On the planet Etheria, Adora is an up and coming soldier for the Horde eager to defend her home from the menace of the Princesses she has been taught all her life to fear. Everything changes when a chance encounter with the mystic Sword of Protection in the Whispering Woods calls to her. Discovering to her horror the true evil of the Horde, Adora defects to the Rebellion as its foretold champion, She-Ra Princess of Power. Now, Adora and her new friends must rebuild the shattered Princess Alliance to defeat the Evil Horde. Meanwhile, Adora's former best friend in the Horde, Catra, is tasked to reclaim Adora, but her own feelings of jealousy, betrayal, and vindictive ambition lead her down a path darker still set by Lord Hordak that will hold all of Etheria in the balance.

Taking place 70 years after the events of "Avatar: The Last Airbender," this story follows the adventures of the Avatar after Aang - a passionate, rebellious, and fearless teenage girl from the Southern Water Tribe named Korra. With three of the four elements under her belt (Earth, Water, and Fire), Korra seeks to master the final element, Air. Her quest leads her to the epicenter of the modern "Avatar" world, Republic City - a metropolis that is fueled by steampunk technology. It is a virtual melting pot where benders and non-benders from all nations live and thrive. However, Korra discovers that Republic City is plagued by crime as well as a growing anti-bending revolution that threatens to rip it apart. Under the tutelage of Aang's son, Tenzin, Korra begins her airbending training while dealing with the dangers at large.

At the age of 21, Tim Lake (Domhnall Gleeson) discovers he can travel in time... The night after another unsatisfactory New Year party, Tim's father (Bill Nighy) tells his son that the men in his family have always had the ability to travel through time. Tim can't change history, but he can change what happens and has happened in his own life-so he decides to make his world a better place...by getting a girlfriend. Sadly, that turns out not to be as easy as you might think. Moving from the Cornwall coast to London to train as a lawyer, Tim finally meets the beautiful but insecure Mary (Rachel McAdams). They fall in love, then an unfortunate time-travel incident means he's never met her at all. So they meet for the first time again-and again-but finally, after a lot of cunning time-traveling, he wins her heart. Tim then uses his power to create the perfect romantic proposal, to save his wedding from the worst best-man speeches, to save his best friend from professional disaster and to get his pregnant wife to the hospital in time for the birth of their daughter, despite a nasty traffic jam outside Abbey Road. But as his unusual life progresses, Tim finds out that his unique gift can't save him from the sorrows and ups and downs that affect all families, everywhere. There are great limits to what time travel can achieve, and it can be dangerous too.

Approaching age sixty, Daphne Wilder divorced when she was young, has not dated since, and has raised on her own and has fostered a close, loving relationship with her three daughters, Maggie, Mae and Milly, she now assisting Milly in her successful catering business. Daphne was mother of the bride for a first time at Maggie's wedding, and a second time at Mae's wedding, but she fears there won't be a third and final time for a Milly wedding in insecure Milly attracting only who seem to be the wrong men. Not wanting Milly to turn into another "alone" version of herself at age sixty, Daphne, without telling any of her daughters let alone Milly, decides to take matters into her own hands by placing a personal ad for a potential mate for Milly. Scheduling all seventeen interviews in succession at a restaurant, Daphne finds the ad has attracted one "loser" after another, until she reaches number seventeen, Jason, an architect who is handsome and seems smart, well-bred, successful and forward thinking about his life. The two arrange for Jason to meet Milly by "accident". What Daphne does not anticipate is that there ends up being a number eighteen, Johnny, who witnessed the interviews from the sidelines as the guitarist performing at the restaurant, and while Johnny did approach Daphne in his interest in meeting Milly from what he heard of the interviews, she immediately dismissed him solely because he is a musician and thus irresponsible by nature, much like her ex-husband. In their accidental meetings, Milly embarks on a relationship with both Jason and Johnny concurrently, and upon learning about Johnny in the picture, Daphne starts pushing Jason as the favored one to Milly. Beyond Milly, Jason and Johnny's own thoughts about their two relationships, the two men who know nothing about the other being in Milly's life, a question becomes how Milly eventually learning about the ad, an inevitability, will factor into what happens, not only about Milly's love life but her relationship with her mother. In helping Milly with her love life and only fostered by watching old

