Best of International

Young teen girl Xiu Xiu is sent away to a remote corner of the Sichuan steppes for manual labor in 1975 (sending young people to there was a part of Cultural Revolution in China). A year later, she agrees to go to even more remote spot with a Tibetan saddle tramp Lao Jin to learn horse herding.

The wind of change is blowing as a family grapples with unemployment, alienation, mistrust and a lack of communication. When a Japanese salaryman loses his job to outsourcing to China, it is just the beginning of a series of family shattering incidents leading to the implosion of the family unit.

In Tokyo, the reckless single mother Keiko moves to a small apartment with her twelve years old son Akira Fukushima and his siblings Shigeru and Yuki. Kyoko, another sibling arrives later by train. The children have different fathers and do not have schooling, but they have a happy life with their mother. When Keiko finds a new boyfriend, she leaves the children alone, giving some money to Akira and assigning him to take care of his siblings. When the money runs out, Akira manages to find means to survive with the youngsters without power supply, gas or water at home, and with the landlord asking for the rent.

Ten years ago, on a train home during the busy Spring Festival travel period, fate brings Xiaoxiao and Jianqing together. Like many young couples, they meet, fall in love, and strive to make it work, but eventually, the harsh realities of life make them drift apart. Ten years later, they run into each other again. Will they make the most of this second chance and rekindle what they once lost?

Still Walking is a family drama about grown children visiting their elderly parents, which unfolds over one summer day. The aging parents have lived in the family home for decades. Their son and daughter return for a rare family reunion, bringing their own families with them. They have gathered to commemorate the tragic death of the eldest son, who drowned in an accident fifteen years ago. Although the roomy house is as comforting and unchanging as the mother's homemade feast, everyone in the family has subtly changed.

Young Ho is a depressed middle-aged man. At his old friend group's reunion, he grows increasingly aggressive until he rushes to the railway to commit suicide. As he screams in regret, we follow the train in reverse, observing the six chapters of his life that led up to his suicide.

Sawa Yamagishi worked as a nursing-care helper. The family of an old man asked Sawa to sleep with him, which led her to eventually lose her job and house. Now, she has nowhere to go. Sawa finds elderly people in trouble and gets involved in their lives. Meeting them, their lives change and Sawa's own wounds start to heal.

Tony Takitani had a solitary childhood. At school he studied art, but while his sketches are accurate and detailed, they lack feeling. Used to being self-sufficient, Tony finds himself becoming more irrational and instinctive. After finding his true vocation as a technical illustrator, he becomes fascinated by Eiko, a client who in turn is fascinated by high end fashion.

Would you choose your natural son, or the son you believed was yours after spending 6 years together? Kore-eda Hirokazu, the globally acclaimed director of "Nobody Knows", "Still Walking" and "I Wish", returns to the big screen with another family - a family thrown into torment after a phone call from the hospital where the son was born... Ryota has earned everything he has by his hard work, and believes nothing can stop him from pursuing his perfect life as a winner. Then one day, he and his wife, Midori, get an unexpected phone call from the hospital. Their 6-year-old son, Keita, is not 'their' son - the hospital gave them the wrong baby. Ryota is forced to make a life-changing decision, to choose between 'nature' and 'nurture.' Seeing Midori's devotion to Keita even after learning his origin, and communicating with the rough yet caring family that has raised his natural son for the last six years, Ryota also starts to question himself: has he really been a 'father' all these years...

The manager of a pancake stall finds himself confronted with an odd but sympathetic elderly woman looking for work. A taste of her homemade red bean paste convinces him to hire her, which starts a relationship that is about much more than just street food.

Four women. All in their 30s. Three married, one divorcee. They are able to tell each other anything. Or at least they thought. One day, after losing in divorce court, one of them gives up on a future with their partner and disappears. The three remaining women take a second look at their lives. The long night is full of questions. 'Are you really the you you wanted to be?'

Yuma is a grown woman now with the obligations and duties that come with it. Nevermind that she went 37 seconds without breathing upon birth, which resulted in her developing and living with cerebral palsy. She is disabled. She is striving to perform under the duress while juggling an aspiration to become a manga artist. With the world using her, and the reality that comes with her disability, she embarks on a sexual exploration in order to understand the subject matter demanded of her by an employer.

Like Someone in Love I is a Japanese-language film directed by Iranian director Abbas Kiarostami. It was selected to be screened in the main competition section at the 2012 Cannes Film Festival. Written by Abbas Kiarostami.

Suzuko is 21 years old and lives at home. A coworker offers to share an apartment with her. After they sign the lease, Suzuko discovers that her coworker has planned to share her room with her boyfriend. However, the day she moves in, the couple have broken up, leaving her with the boyfriend as a roommate. She finds a small kitten on her balcony and brings it in. She goes to the store to buy it food. When she returns, she finds out that her depressed roommate has thrown the kitten out. Finding the dead kitten in the road, Suzuko throws all her roommates belongings out. She is arrested and criminally charged. She ends up in prison. Upon her release, she finds herself dealing with the neighborhood gossip and family conflicts. She decides to save one million yen, move to a place where no one knows her and to continue repeating the process. She discovers many things about herself, as she corresponds with her younger brother, (who is dealing with bullies) and meets new people on her travels.

"The World" is a theme park on the outskirts of Beijing, sixteen kilometers from the Chinese capital, designed around scaled representations of the world's famous landmarks such as the Eiffel Tower or the Leaning Tower of Pisa.The site is seen here not from the visitors' point of view but through the eyes of a few of its staff, lonely people, communicating poorly, a bit disillusioned with life, glittering for the tourists but dull and restricted as far as they are concerned. We meet, among others, pretty young dancer Tao and Taisheng, a security guard who is fond of her but not of personal commitment...

A woman is torn between two men and two ways of life in this drama from writer and director Naomi Kawase. Kayoko (Hako Oshima) lives a serene existence in Asuka, a village where nature and civilization live in harmony, and she spends her days making scarves and dying them crimson using natural materials. Kayoko shares her home with her long-time boyfriend Tetsuya (Tetsuya Akikawa), who makes his living in the publishing industry and tends his garden in his spare time. While Tutsuya is away on business, Kayoko discovers she's pregnant, which presents her with a serious dilemma -- she's been having an affair with Takumi (Tohta Komizu), a wood sculptor who lives nearby and possesses an earthy sensuality Tatsuya does not. Koyoko is uncertain which man is the father of her child, and when she tells Takumi her secret, he suggests that as much as he cares for her, he's not certain theirs is a love that will last, with the troubled relationship between his grandfather and her grandmother serving as an example.

A young woman's husband apparently commits suicide without warning or reason, leaving behind his wife and infant. Yumiko remarries and moves from Osaka to a small fishing village, yet continues to search for meaning in a lonely world.

A care-giver at a small retirement home takes one of her patients for a drive to the country, but the two wind up stranded in a forest where they embark on an exhausting and enlightening two-day journey.