horror!

Three young ad-men enter the woods for a photo shoot, but a girlfriend's mysterious disappearance sparks a harrowing descent into unreality.

A film director, Jean, his producer, Marc, and his assistant, Lucette, board the Trans-Europ-Express in Paris bound for Antwerp. Once in their compartment it occurs to them that the drama of life aboard the train presents possibilities for a film, and they begin to write a script about dope smuggling.

An abstract, surreal horror film centering around six dead women waking up in the crawl space below their killer's house only to discover that they are trapped in their own limbo and purgatory. The house itself contains many rooms revealing hints and clues to their past lives and how they've come to end up where they are. One by one and alone, each girl is forced to accept their fate or remain in place, between the walls of a rotting house. A movie that tells it's story in silence. Without any spoken dialog and surrounded in a cryptic and dark visual atmosphere, FLOWERS is a film that builds on the journey and not the destination.

In a desolate community full of drug-addled Marines and rumors of kidnapping, a wild-eyed stoner named Lou wakes up after a wild night of partying with symptoms of a strange illness and recurring visions as she struggles to get a grip on reality while stories of conspiracy spread.

The life of a successful sculptor is turned upside down when he begins receiving mysterious messages from someone who asks for his help.

A young nun is tempted by visions of forbidden sexual fantasies to cross over to Satan.

In New York, the shy Christian likes his boss Mara but is afraid to ask her out on a date. When he stumbles upon his old friend Wyatt who is passing through New York, Christian invites him to stay in his apartment. Christian is not aware of the impending doom Wyatt believes is about to befall humanity, as the people Wyatt cares most about turn into evil creatures. The war between humans and these creatures is close, and Wyatt will have to decide who he can trust to survive.

A sound engineer's work for an Italian horror studio becomes a terrifying case of life imitating art.

Greg Moore, an American journalist visiting Prague with his girlfriend Mira is found dead. However, he's actually only temporarily paralyzed, but the coroner fails to realize this and proceeds to prepare him for the autopsy. While Moore awaits his doom, he tries to recollect what has happened to him. It all starts when his girl disappears. He asks his friend, a local journalist, for help. They discover that this was just the latest in a series of disappearances of young pretty girls in the area. Their investigation leads them to a strange high profile private club, whose affluent members practice odd ritualistic orgies and bizarre dark rites.

Classmates called her "Italian" ... She is extremely beautiful and radiates a certain primitive, dangerous sexuality ... which is run by wild animal instincts: the girl is unpredictable, swift and mad. "The Italian" may violently, just like Szamanka, make love with a stranger and quietly steal whatever she liked. She exudes a powerful passion, a passion that knows no barriers, but passion fatal ... Once "The Italian" will meet a man who will give all her unbridled love ... and death together with it ...

The setting is Vienna. A young American woman is brought to a hospital after overdosing on pills, apparently in a suicide attempt. A police detective suspects foul play on the part of her lover, an American psychology professor. As doctors try to save her life, the detective interrogates the professor, and through flashbacks we see the events leading up to the woman's overdose; her stormy and intensely sexual relationship with the professor, her heavy drinking and numerous affairs, and her estrangement from her Czech husband. A darkly erotic study of several rather unsympathetic characters.

A young man is fired from his job at the sea port and begins to stalk his boss and his beautiful wife. After a blood chilling turn of events, he attempts to escape his past by moving into the lavish mansion previously owned by his boss. The embittered young man tries to assume a new identity and lead a luxurious life, but nothing will prepare him for an unsettling visit by a vaguely familiar guest. After that unnerving encounter, the house will no longer be a safe haven, becoming, instead, a twisted and dangerous trap haunted by menacing spirits.

A young boy tries to cope with rural life circa 1950s and his fantasies become a way to interpret events. After his father tells him stories of vampires, he becomes convinced that the widow up the road is a vampire, and tries to find ways of discouraging his brother from seeing her. He must deal with an abusive mother, a father with a charge of molestation, a band of youths creating havoc, and an unforgiving environment in general.

A priest and his companion hunt silently through the fields, accompanied by a braying dog. They are armed and deadly. Their quarry is Camiel Borgman (Jan Bijvoet), living in military sparseness in an underground den, near companions Ludwig and Pascal. Camiel scrapes out with some difficulty, hitching a ride with a doomed truck driver on a relentless trip to the heart of suburbia. He passes by two odd women, Brenda and Ilonka, with whom he seems to share a history. When a dirty Camiel arrives at the door of artist Marina and media executive Richard's expansive, designer-chic home, the shifting perceptions of Van Warmerdam's screenplay begin to displace and disorient the audience. Hallucinogenic elements dot the consciousness as Camiel shifts between the roles of victim and aggressor. He asks for a bath. He toys with Richard's jealousy. He is viciously beaten up by his cruelly intolerant host and left wounded on the floor. Marina seeks to assuage her guilt by allowing him a space for the night. She treats his wounds. She makes him some food. She begins to deceive her husband. And Camiel Borgman insistently starts to install himself in the house as his dark advances ebb and flow, push and pull. Marina is self-obsessed; Richard a casual racist; they employ a nanny Magot to look after their three small children, the youngest of whom, Isolde, sees Camiel early on and is responsive to his presence. "There is something that surrounds us," says Marina, fearfully, but she is no longer in control. Large dogs roam casually through the house. There are flashes of something sinister in the garden as Camiel waits, and watches. Soon he is inhabiting Marina's dreams. "Couldn't you come back in another capacity?," she asks him. "I could," he says, "...but it will have consequences."

Three key moments, all of them sensual, define Ana's life. Her carnal search sways between reality and colored fantasies becoming more and more oppressive. A black laced hand prevents her from screaming. The wind lifts her dress and caresses her thighs. A razor blade brushes her skin, where will this chaotic and carnivorous journey leave her?

Fleeing for their lives, a small party abandon their Civil War confederates and escape through an overgrown field. Thinking only of what lays behind, they are ambushed by two dangerous men and made to search the field. Psychedelia, madness, and chaotic forces slowly overtake the group as they question what treasure lies within the malignant field.

A young man tries to make some money so he can marry his girlfriend. He takes a job for $2,000 and then realizes that this job involves killing a woman.

A descent into Hell is triggered when "Ex-Lord" Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help.