Lists

Picture of a TV show: Mare of Easttown
Picture of a TV show: Outlander
Picture of a TV show: Chernobyl
Picture of a TV show: My Mad Fat Diary
Picture of a TV show: Mindhunter
Picture of a TV show: the night of
Picture of a TV show: The Morning Show
Picture of a TV show: Sharp Objects
Picture of a TV show: Fleabag
Picture of a TV show: Years and Years
Picture of a TV show: Atypical
Picture of a TV show: 13 Reasons Why
Picture of a TV show: Succession
Picture of a TV show: The Fall
Picture of a TV show: Broadchurch
Picture of a TV show: Euphoria

19 Shows

Lots of drama: TV series

Sort by:
Recent Desc

Inspired by this list

Picture of a TV show: The Virtues
shows

The Virtues

2019
With no immediate family to live for, Joseph is haunted by a past he has tried, for decades, to forget - if not actively obscure with drink and drugs. Suffering the hangover from hell - the dry spell over - he walks away from his present life and boards a boat bound for Ireland to confront hazy, fear-inducing memories from a childhood spent in the care system that he's had to forget. Emotionally and physically wrecked, Joseph reunites with an incredulous Anna (Helen Behan, This is England '88 and '90), the sister he hasn't seen since childhood. Anna persuades her wary husband Michael (Frank Laverty; Michael Collins) to let Joseph stay and give him work in the family-owned building company. There, Joseph is forced to directly confront the demons of his past when he comes face to face with Craigy (Mark O'Halloran), a shadowy figure who is dogged by dark rumours, and who won't leave Joseph alone. Joseph's precarious family reunion is further complicated when he is immediately drawn to Michael's fiery sister Dinah (Niamh Algar; The Bisexual, Pure). Angry and lost, Dinah is fiercely guarded, and, like Joseph, haunted by a deeply-held secret. The Virtues is a visceral and hauntingly unforgettable paean to the human spirit, shot through with bittersweet tenderness, compassion and unexpected moments of laugh-out-loud humour throughout. Deftly addressing challenging themes of revenge, redemption and repressed memory, Meadows and co-writer, BAFTA-winning Jack Thorne, ask questions of what it really means to be, and have, family.