Twenty-something native Vermonter Mirabelle Buttersfield, having recently graduated from college, is finding her new life in Los Angeles not quite what she was expecting or hoping. An aspiring artist, she is barely eking out a living working as a clerk at the women's evening gloves counter at Saks Fifth Avenue in Beverly Hills and thus she can barely make the payments on her massive student loans. She treats her job with a certain distance, often daydreaming as she watches the life of the rich as they shop at the store. She has made no friends, including from among her Saks colleagues, and thus lives a solitary existence, which does not assist in her dealing with her chronic clinical depression. So it is with some surprise that two men with a romantic interest in her enter her life almost simultaneously. The first is poor slacker Jeremy, who works as an amplifier salesman/font designer. Mirabelle continues dating Jeremy as only a relief to her solitary life, as Jeremy doesn't seem to understand how to treat her in the way she wants. Shortly after meeting Jeremy, she meets the second, wealthy fifty-something Ray Porter, who is the antithesis of Jeremy in almost every respect, including the fact that Ray is unwilling or unable to commit to Mirabelle, about which he is up front to her. To Mirabelle, that lack of commitment from Ray seems to be in name only, and as such she increasingly sees Ray as her boyfriend. Mirabelle has to decide if a long term future is either in the cards with Jeremy or Ray, which is made all the more complicated by an action by Jeremy to an off the cuff comment that she makes to him.

Four women friends: three are wealthy and married plus there's Olivia, a former teacher who's now a maid. The marriages are in various states of health: Franny and Matt are happy and very rich. Christine and David write screenplays together, are remodeling their house, and argue. Jane is angry all the time and Aaron, who's an attentive husband, strikes everyone as gay. Franny sets up Olivia with a friend of hers, Mike, a personal trainer, and Olivia takes him with her to a couple of housecleaning jobs. A benefit dinner for ALS, an awkward guy named Marty whose place Olivia cleans, and a French maid's outfit figure in the story. Is there more to life than its problems?

Helen Harris (Kate Hudson) is living the life she's always dreamed of: her career at a top modelling agency is on the rise; she spends her days at fashion shows and her nights at the city's hottest clubs. But her carefree lifestyle comes to a screeching halt when one phone call changes everything. Helen soon finds herself responsible for her sister's children: fifteen-year-old Audrey (Hayden Panettiere), ten-year-old Henry (Spencer Breslin), and five-year-old Sarah (Abigail Breslin). No one doubts that Helen is the coolest aunt in New York City, but what does this glamor girl know about raising kids? The fun begins as Helen goes through the transformation from super-hip to super-mom, but she quickly finds that dancing at 3a.m. doesn't mix with getting kids to school on time, advice that Helen's older sister, Jenny Portman (Joan Cusack), is only too quick to dish out. Along the way, Helen finds support in the most unusual place, with Dan Parker (John Corbett), the handsome young pastor and principal of the kids' new school, and realizes the choice she has to make is between the life she's always loved and the new loves of her life.

Megan's approaching 30 with a good degree and a boyfriend in hand, but when he proposes at her friend's wedding and everyone seems to think that the best way to advance in her career is to take a seminar where you find out what animal you are, Megan's understandably feeling lost. After meeting teenagers who want her to buy them beer, Megan is drawn into 16-year-old Annika's simpler life. She ends up moving in with Annika and her single father, juggling the life of a teen and that of an adult, two romantic interests, and the feeling of lagging behind.

Life after college graduation is not exactly going as planned for Will and Jillian, who are lost in a sea of increasingly-strange jobs. But with help from their families, friends, and co-workers, they soon discover that the most important--and hilarious--adventures are the ones that they don't see coming.

Emma Lloyd has made a career out of her sensible, mature and responsible approach to relationships. She has a hit radio talk show, an impending book deal, and a loving relationship with her fiancé, Richard, a conventional sort-which is precisely what Emma is drawn to. Then Emma finds out that she is already married to a man she's never met before, a result of a misguided prank that leaves her bewildered and very confused. Worse than that, her plans for the future are now threatened. With her wedding just around the corner, Emma must find the mystery man and obtain an annulment. Emma tracks down her "accidental husband" - Patrick, a charming and handsome neighborhood fireman, with a big secret...that he was behind the "accidental" marriage. Unable to fess up, Patrick goes along with the ruse pretending to be just as baffled as Emma. While at first their opposite approaches to life create much tension and chaos, Emma soon starts to admire his carefree passion for life and doubt her own conservative, button-down views on life and love. As Emma's wedding draws near, she is faced with the choice between her safe life with Richard or the chance to live in the passionate and spontaneous world that Patrick inhabits.

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