. Harry used to be detached from what he recorded, but is now concerned ever since the deaths of three people that were the direct result of a previous audio recording he made for another job. Harry not only has to decide if he will turn the recording over to the director, but also if he will try and save the couple's lives using information from the recording. As Harry goes on a quest to find out what exactly is happening on this case, he finds himself in the middle of his worst nightmare.

Novelist Richard Harland and socialite Ellen Berent meet on a train and are attracted to each other. They fall in love and decide to get married. They love each other, in spite of their differences. Ellen's love for Richard is obsessive - possessive, and wants Richard all to herself. Richard learns to what extent Ellen will go to get what she wants,

Following a short investigation, the London Police charge Maddalena Paradine with the poisoning murder of her older, blind husband, retired Colonel Richard Paradine, who was dependent on her and others to manage in his life due to his physical disability. She is up front about being a woman with a past, she only becoming wealthy and thus glamorous because of the marriage. Her personal solicitor Sir Simon Flaquer refers the case to his colleague Tony Keane. In spending time with Mrs. Paradise in prison, Tony is immediately attracted to her, that attraction which morphs into obsession. As such, Tony does whatever he can to clear her of the charges, either in mounting a defense of suicide, assisted or not, or that someone else killed him, the most likely candidate being the Colonel's trusted valet, Andre Latour, with who Tony initially believes Mrs. Paradise was having an affair. In the process, Tony may be blinded to the evidence as it presents itself. Who can see what is going on is Tony's wife Gay Keane, who not only believes their marriage has been a perfect one up to this point, but that he truly does believe his obsession with Mrs. Paradine being love, which Gay herself does not believe it to be. Gay can only stand by and hope for a specific verdict in the case so that Tony can return to her wholeheartedly without the specter of Mrs. Paradine hanging over their marriage.

To Watch Movies

More lists by Ryley Donaldson

Games to Play

Books to Read

To Watch Shows