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Picture of a movie: The Infinite Man
Picture of a movie: Everything Everywhere All at Once
Picture of a movie: Moon
Picture of a movie: Frequently Asked Questions About Time Travel
Picture of a movie: The Hitchhiker's Guide to the Galaxy

5 Movies

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Picture of a movie: Contact
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Contact

1997
Astronomer Dr. Ellie Arroway has long been interested in contact to faraway lands, a love fostered in her childhood by her father, Ted Arroway (David Morse), who died when she was nine-years-old, leaving her orphaned. Her current work in monitoring for extraterrestrial life is based on that love and is in part an homage to her father. Ever since funding from the National Science Foundation (N.S.F.) was pulled on her work, which is referred to some, including her N.S.F. superior David Drumlin (Tom Skerritt), as more science fiction than science, Ellie, with a few of her rogue scientist colleagues, have looked for funding from where ever they could get it to continue their work. When Ellie and her colleagues hear chatter originating from the vicinity of the star Vega, Ellie feels vindicated. But that vindication is short lived when others, including politicians, the military, religious leaders, and other scientists, such as Drumlin, try to take over her work. When the messages received from space are decoded, the project takes on a whole new dimension, which strengthens for Ellie the quest for the truth. Thrown into the mix are the unknown person who has up until now funded most of Ellie's work and what his motivations are, and Palmer Joss (Matthew McConaughey), a renowned author and theologian, who despite their fundamental differences in outlook, is mutually attracted to Ellie, that attraction based in part on intellect and their common goal of wanting to know the truth.
Picture of a movie: The American Astronaut
movies

The American Astronaut

2001
Space travel has become a dirty way of life dominated by derelicts, grease monkeys, thieves, and hard-boiled interplanetary traders such as Samuel Curtis, an astronaut from Earth who deals in a rare goods, living or otherwise. His mission begins with the unlikely delivery of a cat to a small outer-belt asteroid saloon where he meets his former dance partner, and renowned interplanetary fruit thief, the Blueberry Pirate. As payment for his delivery of the cat, Curtis receives a homemade cloning device already in the process of creating a creature most rare in this space quadrant... a Real Live Girl. At the suggestion of the Blueberry Pirate, Curtis takes the Real Live Girl to Jupiter where women have long been a mystery. There, he proposes a trade with the owner of Jupiter: the Real Live Girl clone for the Boy Who Actually Saw A Woman's Breast. The Boy Who Actually Saw A Woman's Breast is regarded as royalty on the all-male mining planet of Jupiter because of his unique and exotic contact with a woman. It is Curtis' intention to take The Boy to Venus and trade him for the remains of Johnny R., a man who spent his lifetime serving as a human stud for the Southern belles of Venus, a planet populated only by women. Upon returning Johnny R's body to his bereaved family on earth, Curtis will receive a handsome reward. It all seems simple enough. But while hashing out the plan with the Blueberry Pirate, Curtis is spotted by his nemesis, Professor Hess. Possessed by an enigmatic obsession with Curtis, Heiss is capable of killing without reason, unless his intended victim is someone with whom he has unresolved issues. Heiss has been pursuing Samuel Curtis throughout the solar system in order that he might forgive him, then kill him. Along the way, Heiss has executed each and every individual to come into contact with Curtis. Unaware of this danger, Curtis sets forth on his mission. After retrieving The Boy Who Actually Saw A Woman's Breast from Jupiter, Curtis is contacted by Professor Heiss, who makes his intentions known. Fearful, Curtis and The Boy look for a place to hide. They come across a primitive space station constructed by Nevada State silver miners from the late 1800s. Inside they discover a small group of miners still alive, their bodies crippled and deformed by space atrophy. Unable to return home for fear that Earth's gravity would kill them, two of the miners mated and give birth to a boy known as Bodysuit. He has been raised in a suit of hydraulics to simulate Earth's gravity with the intention of eventually sending him home. In trade for supplies and sanctuary, Curtis agrees to deliver Bodysuit to Earth. Once they land on the lush planet of Venus, the terrain dramatically changes, and Curtis is inspired by a plan. And it may just happen that in a solar system ruled by commerce and danger, sometimes good can prevail.
Picture of a movie: Galaxy Quest
movies

Galaxy Quest

2000
The sci-fi television series "Galaxy Quest", which took place aboard the intergalactic spaceship NSEA Protector, starred Jason Nesmith as suave Commander Peter Quincy Taggart, Gwen DeMarco as sexy communications person Lt. Tawny Madison (a role which consisted solely of repeating what the computer stated, much to Gwen's chagrin), Shakespearean trained Sir Alexander Dane as alien Dr. Lazarus, Fred Kwan as engineer Tech Sergeant Chen, and Tommy Webber as child pilot Laredo. Eighteen years after the series last aired, it lives on in the hearts of its rabid fans. However, it lives on in infamy for its stars, who have not been able to find meaningful acting work since. Their current lives revolve around cashing in on however those roles will afford, which usually entails attending fan conventions or worse, such as electronic store openings. Only Jason seems to relish his lot in life, until he finds out that his co-stars detest him because of his superior attitude as "the Commander", and much of the public considers him a laughing stock. Their lives change when Jason is approached by who he thinks are convention fans asking for help. They are in reality an alien race called Thermians, led by Mathesar, who have modeled their existence after the series, which they believe to be real. When Jason and then the rest of his co-stars (along with Guy Fleegman, who was killed off before the opening credits in only one episode) go along with the Thermians, Jason's co-stars who believe they are off to yet another paying gig, they learn that they have to portray their roles for real. Without screenwriters to get them to a happy and heroic ending, they have to trust that their play acting will work, especially in dealing with the Thermians' nemesis, General Sarris. Guy in particular fears that he will go the way his character did on the series. But when they run across technical issues that they as actors didn't care anything about during the filming of the series and thus now don't know how to deal with, they need to find someone who should know what to do.