Lesbian

In 1892, after the Borden family welcomes a new Irish maid called Bridget Sullivan (Kristen Stewart), she and Lizzie (Chloë Sevigny) become friends. The friendship between these women becomes something more, even as Lizzie's relationship with her own parents unravels at a frightening level.

Cat Skin is a romantic and heartbreaking coming-of-age drama by writer and director Daniel Grasskamp. 17-year-old Cat (Jodie Hirst) is a shy and troubled photography student at college in a small coastal town, who much prefers the company of her feline friend than her fellow students. Dealing with the burden of her ill mother in hospital and homophobia from a local bully, the artistic and shy loner lives her life behind the safety of her camera lens. And that lens is focused on April (Faye Sewell), a lovely and popular music student with an overbearing mother and a hotheaded boyfriend who objectifies her. Both lives are illuminated after April uncovers she's been the main subject of Cat's photography project and what should have been an awkward encounter turns into an unlikely friendship. Romance begins to blossom between Cat and April as their relationship evolves into something deeper. They learn to trust each other and themselves, all the while April's disapproving mother threatens to keep them apart and her obsessive ex-boyfriend refuses to leave the picture.

Mimmi, Emma and Rönkkö are girls at the cusp of womanhood, trying to draw their own contours. In three consecutive Fridays, two of them experience the earth moving effects of falling in love, while the third goes on a quest to find something she's never experienced before: pleasure.

Having just enrolled at a university in Oslo against her stern parents' will, the sheltered Biology freshman and devout Christian, Thelma, leaves for the first time the isolated Norwegian countryside, to start a new life away from home. Tangibly lonely, a casual conversation and one unexpected friendship with the beautiful fellow student, Anja, will broaden Thelma's hazy horizons; however, as the glacially alluring misfit wrestles with an onslaught of novel feelings, little by little, an unprecedented psychosomatic manifestation of repressed emotions start to take over. Indeed, a mystery cloaks soft-spoken Thelma's past, and the more she struggles to renounce her nebulous desire, the more violent becomes her quivering awakening. Can Thelma unearth a denied truth behind the stinging temptation?

A portrait of female seduction. Naomi is a sixteen-year-old Dutch girl from the chic Amsterdam South. She has an eye on Fama, also sixteen years old, a beautiful Arab girl living in a poor neighborhood in Amsterdam East. During a magical summer in Amsterdam, the two girls play an emotional game of love, seduction and attraction.

Veteran actress Lainey Allen (Chappell) is tired of being sidelined for younger talent on the soap she has starred in for twenty years. Coupled with finding it harder to retain her lines, she decides not to renew her contract, and she and her publicist and partner, Eva Morales (Leccia), move to a beach house overlooking the ocean on the Central California coast. The move highlights some small changes in Lainey's personality - mild depression that Eva puts down to leaving the show. But when Lainey starts to forget more than can be attributed to stress, Eva insists on a visit to the doctor. A Million Happy Nows chronicles Lainey and Eva's changing relationship as they struggle to deal with the diagnosis of Lainey's Early Onset Alzheimer's, the prospect of an indomitable woman's future of dependence and her single support system - the woman who was once in awe of her, became everything to her, and will now look after her.

In The Secrets, two brilliant young women discover their own voices in a repressive orthodox culture where females are forbidden to sing, let alone speak out. Naomi, the studious, devoutly religious daughter of a prominent rabbi, convinces her father to postpone her marriage for a year so that she might study at a Jewish seminary for women in the ancient Kabalistic seat of Safed. Naomi's quest for individuality takes a defiant turn when she befriends Michelle, a free-spirited and equally headstrong fellow student. When the pair encounters a mysterious, ailing foreigner with a disturbing past named Anouk (the iconic French actress Fanny Ardant) they begin a risky journey into forbidden realms. In the hopes of easing her suffering, Naomi and Michelle secretly lead Anouk through a series of Kabalistic cleansing rituals. The process opens up overwhelming new horizons for the girls who find themselves caught between the rigid male establishment they grew up in, and the desire to be true to themselves, no matter the cost.

