Chloe, a teenage wheelchair user, is home schooled by her mother, However, her mother's strange behavior doesn't go unnoticed and when Chloe pries into some private papers, she discovers a Change of Name Certificate document with her mother's name, Diane Sherman, on it. When Chloe googles "Diane Sherman," the internet suddenly disconnnects. Chloe becomes suspicious of all that her mother does, suspecting her of something sinister. She decides to go on the run in her wheelchair in a desperate attempt to get away from her.

Two mysterious siblings find themselves at odds over care for their frail and sickly younger brother.

Sawyer Valentini is a troubled woman who moves away from home to escape a stalker. Sawyer finds she is still triggered by interactions with men as a result of her experiences. She makes an appointment with a counselor at Highland Creek Behavioral Center. At her appointment, she unknowingly signs a release voluntarily committing herself to a 24-hour stay. She calls the police but they do nothing when they see the signed release. After physical altercations with a patient and a staff member, Dr. Hawthorne says she is being kept for seven more days. Another patient, Nate Hoffman, gives Sawyer an introduction to the place. Highland Creek is running a scheme to milk health insurance claims for profit. They trick people into voluntarily committing themselves as long as the patients' insurance companies continue to pay; when insurance claims run out, the patient is "cured". One day, Sawyer sees David Strine, her stalker, working as an orderly under the assumed name George Shaw. She has an outburst and is restrained. Her outbursts result in the repeated use of restraints and sedation..

For 19-year-old Jay, Autumn should be about school, boys, and weekends out at the lake. But after a seemingly innocent sexual encounter, she finds herself plagued by strange visions and the inescapable sense that someone, something, is following her. Faced with this burden, Jay and her friends must find a way to escape the horrors that seem to be only a few steps behind.

2014 horror film by David Robert Mitchell

Tasya Vos is a corporate agent who uses brain-implant technology to inhabit other people's bodies, driving them to commit assassinations for the benefit of the company. While she has a special gift for the work, her experiences on these jobs have caused a dramatic change in her, and in her own life she struggles to suppress violent memories and urges. As her mental strain intensifies, she begins to lose control, and soon she finds herself trapped in the mind of a man whose identity threatens to destroy her own.

A police S.W.A.T. team investigates about a mysterious VHS tape and discovers a sinister cult that has pre-recorded material which uncovers a nightmarish conspiracy.

Six friends hire a medium to hold a seance via Zoom during lockdown, but they get far more than they bargained for as things quickly go wrong. When an evil spirit starts invading their homes, they begin to realize they might not survive the night.

Adam ives a lonely existence in a cabin in a desolate forest, checking Deer Cam feeds on his computer and occasionally receiving visits from his brother Pete. Another family member looms large in his life: his grandmother "Nani", who has long been a receptor for a spirit she calls Sator.

A story of cosmic terror about The Gardners, a family who moves to a remote farmstead in rural New England to escape the hustle of the 21st century. They are busy adapting to their new life when a meteorite crashes into their front yard. The mysterious aerolite seems to melt into the earth, infecting both the land and the properties of space-time with a strange, otherworldly color. To their horror, the Gardner family discover that this alien force is gradually mutating every life form that it touches...including them.

Against the backdrop of insufferable domestic ennui, the soft-spoken former saleswoman and newlywed housewife, Hunter, is struggling to stretch the bars of her gilded cage, a lavish and immaculate modernist villa in New York, even though she seems to have it all. But, more and more, as sad Hunter tries, unsuccessfully, to meet her controlling family's expectations, compliance turns into submission, obedience transforms into obsession, and pica, a compulsive eating disorder, starts to take over. Now, swallowing non-nutritive objects and engaging in increasingly impossible tasks becomes Hunter's dangerous newfound addiction, and there's no telling how far she'll go to maintain a false and fleeting sense of power. Who can save Hunter from herself?

BRAID is the female driven psychological thriller and horror story of Petula Thames and Tilda Darlings, two self proclaimed artists turned dealers and schemers on the run. The Girls moved to NYC to follow their dreams, but ended up getting involved in illegal activities instead. One unfortunate night, they mishandle eighty thousand dollars worth of narcotics and are given 48 hours to pay their vengeful drug lord back. The girls leave town and arrive at a desolate, gothic mansion in the countryside with the plan of robbing their wealthy childhood friend, Daphne Peters. Daphne inherited a fortune when she was little and has since been living secluded in the manor her whole life, growing into a dangerous schizophrenic agoraphobe, prisoner of the fantasy world the three created as children. To take her money the girls have to take part in Daphne's twisted and violent game of make believe. The three of them quickly descend into a deadly maze of hallucinations, role play, torture and murder. A female version of A Clockwork Orange, Mulholland Drive meets Heavenly Creatures meets Funny Games, with The Others twist at the end.

All of us have made certain efforts so our in-laws will like us, but Grace is going to have to give it her all if she wants to fit in with her brand new husband's wealthy dynasty, who require her to follow a brutal tradition: for the bride to try to survive her wedding night while the rest of them hunt her down. The class struggle stuff hits the proverbial fan in this extremely black satire starring a brilliant

2019 film by Matt Bettinelli-Olpin and Tyler Gillett

Finney Shaw is a shy but clever 13-year-old boy who is abducted by a sadistic killer and trapped in a soundproof basement where screaming is of no use. When a disconnected phone on the wall begins to ring, Finney discovers that he can hear the voices of the killer's previous victims. And they are dead-set on making sure that what happened to them doesn't happen to Finney.

When her mentally ill mother passes away, Annie (Toni Collette), her husband (Gabriel Byrne), son (Alex Wolff), and daughter (Milly Shapiro) all mourn her loss. The family turn to different means to handle their grief, including Annie and her daughter both flirting with the supernatural. They each begin to have disturbing, otherworldly experiences linked to the sinister secrets and emotional trauma that have been passed through the generations of their family.

Two seemingly well-educated young men, who call each other Paul and Peter among other names, approach a family on vacation. They are, apparently, friends of the neighbors, and, at the beginning, their true intentions are not known, but soon, the family is imprisoned and tortured in its own house violently, which the viewers are forced mostly to imagine and to share a certain complicity with the criminals. It might be some kind of game with the lives of husband, wife, son, and dog, but why are they doing it?

An Iranian Vampire Western, shot in black&white and with a killer soundtrack... it's a love story about two tortured souls in a desolate Iranian Ghost-town called 'Bad City', where a lonely vampire is stalking the towns most depraved denizens.

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