Peter Venkman, Ray Stantz and Egon Spengler work at Columbia University. where they delve into the paranormal and fiddle with many unethical experiments on their students. As they are kicked out of the University, they really understand the paranormal and go into business for themselves. Under the new snazzy business name of 'Ghostbusters', and living in the old firehouse building they work out of, they are called to rid New York City of paranormal phenomenon at everyone's whim. - for a price. They make national press as the media reports the Ghostbusters are the cause of it all. Thrown in jail by the EPA, the mayor takes a chance and calls on them to help save the city. Unbeknownst to all, a long dead Gozer worshiper (Evo Shandor) erected a downtown apartment building which is the cause of all the paranormal activity. They find out the building could resurrect the ancient Hittite god, Gozer, and bring an end to all of humanity. Who are you gonna call to stop this terrible world-ending menace?

1984 American comedy film by Ivan Reitman

When her mentally ill mother passes away, Annie (Toni Collette), her husband (Gabriel Byrne), son (Alex Wolff), and daughter (Milly Shapiro) all mourn her loss. The family turn to different means to handle their grief, including Annie and her daughter both flirting with the supernatural. They each begin to have disturbing, otherworldly experiences linked to the sinister secrets and emotional trauma that have been passed through the generations of their family.

A small town gradually becomes aware of a strange creature which picks off people one by one. But what is this creature, and where is it? At the same time, a seismologist is working in the area, she detects _tremors_. The creature lives underground, and can 'pop up' without warning. Trapped in their town, the town-folk have no escape.

The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California is presented. Miner turn oilman Daniel Plainview is a driven man who will do whatever it takes to achieve his goals. He works hard but he also takes advantage of those around him at their expense if need be. His business partner is his son H.W., who in reality he "acquired" when H.W.'s biological single father, who worked on one of Daniel's rigs, got killed in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins, whose family farm Daniel purchases for the major oil deposit located on it. Eli, the local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the coast, and as Eli tries to build his own religious empire.

When his partner is killed by the mysterious and possibly nonexistent Jaguar Shark, Steve Zissou (Bill Murray) and his Team Zissou crew set off for an expedition to hunt down the creature. Along with his estranged wife, a beautiful journalist and a co-pilot who could possibly be Zissou's son, the crew set off for one wild expedition.

Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the streets of Britain..

A vicious London gangster, Jack Carter, travels to Newcastle for his brother's funeral. He begins to suspect that his brother's death was not an accident and sets out to follow a complex trail of lies, deceit, cover-ups and backhanders through Newcastle's underworld, leading, he hopes, to the man who ordered his brother killed. Because of his ruthlessness, Carter exhibits all the unstopability of the cyborg in The Terminator (1984), or Walker in Point Blank (1967), and he and the other characters in this movie are prone to sudden, brutal acts of violence.

Gal, Deedee, Aitch and Jackie, having left behind respective lives of ill-repute, bask in the sun of Spain and in the most essential brand of leisure. A hazy yarn of barbecues, beer and botched hunting expeditions make up their retirements, until a sudden and unforeseen disruption emerges from their past. Enter the childishly violent and hilariously edgy Don Logan. Through a series of side-splitting negotiations and irrevocable acts, retired crook Gal is forced to shake off the rust and accept one last mission, put forth by the menacing Logan, his ex-mentor. A heist of legendary proportion and personal implications, this job should make for one hell of an encore.

Balancing between feverish dreamlike hallucinations of a tormented past and a grim disoriented reality, the grizzled Joe--a traumatised Gulf War veteran and now an unflinching hired gun who lives with his frail elderly mother--has just finished yet another successful job. With an infernal reputation of being a brutal man of results, the specialised in recovering missing teens enforcer will embark on a blood-drenched rescue mission, when Nina, the innocent 13-year-old daughter of an ambitious New York senator, never returns home. But amidst half-baked leads and a desperate desire to shake off his shoulders the heavy burden of a personal hell, Joe's frenzied plummet into the depths of Tartarus is inevitable, and every step Joe takes to flee the pain, brings him closer to the horrors of insanity. In the end, what is real, and what is a dream? Can there be a new chapter in Joe's life when he keeps running around in circles?

On Sunday, April 29, 1973, Sergeant Neil Howie with the West Highland Constabulary flies solo to Summerisle off the coast of Scotland. He is there to follow up on a letter addressed specifically to him from an anonymous source on Summerisle reporting that a twelve year old girl who lives on the island, Rowan Morrison, the daughter of May Morrison, has long been missing. The correspondence includes a photograph of Rowan. Upon his arrival on Summerisle, Howie finds that the locals are a seemingly simple minded lot who provide little information beyond the fact that they know of no Rowan Morrison and do not know the girl in the photo. Mrs. Morrison admits to having a daughter, seven year old Myrtle, but no Rowan. As Howie speaks to more and more people, he begins to believe that Rowan does or did live on the island, but that the locals are hiding their knowledge of her. He also begins to see that the locals all have pagan beliefs, their "religion" which centers on procreation as the source of life. That procreation does not necessarily need to be within marriage, and openly flaunts the act of sex, both in private and in public. These beliefs do not sit well against Howie's strict Christian morals, he who regularly attends church, prays, and accepts communion. Everything that happens on the island seems to be dictated by Lord Summerisle, whose ancestors bought the island generations ago. Howie begins to believe that Rowan was murdered, she a sacrifice by the islanders to their higher power to ensure a bountiful apple crop - the main crop of the island - which did not materialize last season. With May Day approaching, Howie not only tries to find out if Rowan was indeed murdered/sacrificed, which includes trying to locate her body, but if there will be another sacrifice on this important day within the cycle of life.