The bond between Nina and Wojtek seems less than an ideal partnership. Maybe that's because she's a brittle high school French teacher from an upper-middle-class intellectual family and he's a mechanic clearly out of his element in their elegant apartment. Airport security guard Magda is in a relationship with chic stewardess Ada, but she plays the field in the frequent times her lover is away. Then one day Nina absentmindedly backs into Magda's car, conveniently near Wojtek's shop. Attracted to Magda's natural beauty and palpable inner strength, Wojtek suggests to Nina that they seduce the young woman into being the surrogate they need to conceive the child that's meant to hold them together. But an unexpected love story develops slowly between two women which goes from being kept behind closed doors to public places.

A closeted gay woman, Mercy (Emily Lape), meets an attractive, sexual and loving college student named Jesse (Alison Hixon) that challenges her to explore her own beliefs on sexuality and religion.

After marrying successful Parisian writer Henry Gauthier-Villars, known commonly as "Willy" (Dominic West), Gabrielle Colette (Keira Knightley) is transplanted from her childhood home in rural France to the intellectual and artistic splendor of Paris. Soon after, Willy convinces Colette to ghostwrite for him. Colette, in turn, pens a semi-autobiographical novel about a witty and brazen country girl named Claudine, sparking a bestseller and a cultural sensation. After its success, Colette and Willy become the talk of Paris and their adventures inspire additional Claudine novels. Colette's fight over creative ownership and gender roles drives her to overcome societal constraints, revolutionizing literature, fashion and sexual expression.

Vita and Virginia is a love story of the affair and the friendship between writer Virginia Woolf "Elizabeth Debicki", and aristocrat Vita Sackville West "Gemma Arterton". In 1922, when Vita receives an invitation their paths crossed in Bloomsbury with Virginia. Their romance overcomes all social boundaries, Virginia's mental health struggles Vita's recklessness and neither will ever be the same without the other.

Lara is Palestinian. She left Ramallah thirteen years ago to begin a new life in London where she married Michael and had a child. She, her husband and her seven-year-old son James lead a pleasant, albeit somewhat dispassionate life in one of the city's better districts. But there's nothing that a good slug of vodka won't help her to cope with. But then, one day, Inam turns up at Lara's front door. She is a childhood friend from Ramallah. No sooner does Inam surge into the apartment, ask Lara about her husband (currently out at work) and shower attention on Lara's little boy than it becomes apparent that there is a certain tension between the two women. It's not long before Lara realises that everything she has created for herself is endangered by Inam's brusque intrusion. The two women share a secret. Back then, on the West Bank, the girlfriends shared a closeness borne out of their adolescent sexual experiences. One evening in 1994 during the Intifada, they ignored the curfew and headed out to the Jewish part of Jerusalem to see a film at a cinema. Two young Israeli soldiers who noticed them mistook them for Italian tourists. After the film they went out for a drink together. But something that began as a youthful prank took an unexpected turn. What really happened depends on the way each individual perceives those events. Your memory can play tricks on you. Especially when it concerns your deepest fears.

This all-woman production is set in provincial France in the early 1930s. Two young, country sisters enter domestic service in the bourgeois household of a penurious widow and her homely daughter. Neither pair speaks to the other: two sets of women separated and confined by social convention, personality, and the house itself. The relationship of the sisters slowly evolves into obsession, brought about by isolation and by emotions left from childhood. Trapped in a garret room, the sisters' violent downstairs-upstairs collision with Madame Danzard (Dame Julie Walters) and the lumpy Isabelle Danzard (Sophie Thursfield) seems certain.

Oppressed by her family setting, dead-end school prospects and the boys law in the neighborhood, Marieme starts a new life after meeting a group of 3 free-spirited girls. She changes her name, her dress code, and quits school to be accepted in the gang, hoping that this will be a way to freedom.

A woman who studies butterflies and moths tests the limits of her relationship with her lesbian lover.