You may not like- I can try on my own

When Miss Stevens chaperones three of her students - Billy, Margot and Sam - on a weekend trip to a drama competition, she discovers that coming of age stories aren't just for teenagers. Exploring the fine line between being a grown up and being a kid, MISS STEVENS looks at the moment you realize maybe you're the responsible adult in the room, and what comes after you find out you're not who you thought you'd be.

Lucky is an old US Navy veteran of rigid habits and attitudes in a small town. When his routine is interrupted by a sudden collapse at home, Lucky finds himself realizing that his remarkably healthy old age is going to face an inevitable decline and he has to accept it. In that difficult reassessment, Lucky must face up to what he believes in and how much it compares to his neighbors' priorities. In doing so, Lucky finds that his life has its positive side as he searches for some meaning that he can accept.

Love, life, and the struggles of a mother bringing up a son in the late 70's. The ignorance of a free spirit against the needs of a young man trying to find his true character and beliefs. Living in a bohemian household shared with three like minded spirited people to help pay the rent, his mother tries to establish bonds that he cannot deal with. She cannot deal with his inability to talk, and enlists the help of other females in his life to share the burden of his upbringing. Slowly life unravels for them all without understanding how. In spite of their perceived struggles, they all go on to live defined lives without any serious consequences.

In 1986, In Brooklyn, New York, the dysfunctional family of pseudo intellectuals composed by the university professor Bernard and the prominent writer Joan split. Bernard is a selfish, cheap and jealous decadent writer that rationalizes every attitude in his family and life and does not accept "philistines" - people that do not read books or watch movies, while the unfaithful Joan is growing as a writer and has no problems with "philistines". Their sons, the teenager Walt and the boy Frank, feel the separation and take side: Walt stays with Bernard, and Frank with Joan, and both are affected with abnormal behaviors. Frank drinks booze and smears with sperm the books in the library and a locker in the dress room of his school. The messed-up and insecure Walt uses Roger Water's song "Hey You" in a festival as if it was of his own, and breaks up with his girlfriend Sophie. Meanwhile Joan has an affair with Frank's tennis teacher Ivan and Bernard with his student Lili.

Successful Carolinian George Johnsten meets Chicago art gallery owner Madeleine at an electoral benefit art auction- love at first sight. Madeleine decides to meet a Southern original artist, so George seizes the opportunity to come along and present her to his North Carolina parents Eugene and Peg, drop-out brother Johny and his high-pregnant wife Ashley. Confronting the outsider soon opens a can of worms as emotions revive or emerge, like admiration and jealousy.

When a successful television writer's daughter becomes the interest of an aging filmmaker with an appalling past, he becomes worried about how to handle the situation.

Theater director Caden Cotard is mounting a new play. Fresh off of a successful production of Death of a Salesman, he has traded in the suburban blue-hairs and regional theater of Schenectady for the cultured audiences and bright footlights of Broadway. Armed with a MacArthur grant and determined to create a piece of brutal realism and honesty, something into which he can put his whole self, he gathers an ensemble cast into a warehouse in Manhattan's theater district. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a small mock-up of the city outside. As the city inside the warehouse grows, Caden's own life veers wildly off the tracks. The shadow of his ex-wife Adele, a celebrated painter who left him years ago for Germany's art scene, sneers at him from every corner. Somewhere in Berlin, his daughter Olive is growing up under the questionable guidance of Adele's friend, Maria. He's helplessly driving his marriage to actress Claire into the ground. Sammy Barnathan, the actor Caden has hired to play himself within the play, is a bit too perfect for the part, and is making it difficult for Caden to revive his relationship with the alluringly candid Hazel. Meanwhile, his therapist, Madeline Gravis, is better at plugging her best-seller than she is at counselling him. His second daughter, Ariel, is disabled. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. As the years rapidly pass, Caden buries himself deeper into his masterpiece. Populating the cast and crew with doppelgangers, he steadily blurs the line between the world of the play and that of his own deteriorating reality. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems, a celebrated theater actress who may offer Caden the break he needs.

Follows a variety of New York characters as they navigate personal relationships and unexpected problems over the course of one day.

Richard and Rachel, a couple in the throes of infertility, try to maintain their marriage as they descend deeper and deeper into the weird world of assisted reproduction and domestic adoption. When their doctor suggests third party reproduction, they bristle. But when Sadie, a recent college drop out, re-enters their life, they reconsider.

Beatriz, a holistic medicine practitioner, is stranded at a client's house and becomes a somewhat unwilling guest at a snooty dinner party that evening. A difference of thoughts and opinions causes her to be a thorn in the side of the hosts and their invited guests.

In NYC's Chinatown, recluse math genius Max (Sean Gullette) believes "everything can be understood in terms of numbers," and he looks for a pattern in the system as he suffers headaches, plays Go with former teacher Sol Robeson (Mark Margolis), and fools around with an advanced computer system he's built in his apartment. Both a Wall Street company and a Hasidic sect take an interest in his work, but he's distracted by blackout attacks, hallucinations, and paranoid delusions..

