From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans, comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.

Mima leaves the idol group CHAM, in order to pursue her dream as an actress. Mima climbs up the rocky road to success by performing as rape victims and posing nude for magazines, but is haunted by her reflections of the past.

Pauline Parker and Juliet Hulme met in school during the 1950s. Instant best friends, they proceeded to spend every minute possible together, often writing about a fantasy land of their own invention. More and more estranged from their respective families, the two girls realise that they are extremely different from most other people, and agree to take any steps necessary to ensure that they are not seperated. The two families are increasingly concerned about the girls' friendship in a strictly moralistic era.

On the night of a cat village's Festival of the Stars, a kitten and his friend go on an celestial journey on a magical space locomotive. On that trip, they have various stops where they meet strange sights, even more unusual fellow passengers and learn some lessons of life on their trip to the terminus of the Galactic Railroad.

A love story set in a dystopian near future where single people are arrested and transferred to a creepy hotel. There they are obliged to find a matching mate in 45 days. If they fail, they are transformed into an animal and released into the woods.

Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all out nuclear war with the Soviets. Against Turgidson's wishes, Muffley brings Soviet Ambassador Alexi de Sadesky into the War Room, and get his boss, Soviet Premier Dimitri Kisov, on the hot line to inform him of what's going on. The Americans in the War Room are dismayed to learn that the Soviets have an as yet unannounced Doomsday Device to detonate if any of their key targets are hit. As Ripper, Mandrake and those in the War Room try and work the situation to their end goal, Major T.J. "King" Kong, one of the B-52 bomber pilots, is working on his own agenda of deploying his bomb where ever he can on enemy soil if he can't make it to his intended target.

1964 British satire film directed by Stanley Kubrick

Days before his release from prison, Shadow's wife, Laura, dies in a mysterious car crash. Numbly, he makes his way back home. On the plane, he encounters the enigmatic Mr Wednesday, who claims to be a refugee from a distant war, a former god and the king of America. Together they embark on a profoundly strange journey across the heart of the USA, whilst all around them a storm of preternatural and epic proportions threatens to break.Scary, gripping and deeply unsettling, American Gods takes a long, hard look into the soul of America. You'll be surprised by what - and who - it finds there...This is the author's preferred text, never before published in the UK, and is about 12,000 words longer than the previous UK edition.

Mary is a senior at American Eagle Christian High School in suburban Baltimore. She considers herself born again; her rebirth was at age three. Her best friends are two classmates that comprise the Christian Jewels band with her. Hilary Faye is the alpha Christian who outwardly is perfect, especially in her connection to God Veronica is ethnic Vietnamese who was adopted and thus saved by a black Christian couple. A third is Tia, who is generally an outsider in her geek status but who aspires to be in this Christian clique. Also within their social circle--solely from necessity--is Hilary Faye's older brother Roland, who has been in a wheelchair since age nine after falling out of a tree; out of family obligation Hilary Faye transports him to and from school and everywhere else, but the rest of the time the siblings scorn each other. One of Hilary Faye's God-driven missions for the year is to save new student Cassandra, a Jewish girl who was expelled from her last school and only attends this faith-based school as a marginally-better option than the alternative. Mary's world starts to fall apart just before the start of the school year when her boyfriend Dean tells her he thinks he's gay. Mary receives what she believes are messages from God, including one indirectly through Hilary Faye, that make her believe she can save Dean by having sex with him and if this does save Dean, God will restore her spiritual virginity. The outcome? Dean is outed anyway and sent away for conversion therapy; and Mary becomes pregnant, something she doesn't tell Dean or Lillian, her mother. Her pregnancy affects how she treats another new student, Patrick, the son of the school's principal, Pastor Skip. As Mary tries to figure out what to do, her Christian faith is tested by many other Christians justifying what may be considered sins in having a higher Godly purpose, which she is unaware includes a relationship between her mother and married Pastor Skip.

1999, Claremont, California. Middle-class kids, in their 20s, talk trash, wave guns, hang out in a pack. Johnny Truelove, drug dealer and son of a underworld figure, threatens Jake Mazursky, an explosive head case who owes Johnny money; Jake responds by breaking into Johnny's house. On impulse, Johnny and a couple pals kidnap Jake's 15-year-old brother, Zach. Zach's okay with it, figuring his brother will pay the debt soon. Johnny assigns his buddy Frankie to be Zach's minder, and they develop a brotherly friendship. Zach parties with his captors as things begin to spin out of control. Group think, amorality, and fear of prison assert a hold on the pack. Is Zach in danger?

Annabel is a terminally ill cancer patient and is quietly awaiting her death spending her time studying nature. Enoch is struggling to recover from the death of his parents and spends his time attending funerals with his only friend - a ghost named Hiroshi who was a WWII Japanese kamikaze pilot. Just as Annabel's sister is trying to cope with Annabel's impending death, Annabel and Enoch fall in love. They both finally have a reason to live, but is it too late to have a life together?

Los Angeles is a Mecca for cars. The city is build around a 930 mile-long freeway system, that is used every year by more than seven million cars. The L.A. freeway system just keeps growing and growing, and director Jacob Thuesen attempts to capture the rhythm of the expanding freeway system. As in his prize-winning portrait of the New York subway system, "Under New York" (1996), Thuesen is using curiosity and wonder as a driving force, following the many people, who drive the freeway and those who in vain try to control it. The result is a film filled with small absurd situations, and whose fragments at the end form a larger pattern.

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