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Desperate to help her sickly brother, a young woman accepts a dinner invitation to what seems to be easy money. As soon as she arrives, she realizes that playing "the game" is deadly for its losers. She and several others spend the night being terrorized in a game of "Would You Rather?"

A documentary by two desperate young filmmakers who stumble upon the ultimate subject, a 33 year old cannibalistic serial killer named Anthony McAllister, who has agreed to let them document every aspect of his horrifically violent life-style. Initially terrified, the filmmakers get to know Anthony as a person. They even begin to identify with his ecological and philosophical justifications for his cannibalistic lifestyle. It's only when they investigate further that the filmmakers begin to doubt Anthony's accounts of his past. Tensions noticeably rise as the filmmakers continue to confront Anthony on his conflicting stories and ever-changing philosophies. During an awkward interview, the filmmakers interview Merle, the father of a young girl who was abducted and never found. This abduction was Anthony's first child victim. Merle welcomes them into his home and gives them a heart-felt experience that even Anthony is touched by. As the documentary reaches its conclusion Anthony begins to become uncomfortably aware of the how much of his life he has revealed to these filmmakers. In a final interview with Anthony a deadly confrontation erupts and all that remains is a broken camera and this footage. This film will challenge the audience to view a horrific side of humanity and will deliver a social commentary that leaves the audience thinking about the world they live in and the power and effect of all media.

At a party, someone goes insane and murders three women. Falsely accused of the brutal killings, Jerry is on the run. More bizarre killings continue with alarming frequency all over town. Trying to clear his name, Jerry discovers the shocking truth...people are losing their hair and turning into violent psychopaths and the connection may be some LSD all the murderers took a decade before.

Set in 19th Century Canada, Brigette and her sister Ginger take refuge in a Traders' Fort which later becomes under siege by some savage werewolves. And an enigmatic Indian hunter decides to help the girls, but one of the girls has been bitten by a werewolf. Brigitte and Ginger may have no one to turn to but themselves.

When Leon and Ursula's parents are killed, the siblings quickly pick up the pieces and carry on. They are soon joined in their family home by Pit, a sentient doll that was once used as a medical prop by their father.. However, Ursula becomes increasingly less comfortable being around this strange, animate doll, while Leon quickly grows more and more attached to it.

Set in beautiful Vancouver, four friends set out on an everyday errand and end up in a fight for their lives when they discover the body of a dead hooker left in their trunk. Lead by a sexy, impulsive Badass, her distant Geek twin sister, their bible thumping, Jesus loving Goody Two Shoes friend, and a chaotic, rock star Junkie pal, the group has to put aside their differences to dispose of the body before they're next. Thrown into their own personal purgatory, they face off against persistent police, a sleazy motel manager, chainsaw wielding triads, and a brutal serial killer. All the while they are followed by a mysterious Cowboy Pimp who wants to claim the corpse for his own. Will they uncover the truth behind the body and be able to stand up to their demons? Buckle up and get ready for the ride of your life filled with gun fights, extreme violence, blood, guts, gore, and goats. Dead Hooker In A Trunk is the unexpected first feature film written, directed, and produced by identical twin sisters, Jen and Sylvia Soska. The two newcomers created an impossible film that is an underground sensation, destined to become a cult classic and will make you fall in love with films again!

Alexia travels with her friend Marie to spend a couple of days with her family in their farm in the country. They arrive late and are welcomed by Alexia's father. Late that night, a sick, sadistic killer breaks into the farmhouse, slaughters Alexia's family--including their dog--and kidnaps Alexia. Marie hides from the criminal and tries to help terrified, hysterical Alexia, chase the maniac, and disclose his identity in the end.

A young boy tries to cope with rural life circa 1950s and his fantasies become a way to interpret events. After his father tells him stories of vampires, he becomes convinced that the widow up the road is a vampire, and tries to find ways of discouraging his brother from seeing her. He must deal with an abusive mother, a father with a charge of molestation, a band of youths creating havoc, and an unforgiving environment in general.

Dead-tired, Karen, a young psychiatric nurse, catches the last subway train of the night. Before long, she finds herself trapped, along with a handful of other late-night passengers, fighting for their lives against the murderous zealots of a doomsday cult. Now, as the bodies start piling up, Karen, and the rest of the lucky survivors, must fight tooth-and-nail to stay alive, facing the unknown, and the impending apocalypse. But, at the end of the line, there is no place to go but down.