Halley lives with her six year old daughter Moonee in a budget motel along one of the commercial strips catering to the Walt Disney World tourist clientele outside Orlando, Florida. Halley, who survives largely on welfare, has little respect for people, especially those who cross her, it an attitude that she has passed down to Moonee, who curses and gives the finger like her mother. Although the motel's policy is not to allow long term rentals, Bobby, the motel manager, has made arrangements for people like Halley to live there while not undermining the policy as he realizes that many such tenants have no place to go otherwise. Halley, Moonee and Moonee's friends, who live in the motel or others like it along the strip and who she often drags into her disruptive pranks, are often the bane of Bobby's existence, but while dealing with whatever problem arises, Bobby has a soft spot especially for the children and thus, by association, their parents, as he knows that Moonee and others like her are just children acting like a children under whatever guidance they have, Moonee who has less guidance than most. Although there are some lines which he will not tolerate to be crossed, Bobby lets most of the disruptive things that they do go, largely as long as it does not affect the bread and butter of the motel, namely the tourist trade. The summer in this collective is presented, when Moonee and her friends, such as Scooty, are out of school and are left largely to their own devices while self-absorbed Halley does whatever she wants, often just staying in the room watching TV. Halley is supposed to look after Scooty, the son of Halley's friend Ashley, they who live in the unit immediately underneath Halley and Moonee's, while Ashley is at work at a local diner. In turn, Ashley pilfers cooked meals from the diner to feed Halley, Moonee and Scooty. Over the course of the summer, Halley systematically begins to alienate one by one the people who are her unofficial support by responding with that disrespect to anything she feels is against her. As such, Halley begins to take more and more extreme measures to maintain the life she leads with Moonee.

Wilson Joel is a man in trouble. There's a searing pain in his gut that he can't tolerate and a dazed quietness to his struggle as he tries to maintain his equilibrium. Wilson is attempting to move on from the sudden and inexplicable suicide of his wife. His mother-in-law is there for him, but her sympathies turn quickly. He has an employer that seems to want to help him, and a workmate who wants him for herself. But nothing and no one can give Wilson solace; so, he seeks oblivion. It is not the usual alcohol or drugs. Wilson inhales fumes from gasoline cans and model airplane fuel and finds temporary salvation in the company of remote-control model enthusiasts. However, nothing that provides him relief really lasts.

A woman breaks up with her boyfriend, he thinks it's because he's fat. A man is unable to tell her next door neighbor he finds her sexually attractive. An old couple wants to split up, but they don't want to get a divorce. A therapist masturbates to teen magazines. An 11 year old kid is insecure about the fact that he hasn't cum yet. Office workers try to recall the face of a coworker who recently died. A woman is sure she has everything she could ever want. The lives of these individuals intertwine as they go about their lives in their own unique ways, engaging in acts society as a whole might find disturbing in a desperate search for human connection.

Ben and Leslie Cash live largely off the grid with their offspring -- Bodevan, Kielyr, Vespyr, Rellian, Zaja and Nai -- in a cabin in the mountains of Washington state. The parents have passed their socialist and survivalist ideals to their children. Ben considers most of Western society to be fascist, especially corporate America. He also believes that no one will or should be there for you, so you'd better learn how to take care of yourself. As such, the children have been subject to vigorous physical training; know how to deal with minor bumps, bruises, cuts, sprains, and even fractures; and know how to hunt, forage, and grow their own food. The children are also non-registered home schooled, meaning that they have no official academic records. Ben and Leslie have tried to make the children critical thinkers, however, within the context of their ideals. Beyond these issues, Ben and Leslie made the decision to live this lifestyle for Leslie's health. Formerly an attorney, Leslie was diagnosed as bipolar. Ben believes that this disorder started with her postpartum depression with Bo. Yet Leslie's condition has worsened. Despite not believing in Western medicine, Ben sends Leslie to a hospital close to Ben's sister, Harper, so that there can be family close by. While hospitalized, Leslie commits suicide. Beyond the collective grief, Leslie's act brings out a battle between Ben and Leslie's father, Jack Bertrang, a Christian who not only blames Ben for Leslie's death, but believes that what he is doing "to" the children can legally be considered abuse. Jack takes over the funeral arrangements as per his and his complacent wife Abby's Christian morals, against what Ben knows was Leslie's wishes, as she believed in Buddhist philosophies. Although Jack threatens to call the police if Ben shows up to the funeral, Ben and the children believe it is their mission to honor Leslie's last wishes to be cremated as per Buddhist philosophy. This mission not only may bring the divide between Jack and Ben to a head, but may also bring out some long dormant issues between the Cash children as they are exposed to commercial America in all its good and bad, and as Bo grows into manhood, he may have his own ideas of what he should do with the next phase of his life.

Brigsby Bear Adventures is a children's TV show produced for an audience of one: James. When the show abruptly ends, James's life changes forever, and he sets out to finish the story himself.

When a struggling writer, HIV positive for 20+ years, accidentally deposits a $100 birthday check, he is dropped from his health plan for earning too much. In this new era of sort-of universal care, can he take on a helpless bureaucracy or come up with $3000 a month to buy meds on his own?

Three grown prodigies, all with a unique genius of some kind, and their mother are staying at the family household. Their father, Royal had left them long ago, and comes back to make things right with his family.