Possible Aruia/Joyce movies

Various Londeners meet people in Hampstead Heath park. Financial adviser Billy (Ewan McGregor), a successful casual sex seeker, discusses the pros, cons, and how of his child-wish. Cheeky Noel's (Tom Hardy's) innocent pick-up lines lead only to cruelty from girls, once even abandoned jeans on ankles. Gerry's (Hugh Bonneville's) promising blind date picnic ends as abruptly when his business partner turns up, who just agreed to a Barbados holiday with his steady girl. Eddie (Benjamin Whitrow) discovers through a date mix-up that Iris (Dame Eileen Atkins), his ripe age, who come to the same park weekly too, but a day earlier, was his prospective mate until they each met their now late partners several decades ago. Pete (Adrian Lester) comes to settle the end of a marriage that shouldn't have happened except for his daughter.

39-year-old April Epner's childish husband and school teacher colleague Benjamin/Ben leaves her, but with her biological clock ticking ever more loudly. Her dying bossy adoptive mother is very vocal about her disappointment, while her natural son Freddy, a doctor, is most understanding. Shy but fascinating British author Frank meets April, his doted son Jimmy Ray's teacher, which soon leads to a full-flung affair. At the same time April's birth mother Bernice Graves locates her and begins attempting to establish a relationship. On top of all these balls in the air, April discovers she's finally expecting Ben's baby.

The film centers on a big Polish family. Jadzia is the mother and the ruler of the Pzoniak family (she has five children). Though she's happily married to Bolek, she is also having a long-time affair with Roman. Her young daughter Hala is having an affair with neighbour cop Russell and becomes pregnant by him. Russell is pressed hard to marry Hala.

A liberated young schoolteacher at an Edinburgh girls' school in the period between the two world wars, instructs her girls on the ways of life. Ignoring the more mundane subjects, she teaches them of love, politics and art. Her affairs with two male teachers become known and she finds herself fighting to keep her job. She believes that she can always count on the one hundred percent support of her favorite pupils, but one of them does not feel that Miss Jean Brodie (Dame Maggie Smith) is in her "prime" anymore. No longer swayed by her teacher's eloquence, she begins to learn about life and love herself.

Judith Nelson quit her medical studies to marry. Years later, her husband, a physician, divorces her to be with another doctor. Deeply frustrated, she now lives alone in her luxury apartment in New York, looking for a new meaning for her life. Pat Francato, the janitor and lift-boy, has a troubled life himself: Gambling debts and the tragic death of his daughter took away all his spirit. One day, he and Judith meet in the right mood and a fragile friendship starts to grow. They can help each other to get on their feet again. But one false move could destroy everything they built so carefully.

Erin is a nurse and her longtime boyfriend has dumped her. Her mother Piper places a personal ad for her. Meanwhile the film follows the life of Alan, a volunteer at a local aquarium who dreams of becoming a marine biologist. Will their paths cross?

Renata Bella feels like a failure at life and career. But when Renata attends a seminar on selling real estate, she finally finds True Love. Sam Sharpe, while a top-notch, successful salesman, is much older than Renata. She is swept away by his excessively flamboyant style and irrepressible nature. The very traits she finds romantic, however, lead to repeated conflict with her family, especially her beloved father Joe, leaving Renata trapped in the middle.

1938. Julia Lambert (Annette Bening) and Michael Gosselyn (Jeremy Irons) are the royal couple of the London theater scene, Julia, an actress, and Michael, a former actor, who took over running the theater and its troupe after the death of their mentor, Jimmy Langton (Sir Michael Gambon). Jimmy is still constantly with Julia in spirit as she navigates through life. Besides their work, Julia and Michael lead largely separate lives, they, long ago having stopped a sexual relationship. Julia of late has been feeling disenchanted with her life, she not wanting to admit it's because she is approaching middle age. Her disenchantments manifests itself in wanting Michael to close their current production early so that she can recharge her juices, something he is reluctant to do if only for not wanting to let the theater sit empty. What Julia ends up doing instead is embarking on an affair with Tom Fennel (Shaun Evans), an adoring young American who is young enough to be her son. As Julia and Tom's relationship progresses, the more she falls in love with him and becomes dependent upon him for her happiness. But as she finds out that Tom is not as innocent and shy as he first made himself to seem, she may learn that Tom cannot be that direct conduit to happiness and fulfillment at this stage in her life. However, she may find an avenue through Tom that may truly re-energize her for herself.

Four totally different and separate stories of guests staying at the Beverly Hills Hotel. Diane Barrie (Dame Maggie Smith) and Sidney Cochran (Sir Michael Caine) come from England to attend the Oscars; Hannah Warren (Jane Fonda) comes from New York City, Bill Warren (Alan Alda) is her ex who lives in California; in the slapstick part, Dr. Willis Panama (Bill Cosby), Dr. Chauncey Gump (Richard Pryor), and their wives come to the hotel to relax and play tennis, only to find there is only one room vacant; in the fourth segment, Marvin Michaels (Walter Matthau) arrives a day before his wife for his nephew's Bar Mitzvah, while his brother Harry (Herb Edelman) sends a prostitute to his room.

