documenteries

The End of Poverty? asks if the true causes of poverty today stem from a deliberate orchestration since colonial times which has evolved into our modern system whereby wealthy nations exploit the poor. People living and fighting against poverty answer condemning colonialism and its consequences; land grab, exploitation of natural resources, debt, free markets, demand for corporate profits and the evolution of an economic system in in which 25% of the world's population consumes 85% of its wealth. Featuring Nobel Prize winner Amartya Sen and Joseph Stiglitz, authors/activist Susan George, Eric Toussaint, Bolivian Vice President Alvaro Garcia Linera and more.

With gasoline prices approaching $4/gallon, fossil fuel shortages, unrest in oil producing regions around the globe and mainstream consumer adoption and adoption of the hybrid electric car (more than 140,000 Prius' sold this year), this story couldn't be more relevant or important. The foremost goal in making this movie is to educate and enlighten audiences with the story of this car, its place in history and in the larger story of our car culture and how it enables our continuing addiction to foreign oil. This is an important film with an important message that not only calls to task the officials who squelched the Zero Emission Vehicle mandate, but all of the other accomplices, government, the car companies, Big Oil, even Eco-darling Hydrogen as well as consumers, who turned their backs on the car and embrace embracing instead the SUV. Our documentary investigates the death and resurrection of the electric car, as well as the role of renewable energy and sustainable living in our country's future; issues which affect everyone from progressive liberals to the neo-conservative right.

The film includes interviews with Markopolos and fellow investigators Frank Casey, Neil Chelo, Michael Ocrant, and Gaytri Kachroo over how they pursued and exposed Bernie Madoff and his elaborate ponzi scheme for bilking investors out of $50 billion.

Crazy Sexy Cancer is an irreverent and uplifting documentary about a young woman looking for a cure and finding her life. Weeks after she was diagnosed, filmmaker Kris Carr began documenting her story. Taking a seemingly tragic situation and turning it into a creative expression, Kris shares her inspirational story of survival with honesty, courage, and lots of humor. Crazy Sexy Cancer is more than a film, it's an attitude! It's about rising to the challenge of life, and no matter what, refusing to give up who you are at your core. This story is as funny as it is frightening, as joyous as it is outrageous. Ultimately, Crazy Sexy Cancer is a thought provoking film about friendship, love and growing up.

It is happening all across America-rural landowners wake up one day to find a lucrative offer from an energy company wanting to lease their property. Reason? The company hopes to tap into a reservoir dubbed the "Saudi Arabia of natural gas." Halliburton developed a way to get the gas out of the ground-a hydraulic drilling process called "fracking"-and suddenly America finds itself on the precipice of becoming an energy superpower.

Documentary on reported Conservative bias of the Rupert Murdoch-owned Fox News Channel (FNC), which promotes itself as "Fair and Balanced". Material includes interviews with former FNC employees and the inter-office memos they provided.

A look at man's relationship with Dirt. Dirt and humans couldn't be closer. We started our journey together as stardust, swirled by cosmic forces into our galaxy, solar system, and planet. We are made of the same stuff. Four billion years of evolution created dirt as the living source of all life on Earth including humans. Dirt has given us food, shelter, fuel, medicine, ceramics, flowers, cosmetics and color --everything needed for our survival. For most of the last ten thousand years we humans understood our intimate bond with dirt and the rest of nature. We took care of the soils that took care of us. But, over time, we lost that connection. Our species became greedy and careless. We still depend on dirt, but now we abuse and ignore it. We are destroying our last natural resource with our agriculture, our mining, and our paving over the planet for cities. We turned dirt into something "dirty." In doing so, we transform the skin of the earth into a hellish and dangerous landscape for all life on earth. A millennial shift in consciousness about the environment offers a beacon of hope - and practical solutions. Around the globe, pioneers are coming together to save earth's last natural resource. Tiny villages rise up to battle giant corporations slaughtering their land. Scientists discover connections with soil that can balance global warming. Generation X brands organic farming as trendy and children begin to eat from edible school yards. Inmates find inner peace and job skills in a prison horticulture program. Medical researchers explore dirt's capacity to provide solutions to such devastating health crises as AIDS. Major religions are rediscovering the reverence for the natural world that unites them all. Uses animation, vignettes, personal accounts and story telling.

The 14 acre community garden in South Central Los Angeles was the largest of it's kind in the United States. It was started as a form of healing after the devastating L.A. riots in 1992. Since that time, the South Central Farmers have created a miracle in one of the country's most blighted neighborhoods. Growing their own food. Feeding their families. Creating a community. But now bulldozers threaten their oasis. The Garden is an unflinching look at the struggle between these urban farmers and the City of Los Angeles and a powerful developer who want to evict them and build warehouses.

