While dealing drugs on the side, Gonda operates the Genet, a gay bar in Tokyo where he has hired a stable of transvestites to service the customers. The madame or lead "girl" of the bar is Leda, an older, old fashioned geisha-styled transvestite with who Gonda lives and is in a relationship. Arguably, the most popular of the girls working at the bar now is Eddie, a younger, modern transvestite. Like Leda, Eddie lives openly as a woman. Eddie's troubled life includes her father having deserted the family when she was a child, and having had a difficult relationship with her mother following, she who mocked Eddie's ability to be the man the of the family. Gonda enters into a sexual relationship with Eddie, who he promises to make madame of the bar, replacing Leda in both facets of his life, with Eddie having threatened to quit otherwise. While Leda suspects what Gonda and Eddie are up to, Gonda tells Leda what she wants to hear, much as he tells Eddie what she wants to hear. As this triangle plays itself out, what actually happens is affected by a joint history between Gonda and Eddie of which they are unaware. This film teeters between fiction and non-fiction as a secondary story is Eddie's friendship with a group of counter-culturalists, including filmmaker Guevara, whose making of a movie mirrors the making of this film. That balance tips into non-fiction as the actual actors in this and Guevara's movie talk about issues covered in this film, such as drug use, and sexuality, especially transvestism as the transvestite characters are played by real life transvestites.

1969 Japanese drama film directed by Toshio Matsumoto

Shou's father Norio finds his son in a rather meaningless existence in Tokyo dominated by alcohol and porn videos. Having left home two years earlier to pursue life as a musician, Shou has left his band and his girlfriend has left him. His father asks a favor, that Shou clean out the apartment of his aunt Matsuko, who he says led a meaningless life until her murder at the age of 53. The apartment is filled with garbage bags and is even more unkempt than his apartment has become, and he becomes intrigued with his aunt as details of her life are supplied by a tattooed neighbor and others. Her feelings of neglect by her father Tsunehiro, who favored her chronically ill younger sister, Kumi, translated into becoming a dutiful junior high school teacher devoted to her students until being forced to resign after being blamed for the theft of some money by one of them. Leaving her family due to the disgrace, she had a series of affairs with lovers who physically abused her and did a stint as a massage parlor girl due to her beauty. After her pimp lover dumped her and gave her share of earnings to his new lover, they argued and after killing him she left by train and contemplated suicide. Dissuaded by a lonely barber, she happily set out to build a quiet life with him until the police came to charge her with murder. Upon her release from prison she silently slipped away after finding that the barber had started a new family. Becoming a "Yakusa Girl" she rationalized that it was better to be on the run with a mobster than be alone. However, her mobster lover rejected her after being released from a term in prison and she became an eccentric recluse. Shou concludes that his aunt fulfilled his ex-girlfriend's parting comment about it being better to give to others rather than expecting to receive.

The traumatized survivors of a murderous bus hijacking come together and take a road trip to attempt to overcome their damaged selves. Meanwhile a serial killer is on the loose.

Nozomi and Lana share an apartment in Tokyo. They have both auditioned for the same role in a movie, and know that the shortlist has been cut down to just the two of them. As they wait the night before finding out who will get the role, their personality clashes erupt into an all-out battle.

In Tokyo, the freelance cameraman Takuyoshi Masuoka is obsessed investigating the fear sensation near death. When he photographs a man stabbing himself in the eye in the access to the subway, he seeks what the suicidal man might have seen to experiment the same sense of horror the man felt when he died. He finds a passage to the Tokyo underground where he meets a mysterious naked woman that does not speak, who he calls her F. He brings F to his place and he tries to feed her, until he discovers that she drinks blood. Masuika becomes a serial killer draining the blood of his victims to nurse F.

It is the '90s and the tradition of 'compensated dating' is well underway in Japan. Four high school girls are engaged in enjo kosai in order to satisfy their desire for different things. You can usually find them in Shibuya district of Tokyo where they will give you their time, and sometimes more, in exchange for money that buys pretty things.

1998 Japanese film directed by Hideaki Anno

A world-weary yakuza in Tokyo is assigned to take his clan to Okinawa to help settle a dispute between two factions. He's suspicious of the assignment, but he goes, and within a couple days, his role remains unclear and several of men are dead. He retreats to a house on a remote beach to wait. The first night there , he rescues a young woman from an assault, and they develop a playful relationship. Over time, it becomes clear he's been set up, sent to Okinawa so that others can take over his lucrative territory. As his clan dwindles, he plans a revenge. But, what if he's successful? What is there to life anyway?

Three stories of undying love: Bound by a long red cord, a young couple wanders in search of something they have forgotten. An aging yakuza returns to the park where he used to meet his long-lost girlfriend. A disfigured pop star confronts the phenomenal devotion of her biggest fan.

A man sees his life changed forever when his fiancee shoots herself. Baffled, he wants by all means to obtain such a weapon of destruction and he finds himself caught in the middle of a violent group of young vicious punks. They first beat him severely and then he seeks revenge with his fist, then with a gun. Everything from then on is a complete downward spiral.

日本語