Shirley's a middle-aged Liverpool housewife,who finds herself talking to the wall while she prepares her husband's chip'n'egg, wondering what happened to her life. She compares scenes in her current life to how she used to be, and feels stagnated and in a rut. But when she best friend wins an all-expenses-paid vacation to Greece for two, Shirley begins to see the world, and herself, in a better light.

In England in the early 1930s, twenty-year-old Flora Poste (Kate Beckinsale), recently orphaned, and left with only one hundred pounds sterling a year, goes to stay with distant relatives on Cold Comfort Farm. Everyone on the gloomy farm is completely around the twist, but Flora tries to sort everything out.

Twenty-something native Vermonter Mirabelle Buttersfield, having recently graduated from college, is finding her new life in Los Angeles not quite what she was expecting or hoping. An aspiring artist, she is barely eking out a living working as a clerk at the women's evening gloves counter at Saks Fifth Avenue in Beverly Hills and thus she can barely make the payments on her massive student loans. She treats her job with a certain distance, often daydreaming as she watches the life of the rich as they shop at the store. She has made no friends, including from among her Saks colleagues, and thus lives a solitary existence, which does not assist in her dealing with her chronic clinical depression. So it is with some surprise that two men with a romantic interest in her enter her life almost simultaneously. The first is poor slacker Jeremy, who works as an amplifier salesman/font designer. Mirabelle continues dating Jeremy as only a relief to her solitary life, as Jeremy doesn't seem to understand how to treat her in the way she wants. Shortly after meeting Jeremy, she meets the second, wealthy fifty-something Ray Porter, who is the antithesis of Jeremy in almost every respect, including the fact that Ray is unwilling or unable to commit to Mirabelle, about which he is up front to her. To Mirabelle, that lack of commitment from Ray seems to be in name only, and as such she increasingly sees Ray as her boyfriend. Mirabelle has to decide if a long term future is either in the cards with Jeremy or Ray, which is made all the more complicated by an action by Jeremy to an off the cuff comment that she makes to him.

After losing her job, making out with her soon to be ex-boss, and finding out that her daughter plans to spend Thanksgiving with her boyfriend, Claudia Larson has to face spending the holiday with her family. She wonders if she can survive their crazy antics.

At her husband's funeral, Pearl (Shirley MacLaine), Jewish mother of two divorced and antagonistic daughters, meets an old Italian friend (Marcello Mastroianni) of her husband, whose advice years previously had stopped the husband leaving home. For 23 years he, now a widower, has secretly loved Pearl...

Set right after World War II, a naive teenage girl joins a shabby theatre troupe in Liverpool. During a winter production of Peter Pan, the play quickly turns into a dark metaphor for youth as she becomes drawn into a web of sexual politics and intrigue.

The often unlikely joint lives of Katie Morosky and Hubbell Gardiner from the late 1930s to the late 1950s is presented, over which time, they are, in no particular order, strangers, acquaintances, friends, best friends, lovers and adversaries. The unlikely nature of their relationship is due to their fundamental differences, where she is Jewish and passionate about her political activism both in political freedoms and Marxism to an extreme where she takes life a little too seriously, while he is the golden boy WASP, being afforded the privileges in life because of his background but who on the most part is able to capitalize on those privileges. Their lives are shown in four general time periods, in chronological order when they attend the same college, their time in New York City during WWII, his life as a Hollywood screenwriter post-war, and his life as a writer for a New York based live television show. It is during college that Hubbell finds his voice in life as a writer, and that Katie sees beyond his good looks to find a person with substance who realizes his position in a life as something that does not give him an inherent right to those opportunities. External world events, such as the Spanish Civil War, WWII and the House Un-American Activities investigation, do affect their lives directly, but it is how they deal with these effects personally, largely in relation to personal relationships - such as with Hubbell's long term friends J.J. and Carol Ann, the latter his college girlfriend - that may dictate if Katie and Hubbell are able to make it in the long term as a couple.

London, summer 1923. Clarissa (Vanessa Redgrave), Member of Parliament Richard Dalloway's (Sir John Standing's) wife, sets out on a beautiful morning; she's shopping for flowers for her party that evening. At the same time Septimus Warren Smith (Rupert Graves), a young man who survived the battlefields of Europe, is suffering from a nightmarish delayed on-set form of shell shock. Clarissa's nearly-grown daughter is distant, and preoccupied. In the course of one day, Peter (Michael Kitchen), Clarissa's passionate old suitor, returns from India and is invited to her party, Septimus commits suicide, Clarissa relives a day in her youth (and her reasons for her choice of a life with the reliable Richard Dalloway).

The power of words and images to open hearts. Helen runs, miles a day, to burn off energy: she's an emotional celibate. Going through the post at her shop, she finds a romantic and poetic letter between the couch cushions, unsigned, and thinks it's for her. It melts her resistance to feelings, and soon she undertakes an affair with Johnny, a collegiate employee. (He sees the letter and thinks she wrote it to him; he quotes some of it, so she thinks he wrote it to her.) In the background are Helen's long-time friend, George, who loves her, and her mother who abruptly left on a long trip months before. Discovering who actually wrote the letter brings insight and promise.