The film serves as Garrone's English-language debut and will interweave three separate story strands bookended by brief bits in which Italians

One Morning in New England, 1940, the entire population of Friar New Hampshire - 572 people - walked together up a winding mountain trail and into the wilderness. They left behind their clothes, their money, all of their essentials. Even their dogs were abandoned, tied to posts and left to starve. No One knows why. A search party dispatched by the U.S. Army eventually discovered the remains of nearly 300 of Friar's evacuees. Many had frozen to death. Others were cruelly and mysteriously slaughtered. The bodies of the remaining citizens are still unaccounted for. Over the years, a quiet cover-up operation managed to weave the story of Friar into the stuff of legends and backwoods fairy tales. The town has slowly repopulated, but the vast wilderness is mostly untracked, with the northern-most stretches off limits to local hunters and loggers. In 2008, the coordinates for the "YELLOWBRICKROAD" trail head were declassified. The first official expedition into a dark and twisted wilderness will attempt to solve the mystery of the lost citizens of Friar...and reach the end of the trail.

2010 film directed by Jesse Holland and Andy Mitton

A young boy tries to cope with rural life circa 1950s and his fantasies become a way to interpret events. After his father tells him stories of vampires, he becomes convinced that the widow up the road is a vampire, and tries to find ways of discouraging his brother from seeing her. He must deal with an abusive mother, a father with a charge of molestation, a band of youths creating havoc, and an unforgiving environment in general.

Peter Glahn is released after years of incarceration as a political prisoner and is now returning to his homeland, the mythical Mandragora where the sun never sets. On board the ship home, he meets the mysterious Juliana Kossel who vanishes after stealing his heart. Once he arrives on the island, he goes to the family ostrich farm run by his sister Amelia. He finds Amelia living with a farmhand named Cain Ball who fears that Peter's return will endanger the agreement he made with Amelia that will see him inherit the farm. Amelia has since fallen for the vain Dr. Isaac Solti who controls the island and has a hold on both Zephyr Eccles, the widow of a local fisherman, and Juliana, Peter's dream girl from the ship. Solti's true obsession is a recently discovered statue of Venus that possesses strange powers. All the characters meet at Solti's lab where the sexual tensions erupt.

When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a stump in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real. When the root takes life they seem to have gained a child; but its appetite is much greater than that of a normal child.

In a 15th-century feudal village, a woman is accused of witchcraft and put to death. Her beautiful older daughter knows the real reason for the execution lies in the lord's sexual desire for her mother. After confronting the lord on the matter, she, too, is killed. A much younger daughter is spared and taken in by her mother's killers. Once she is of age, as a horrible, deadly plague sweeps the land, she marries the lord's worthless son. Then, during a brutal thunderstorm, the older daughter mysteriously reappears and begins to avenge her mother's death.

Getting lost, wandering home whilst on leave from his seminary, novice monk Khoma stays in the barn of an old woman. A scuffle breaks out. Later, he is summoned to stand and pray over a young dead woman, in the local church, for three nights. It is here that, while in the long, dark nights of the locked doors, the dead regain life, the souls of Hell taunt the young monk to near terrifying insanity, and the test of Faith will be as powerful as the witches, monsters and the mighty demon Viy who haunt his every step and bay for his very soul.

Seven seemingly unconnected fairy tales - glued together only by folklore, mood, color and light - make up this Czech collection of visual poetry. The original piece of literature, written by Karel Jaromír Erben in 1853, contained twelve tales.

A more horrific and gloomy version of The Beauty and the Beast. Julie is a bankrupt merchant's daughter who as the only one of the three daughters chooses to save her father's life by going to the Haunted Wood's Castle where she meets Netvor. He wants to kill her, but her beauty prevents him from that. Although she is forbidden to see him she starts to love him and the love rescues him from his curse.

The story of the Pied Piper of Hamelin with a twist.

A memorably bizarre screen version of Lewis Carroll's novel 'Alice's Adventures in Wonderland', mixing one live actor (Alice) with a large variety of stop-motion animated creatures, ranging from the complex (the White Rabbit) to the incredibly simple (the Caterpillar, consisting of a sock, a couple of glass eyes and a pair of false teeth). The original story is followed reasonably faithfully, though those familiar with this director's other films won't be the least bit surprised by the numerous digressions into Svankmajer territory, living slabs of meat and all. As the opening narration says, it's a film made for children... perhaps?

A thief awakens Valerie, just 13, taking earrings left to her by her mother. By morning, the earrings have been returned, Valerie's first period has begun, and a troupe and a missionary have arrived in her 19th century town. The thief is Orick; he reports to a cloaked constable who may also be the missionary. Attention to sexuality is everywhere: Valerie's grandmother's puritanical nature, the missionary's sermon to the town's virgins, the parish priest's attempt to seduce Valerie, and lusty adults at play. Valerie's nascent sexuality puts her in great danger. Can she navigate the passage from innocence to experience, a route teaming with vampires, a murderer, and an obscure family tree?

"November" is based on Estonian novel "Rehepapp" by Andrus Kivirähk, a bestseller of the last twenty years. The film is a mixture of magic, black humor and romantic love. The story is set in a pagan Estonian village where werewolves, the plague, and spirits roam. The villagers' main problem is how to survive the cold, dark winter. And, to that aim, nothing is taboo. People steal from each other, from their German manor lords, and from spirits, the devil, and Christ. To guard their souls, they'll give them away to thieving creatures made of wood and metal called kratts, who help their masters by stealing more. They steal even if their barns are already overflowing. Stealing is an obsession that makes the villagers more and more like the soulless creatures they command, the kratts. The main character of the film is a young farm girl named Liina who is hopelessly and forlornly in love with a village boy named Hans. Her longing makes the girl become a werewolf and jump into an ice-cold pond. She's ready to die in the name of love. The pragmatic farmers are faced with a question: is the life that they've won through so much toil worth anything, if it lacks a soul? Estonian pagan and European Christian mythologies come together in this film. Both mythologies look for a miracle; for an ancient force that gives one a soul. This film is about souls - longing for a soul, selling your soul, and living without a soul.

One dark night, at water's edge, a family of musicians encounter aquatic sirens Silver and Golden. After assuring the family that they won't eat them up, the winsome sirens are recruited to join the Figs and Dates band at a neon-lit Warsaw dance club. When Silver becomes romantically entangled with beautiful blonde bassist Mietek, the more cunning Golden, who cannot escape her bloodthirsty nature, worries that her sister's relationship will doom their shared dream of swimming to a new life in America.

Rosaleen (Sarah Patterson) is a teenager, living in a country house in England with her family in the present days, and having a nightmare with wolves and werewolves in the Middle Ages. In her dream, her boring sister is dead, she lives with her father and her mother, but she spends lots of time with her lovely grandmother. Granny (Dame Angela Lansbury) tells her many stories of werewolf and gives her the following advice: "- Never stray from the path in the woods, never eat a windfall apple, and never trust a man whose eyebrows meet." One day, Rosaleen, while going to visit her grandmother, meets a handsome man and bets who would arrive first at her granny's house. Soon she finds who he is.

Grimmer Than Grimm: Fairytales for Adults

movie

Rashea Lawing

French-German-Czech-Italian historical drama television series

British-Austrian psychological thriller television series based on the Frank Tallis novels

Grimmer Than Grimm: Fairytales for Adults

More lists by Rashea Lawing

Historical Drama & Period Series

Dark Historical Drama Miniseries

Surrealist Visually Striking Films