As the wavering cry of the foghorn fills the air, the taciturn former lumberjack, Ephraim Winslow, and the grizzled lighthouse keeper, Thomas Wake, set foot in a secluded and perpetually grey islet off the coast of late-19th-century New England. For the following four weeks of back-breaking work and unfavourable conditions, the tight-lipped men will have no one else for company except for each other, forced to endure irritating idiosyncrasies, bottled-up resentment, and burgeoning hatred. Then, amid bad omens, a furious and unending squall maroons the pale beacon's keepers in the already inhospitable volcanic rock, paving the way for a prolonged period of feral hunger; excruciating agony; manic isolation, and horrible booze-addled visions. Now, the eerie stranglehold of insanity tightens. Is there an escape from the wall-less prison of the mind?

Taking place in 1983, Red is a lumberjack who lives in a secluded cabin in the woods. His artist girlfriend Mandy spends her days reading fantasy paperbacks. Then one day, she catches the eye of a crazed cult leader, who conjures a group of motorcycle-riding demons to kidnap her. Red, armed with a crossbow and custom Axe, stops at nothing to get her back, leaving a bloody, brutal pile of bodies in his wake.

Connie Nikas forcibly removes his developmentally disabled brother Nick from a therapy session. The two rob a New York City bank for $65,000. In the getaway car, a dye pack explodes in a money bag, causing the driver to crash. Connie and Nick flee on foot, washing the dye from their clothes in a restaurant restroom. Stopped by police, Nick panics and runs; Nick is arrested while Connie escapes. Connie attempts to secure a bail bond, but needs $10,000 more to get Nick out of jail. He convinces his girlfriend, Corey, to pay with her mother's credit cards, but her mother cancels the cards. Connie learns that Nick has been hospitalized after a fight with an inmate.

2017 film directed by Benny Safdie and Joshua Safdie

Three separate but parallel stories of the U.S mortgage housing crisis of 2005 are told. Michael Burry, an eccentric ex-physician turned one-eyed Scion Capital hedge fund manager, has traded traditional office attire for shorts, bare feet and a Supercuts haircut. He believes that the US housing market is built on a bubble that will burst within the next few years. Autonomy within the company allows Burry to do largely as he pleases, so Burry proceeds to bet against the housing market with the banks, who are more than happy to accept his proposal for something that has never happened in American history. The banks believe that Burry is a crackpot and therefore are confident in that they will win the deal. Jared Vennett with Deutschebank gets wind of what Burry is doing and, as an investor believes he too can cash in on Burry's beliefs. An errant telephone call to FrontPoint Partners gets this information into the hands of Mark Baum, an idealist who is fed up with the corruption in the financial industry. Baum and his associates, who work at an arms length under Morgan Stanley, decide to join forces with Vennett despite not totally trusting him. In addition to Burry's information, they further believe that most of the mortgages are overrated by the bond agencies, with the banks collating all the sub-prime mortgages under AAA packages. Charlie Geller and Jamie Shipley, who are minor players in a $30 million start-up garage company called Brownfield, get a hold of Vennett's prospectus on the matter. Wanting in on the action but not having the official clout to play, they decide to call an old "friend", retired investment banker Ben Rickert, to help out. All three of these groups work on the premise that the banks are stupid and don't know what's going on, while for them to win, the general economy has to lose, which means the suffering of the general investor who trusts the financial institutions. That latter aspect may not sit well with Baum. Some of these assumptions may be incorrect and may be far more manipulative than they could have ever imagined, which in turn may throw curves into the process.

Alone among assassins, Jack is a master craftsman. When a job in Sweden ends more harshly than expected for this American abroad, he vows to his contact Pavel that his next assignment will be his last. Jack reports to the Italian countryside, where he holes up in a small town and relishes being away from death for a spell. The assignment, as specified by a Belgian woman, Mathilde, is in the offing as a weapon is constructed. Surprising himself, Jack seeks out the friendship of local priest Father Benedetto and pursues romance with local woman Clara. But by stepping out of the shadows, Jack may be tempting fate.

After Katrina, police sergeant Terence McDonagh rescues a prisoner, hurts his back in the process and earns a promotion to lieutenant plus an addiction to cocaine and painkillers. Six months later, a family is murdered over drugs; Terence runs the investigation. His drug-using prostitute girlfriend, his alcoholic father's dog, run-ins with two old women and a well-connected john, gambling losses, a nervous young witness, and thefts of police property put Terence's job and then his life in danger. He starts seeing things. He wants a big score to get out from under mounting debts, so he joins forces with drug dealers. The murders remain unsolved. A bad lieutenant gets worse.

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