Lists

Picture of a book: Stitches
Picture of a book: This One Summer
Picture of a book: Snotgirl #1
Picture of a book: Monstress Book One
Picture of a book: The Electric State
Picture of a book: Stuck Rubber Baby
Picture of a book: Paper Girls: Book One
Picture of a book: The Complete Persepolis
Picture of a book: Fun Home: A Family Tragicomic
Picture of a book: Lost at Sea
Picture of a book: The Complete Maus
Picture of a book: Asterios Polyp
Picture of a book: Black Hole
Picture of a book: Blankets
Picture of a book: A Contract With God and Other Tenement Stories
Picture of a book: From Hell

17 Books

Nice Graphic Novels

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Picture of a book: Akira, Vol. 1
books

Akira, Vol. 1

Katsuhiro Otomo
\ Akira: And A Boy Shall Rule Them All... Badly. A Boy Whose Head Contains A Supernova\ 'Akira' and 'Lone Wolf and Cub' were among the first complete manga masterpieces to be published in English, and despite the mirror-imaging, were very similar to their original tankobon incarnations. Katsuhiro Otomo's SF-classic 'Akira' -- as well as it's equally brilliant predecessor, 'Domu' -- revolutionized Japanese comics. It introduced realistic, incredibly detailed artwork that merged a far more subtle manga stylization with European influences, incorporating aspects from the art of 'Metal Hurlant' regulars Moebius, Francois Schuiten, and Enki Bilal. The importance of 'Akira' is difficult to express, but it certainly rivals US contemporaries 'Watchmen' and 'The Dark Knight Returns', and it ran far longer than either title, giving it an epic scope and grandeur that exceeds both of those seminal works. If it was a decision between: Katsuhiro Otomo, 'Domu' and 'Akira'; Frank Miller, 'Batman: Year One' and 'Batman: The Dark Knight Returns'; or Alan Moore, 'V for Vendetta' and 'Watchmen'; I'd say that Otomo created the best and most influential works of the 1980's. That ignores some huge titles, like 'Love and Rockets' and 'Maus' and 'Raw' and 'Weirdo' and 'Yummy Fur' and 'The Incal' and 'Les Cites Obscures', etc... but I'll stand by it, with all due respect.All that hyperbole crosses without friction to the film adaptation... perhaps the best anime -- and animated -- film ever made. But Otomo wrote and directed his debut when he was only around half-way through the manga. The 6-volume, 2200+-page series is not just 'worth checking out' for fans of the anime, it's essential. The film contains less than 15% of the super-epic that inspired it, but the art, the characters, the basic plot, and the light-speed pacing will all be unmistakably familiar.On a Technical Note: While I prefer the original right-to-left orientation for translated manga, Kodansha is still using the Dark Horse translation that appeared before Japanese formatting surprised the hell out of US publishers by catching on. It's only as big a deal as you make it, in my opinion; obsessive-compulsive types are out of luck, but anyone who has recovered from the mind-blowing shock of confronting a left-handed doppelganger in the bathroom mirror will do just fine. My preference for R-to-L has to do with preserving the artist's original vision... does that sound right? Something like that, anyway. As far as accessibility, flipping the art is probably easier for weak western minds and eyeballs. I'd rather watch a film reflected in a mirror than I would one played in reverse.\ \ \ Domu: Otomo's Pre-Akira Masterpiece\ Otomo's first masterpiece is overshadowed by the grandeur of Akira, but both the art and the story display the full-range of his creative powers. In an apartment mega-complex with thousands of residents, the suicide rate has risen dramatically. An old man with terrifying psychic abilities has become senile, and is now indulging his deadly and selfish whims, manipulating the residents like puppets and sending some to their deaths. The families of the victims are baffled. The police investigating the deaths don't know what to make of it all, but as they follow the bizarre trail of clues, they get closer to a killer they're incapable of stopping. But when a little girl moves in with her family, the old man is suddenly confronted by someone determined to stop his malevolent games, a child with powers that might exceed his own. The town-sized apartment complex becomes a battlefield between two psychic juggernauts, and the old man's malicious games unleash a storm of telekinetic fury that threatens to kill hundreds of innocent people. Otomo was far ahead of his time, and his genius for graphic storytelling inspired an entire generation of young mangaka. Domu holds up remarkably well, and deserves to have a much wider audience; unbelievably, this is somehow out of print in North America. I don't know what the fuck Kodansha is thinking, but they need to publish a new edition and promote it. If you haven't read Domu, stop whatever you're doing and run blindly around the countryside screaming the title until someone finally tries to pacify you with a copy. If some asshole shows up with 'Appleseed', add projectile vomit and urine to the routine. Accept no substitutes. \ \ An Excellent Review of 'Domu: A Child's Dream' That Should Convince You Of Its Brilliance\ \ \ \ More Art-book Reviews\ \ \ \ More Comic-book Reviews\ \ \ \ More Novel Reviews\ \