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Picture of a movie: Dog Day Afternoon
Picture of a movie: Boogie Nights
Picture of a movie: L.A. Story
Picture of a movie: Swingers
Picture of a movie: New York Stories
Picture of a movie: Manhattan
Picture of a movie: Network
Picture of a movie: Who's Afraid of Virginia Woolf?

8 Movies

Movies

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Picture of a movie: A Streetcar Named Desire
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A Streetcar Named Desire

1951
Blanche DuBois, a high school English teacher with an aristocratic background from Auriol, Mississippi, decides to move to live with her sister and brother-in-law, Stella and Stanley Kowalski, in New Orleans after creditors take over the family property, Belle Reve. Blanche has also decided to take a break from teaching as she states the situation has frayed her nerves. Knowing nothing about Stanley or the Kowalskis' lives, Blanche is shocked to find that they live in a cramped and run down ground floor apartment - which she proceeds to beautify by putting shades over the open light bulbs to soften the lighting - and that Stanley is not the gentleman that she is used to in men. As such, Blanche and Stanley have an antagonistic relationship from the start. Blanche finds that Stanley's hyper-masculinity, which often displays itself in physical outbursts, is common, coarse and vulgar, being common which in turn is what attracted Stella to him. Beyond finding Blanche's delicate hoidy-toidy act as putting on airs, Stanley, a plant worker, believes she may really have sold Belle Reve and is withholding Stella's fair share of the proceeds from them. What further affects the relationship between the three is that Stella is in the early stage of pregnancy with her and Stanley's first child. Soon after her arrival at the Kowalskis, Blanche starts to date Mitch, one of Stanley's friends and coworkers who is a little softer around the edges than most of Stanley's friends. Mitch does not hide the fact that he is looking in general to get married because of a personal issue, he wanting Blanche ultimately to be his wife. Mitch is somewhat unaware that Blanche has somewhat controlled their courtship to put herself in the best possible light, both figuratively and literally. But in Stanley's quest to find out the truth about Belle Reve and Blanche's life in Auriol, the interrelationships between Stanley, Blanche, Stella and Mitch may be irrevocably affected, with any revelation about that life which may further destroy what's left of Blanche's already damaged mental state.
Picture of a movie: Alice Doesn't Live Here Anymore
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Alice Doesn't Live Here Anymore

1975
Despite admitting that she was scared of him in her never-ending quest to please him, thirty-five year old housewife and mother Alice Hyatt is devastated when her husband Donald is killed in an on the job traffic accident. With few job skills except that as a singer, Alice, along with her precocious eleven year old son Tommy, decides to move from their current home in Socorro, New Mexico to her home town of Monterrey, California, the only place she has ever felt happy. She plans on getting singing gigs along the way to earn money to get back to Monterrey by the end of the summer and the start of Tommy's school year. Alice's quest for a job at each stop leaves Tommy often to fend for himself, which may make Tommy even more precocious. His behavior is fostered by Alice, as their relationship is often more as trouble-making friends than mother and son. Alice's plans often do not end up as she envisions, especially as she is forced to take a waitressing job at Mel and Ruby's Diner in Tucson, Arizona, which entails working with a disparate group, including Mel, the establishment's gruff owner/short order cook, and her fellow waitresses, the wisecracking, foul mouthed Flo, and the naive and shy Vera. Alice also falls into old habits, namely relying on men to make her feel fulfilled, specifically the much younger Ben, and farmer David. Those relationships may also provide her with a better perspective on her life and her bad choice of Donald as a husband.
Picture of a movie: Hannah and Her Sisters
movies

Hannah and Her Sisters

1986
Hannah, Holly, and Lee are adult sisters from a show business family, their boozy actress mother who still believes she's an ingénue that can attract any man she wants, despite still being married to the girls' father, Evan. Hannah, on her second marriage to a man named Elliot, a financial advisor, is the success of the family, taking a break from her acting career to raise her children. Everyone turns to her for advice, while she never talks to others about what she needs or feels. Her first husband, Mickey, is a comedy show writer and hypochondriac, who is going through a crisis as he mistakenly believes he will die soon without a clear belief, as a non-practicing Jew, of what will happen to him in the afterlife. Single Holly is the insecure flaky sister, a struggling and thus continually unemployed actress, who has just started a catering business with her actress friend April, in order to do something constructive with her life. In her own security, Hannah even set up Holly and Mickey together following her own break-up with Mickey, Holly and Mickey's sole date which arguably was the worst night in both their lives. Holly turns to Hannah for everything in her life, including money, despite feeling Hannah overly judgmental about her failures. It's during a catering job that Holly and April meet David, an architect, who seems interested in both of them. Holly's insecurities may threaten her potential relationship with David and friendship with April. Lee, who collects unemployment, is metaphorically the family's piece of clay waiting for the right artist to mold her. She has long lived with artist Frederick, who has contempt for everyone except her, and as such relies on her for whatever his connection to the outside world. This already complex collective becomes even more complex when Elliot contemplates telling Lee that he has fallen in love with her. His attraction to her is as much feeling unneeded by Hannah, who he does not want to hurt regardless of what he decides to do with respect to Lee.