When May was a child, she was a lonely girl with a lazy eye and without any friends except a strange, homemade doll kept in a glass case given by her mother on her birthday. May becomes a lonely, weird young woman, working in an animal hospital and assisting the veterinarian in surgeries and sewing operated animals most of the time. Her lesbian colleague Polly has a sort of attraction for her. When the shy May meets the mechanic Adam Stubbs, she loves his hands and has a crush on him. They date, but the bizarre behavior of May one night pushes Adam away from her. Alone, May has a brief affair with Polly, but she feels rejected again when her colleague meets Ambrosia. When her doll is accidentally broken, the deranged May decides to build a friend for her, using the best parts her acquaintances can offer.

Becoming the documentary itself, the changing nature of friends Aaron and Jim's latest documentary film is presented. The original subject of the documentary was the bizarre world of conspiracy theorists, most specifically one named Terrance G., not the actual content of the video which came their way of one his old fashioned soapbox styled street-side rants that intrigued them, but rather the fact of the number of comments to the video supporting his theories that did. In addition to their interviews with Terrance, much of that original documentary included interviews with a female psychologist talking about the mental state of someone like Terrance. The nature of the documentary changed when Terrance went missing without a trace midway through their filming. During Aaron and Jim's online search in trying to figure out what may have happened to Terrance, they thinking something nefarious, Aaron, in the process beginning to believe many of the theories Terrance espoused, stumbles across a story/theory that a secret organization called the Tarsus Group, comprised solely of powerful white men, is in the process of creating and controlling a new world order. As such, they have to discover not only if the Tarsus Group truly does exist, but if it does whether they are doing what is purported, namely taking over the world.

Two Catholic schoolgirls Kat (Kiernan Shipka) and Rose (Lucy Boynton) get left behind at their boarding school over winter break as the other girls leave, where it's rumored that the nuns are satanists. Meanwhile, a disturbed mental patient Joan (Emma Roberts), an escapee, is picked up by a middleage couple (James Remar and Lauren Holly) who drive her on a determined trip to the same school, where the girls must face the supernatural and demonic possession.

An awkward student with a deadly vendetta leads a group of outcasts who plot to avenge the years of humiliation they faced by the popular students at Hohn High School.

Soon after moving in with her aging aunt Dora, Adele meets Beth, seductive and mysterious, who tests the limits of Adele's moral ground and sends her spiraling down a psychologically unstable and phantasmagoric path.

A man living in rural Wisconsin takes care of his bed-ridden mother, who is very domineering and teaches him that all women are evil. After she dies he misses her, so a year later he digs her up and takes her home. He learns about taxidermy and begins robbing graves to get materials to patch her up, and inevitably begins looking for fresher sources of materials. Based closely on the true story of Ed Gein.

Mum and Dad, and their 'adopted' children, Birdie & Elbie, work at the airport. The family live off whatever they scavenge from cargo holds, offices and hotels - including a steady stream of transient workers who populate the airport's soulless hub. When Lena, a young Polish office cleaner, is befriended by Birdie, she gets drawn into a nightmarish world of torture, murder and perversity. Imprisoned in a suburban House of Horrors and designated a 'Mummy's Girl', Lena's only options appear to be to become part of the family - and join them in their insanity - or die.

When a videographer answers an advert of the website Craigslist for a one-day job in a remote mountain town to video the last messages of a dying man, the job takes a strange turn when the last messages get darker and darker. The videographer continues to see the job through, but when it is time to leave he is unable to find his keys, and when he receives a strange phone call he finds his client is not at all what he initially seemed to be.

During a rough period in her life, beautiful Samantha reluctantly decides to attend her best friend's party, and even though she still struggles with a previous addiction, she unwisely accepts a drink from a complete stranger. As a result, shortly after, hapless Samantha considerably inebriated, she will end up raped in the backseat of the malicious predator's car, however, from that point on, the terrible incident will be the least of her problems. Straight away and rather inexplicably, poor Samantha will begin noticing rapid and drastic organic changes in her body, and being unable to pinpoint the origin of the dramatic transformation, within the next 72 hours, she will embrace her gruesome and pitiless fate as well as the certainty that she is falling apart. Literally.