On the 40th anniversary of the Internet, WE LIVE IN PUBLIC tells the story of the effect the web is having on our society as seen through the eyes of "the greatest Internet pioneer you've never heard of", visionary Josh Harris. Award-winning director, Ondi Timoner ("DIG!"), documented his tumultuous life for more than a decade, to create a riveting, cautionary tale of what to expect as the virtual world inevitably takes control of our lives. Josh Harris, often called the "Warhol of the Web" through the infamous dot.com boom of the 1990's, founded Pseudo.com, the first Internet television network and created his vision of the future, an underground bunker in NYC where 100 people lived together on camera for 30 days over the millennium. He proved how in the not-so-distant future of life online, we will willingly trade our privacy for the connection and recognition we all deeply desire. Through his experiments, including a six-month stint living under 24-hour live surveillance online which led him to mental collapse, he demonstrated the price we will all pay for living in public.

King Corn is a feature documentary about two friends, one acre of corn, and the subsidized crop that drives our fast-food nation. In King Corn, Ian Cheney and Curt Ellis, best friends from college on the east coast, move to the heartland to learn where their food comes from. With the help of friendly neighbors, genetically modified seeds, and powerful herbicides, they plant and grow a bumper crop of America's most-productive, most-subsidized grain on one acre of Iowa soil. But when they try to follow their pile of corn into the food system, what they find raises troubling questions about how we eat-and how we farm

The McDonald's coffee case has been routinely cited by the media as an example of how citizens have taken advantage of the legal system. We will show how this case became so popular in the media, who funded the effort and to what end. We will tell the truth and let the audience decide if spilling hot coffee is really as profitable as they might otherwise believe.

I.O.U.S.A. examines the rapidly growing national debt and its consequences for the United States and its citizens. As the Baby Boomer generation prepares to retire, will there even be any Social Security benefits left to collect? Burdened with an ever-expanding government and military, increased international competition, overextended entitlement programs, and debts to foreign countries that are becoming impossible to honor, America must mend its spendthrift ways or face an economic disaster of epic proportions. Throughout history, the American government has found it nearly impossible to spend only what has been raised through taxes. The film blends interviews with both average American taxpayers and government officials to demystify the nation's financial practices and policies. The film follows U.S. Comptroller General David Walker as he crisscrosses the country explaining America's unsustainable fiscal policies to its citizens. The film interweaves archival footage and economic data to paint a profile of America's current economic situation. The film also proffers potential financial scenarios and propose solutions about how to recreate a fiscally sound nation for future generations.

A documentary that follows former U.S. Labor Secretary Robert Reich as he looks to raise awareness of the country's widening economic gap.

The field of economics can study more than the workings of economies or businesses, it can also help explore human behavior in how it reacts to incentives. Economist Steven D. Levitt and journalist Stephen J. Dubner host an anthology of documentaries that examines how people react to opportunities to gain, wittingly or otherwise. The subjects include the possible role a person's name has for their success in life, why there is so much cheating in an honor bound sport like sumo wrestling, what helped reduce crime in the USA in the 1990s onward and we follow an school experiment to see if cash prizes can encourage struggling students to improve academically.

WE ARE LEGION: The Story of the Hacktivists, takes us inside the complex culture and history of Anonymous. The film explores early hacktivist groups like Cult of the Dead Cow and Electronic Disturbance Theater, and then moves to Anonymous' own raucous and unruly beginnings on the website 4Chan. Through interviews with current members - some recently returned from prison, others still awaiting trial - as well as writers, academics and major players in various "raids," WE ARE LEGION traces the collective's breathtaking evolution from merry pranksters to a full-blown, global movement, one armed with new weapons of civil disobedience for an online world.

Follow the Manhattan-based Beavan family as they abandon their high consumption 5th Avenue lifestyle and try to live a year while making no net environmental impact.

A look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems.

The Parking Lot Movie is a documentary about a singular parking lot in Charlottesville, Virginia. The film follows a select group of parking lot attendants and their strange rite of passage. The eccentric brotherhood of attendants consist of grad students, overeducated philosophers, surly artists, middle-age slackers and more. This self-described "ragtag group of fractured poets" prefer skateboards and bicycles to cars and have at best a tolerant contempt for the people they serve. That's not to say they don't care about anything. They hang out at the lot even in their spare time, shooting the breeze or playing a spirited game of "flip cone," just because...they like it there. They conduct their own private "war" against the elites, the pretentious and obnoxious customers who park their BMWs, Hummers, Suburbans and other vehicles. They study the art of doing nothing and the knack of getting even with rude, SUV-driving dolts who treat them like inferior beings. The gradual devolution from enthusiasm to resentment in the psyches of guys self-aware enough to notice it is an interesting process; in an attempt to distract themselves from the rapidly mounting bitterness, the attendants amuse themselves any way they can-stenciling random messages on the parking gate, writing songs, even dancing for tips. Through interviews with former attendants who have moved on - we see that their time at the lot has clearly provided rites of passage and afforded them Zen-like perspective. As one parking attendant laments, "We had it all in a world that had nothing to offer us." If the intersection between the status quo and the quest for freedom is their ultimate challenge, could a slab of asphalt be an emotional way station for The American Dream?