Lists

Picture of a book: Real Service
Picture of a book: The New Topping Book
Picture of a book: The New Bottoming Book
Picture of a book: Sunstone, Vol. 1
Picture of a book: Girl Sex 101
Picture of a book: Fucking Trans Women: A Zine About the Sex Lives of Trans Women
Picture of a book: Stone Butch Blues
Picture of a movie: Between the Seasons
Picture of a TV show: Cybersix
Picture of a TV show: Bob's Burgers
Picture of a TV show: Willow
Picture of a TV show: she makes my heart flutter
Picture of a TV show: Do It Yourself!!
Picture of a book: Superman Smashes The Klan
Picture of a TV show: Gravity Falls Shorts
Picture of a movie: Saving Face

69 Shows, 39 Movies, 14 Books, 1 Game

stuff i wanna watch but am not at all desperate to got some reason

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Picture of a book: The Feminist Porn Book: The Politics of Producing Pleasure
books

The Feminist Porn Book: The Politics of Producing Pleasure

The Feminist Porn Book brings together for the first time writings by feminists in the adult industry and research by feminist porn scholars. This book investigates not only how feminists understand pornography, but also how feminists do porn—that is, direct, act in, produce, and consume one of the world's most lucrative and growing industries. With original contributions by Susie Bright, Candida Royalle, Betty Dodson, Nina Hartley, Buck Angel, and more, The Feminist Porn Book updates the debates of the porn wars of the 1980s, which sharply divided the women's movement, and identifies pornography as a form of expression and labor in which women and other minorities produce power and pleasure.Tristan Taormino is an award-winning author, columnist, editor, sex educator, and feminist pornographer. She is the author of seven books including The Ultimate Guide to Anal Sex for Women and Opening Up. She runs the adult film production company Smart Ass Productions and is an exclusive director for Vivid Entertainment.Celine Parreñas Shimizu is an associate professor of film and performance studies at the University of California, Santa Barbara, and founding editor of Camera Obscura. She is the author of Straitjacket Sexualities and the 2009 Cultural Studies Book Award winning, The Hypersexuality of Race.Mireille Miller-Young is assistant professor of feminist studies at the University of California, Santa Barbara. Her forthcoming book, A Taste for Brown Sugar: Black Women, Sex Work, and Pornography (Duke University Press) examines African American women’s sex work in the porn industry.
Picture of a book: Modern Tarot: A Universal Guide to the Cards
books

Modern Tarot: A Universal Guide to the Cards

The beloved literary iconoclast delivers a fresh 21st century primer on tarot that can be used with any deckWhile tarot has gone mainstream with a diverse range of tarot decks widely available, there has been no equally mainstream guide to the tarot—one that can be applied to any deck—until now. Infused with beloved iconoclastic author Michelle Tea’s unique insight, inviting pop sensibility, and wicked humor, Modern Tarot is a fascinating journey through the cards that teaches how to use this tradition to connect with our higher selves.Whether you’re a committed seeker or a digital-age skeptic—or perhaps a little of both—Tea’s essential guide opens the power of tarot to you. Modern Tarot doesn’t require you to believe in the supernatural or narrowly focus on the tarot as a divination tool. Tea instead provides incisive descriptions of each of the 78 cards in the tarot system—each illustrated in the charmingly offbeat style of cartoonist Amanda Verwey—and introduces specially designed card-based rituals that can be used with any deck to guide you on a path toward radical growth and self-improvement.Tea reveals how tarot offers moments of deep, transformative connection—an affirming, spiritual experience that is gentle, individual, and aspirational. Grounded in Tea’s twenty-five years of tarot wisdom and her abiding love of the cards, and featuring 78 black and white illustrations throughout, Modern Tarot is the ultimate introduction to the tradition of the tarot for millennial readers.
Picture of a book: The Wicked + The Divine Deluxe Edition: Year One
books

The Wicked + The Divine Deluxe Edition: Year One

Kieron Gillen
Full review now posted!Original review can be found at Booknest.Rating: 3/5 stars (for the art, mainly)The art is absolutely lovely. The premise, intriguing. The execution, however, leaves much to be desired.Every 90 years or so, there is a Recurrence. Twelve gods incarnate themselves as humans and walk the earth. Their host bodies are generally teenagers, who are now endowed with amazing powers and the ability to perform miracles. They are here to inspire, and to push back the Darkness. They will be loved. They will be hated.And in two years, they will be dead. “Just because you’re immortal doesn’t mean you get to live forever.”Which twelve gods reincarnate is subject to change every ninety-year cycle. A host of pantheons from all cultures are represented. Sometimes, female deities incarnate in male bodies and vice versa, which mixed with the fact that they are deities and have an incredibly short lifespan makes for a lot of inner struggle and turmoil.The story takes place in the 2010s, during the first Recurrence since the invention of smart phones and the internet. Needless to say, social media and the fandom generation have fully embraced the incarnated gods, and worship them much as they worship pop stars and actors in reality. The gods have gigs, much as pop stars do, and tens of thousands of fans flock to these shows to experience the gods’ power. It’s at one of these gigs that we meet Laura, our main character and fangirl extraordinaire. But Laura becomes much more than just a fan to the gods; for more than one of them, she becomes a friend.There is a plot to the tale, though it’s weird and honestly kind of vague. The main purpose behind the comics (especially this first bind-up) appears to be twofold: to showcase exquisite artwork, and to raise the philosophical question of “is power and fame worth the cost of dying painfully young?” Both of these purposes are accomplished. However, the story was incredibly hard to follow, and too much happened off screen that we as readers are just expected to access unquestioningly. Someone told me that it was like watching a foreign film with no subtitles, and I think that’s an accurate comparison. While the art is indeed beautiful, and the premise is thought-provoking, I more than likely will not be continuing the series. I read (even graphic novels) for story, and if I’m not getting enough story to understand what the author is attempting to convey, even the loveliest of art can’t prevent the experience from feeling pointless to me. If I do pick up the next volume, it will be in hopes of seeing more amazing artwork, with far lower expectations regarding the story.
Picture of a book: More Than Two: A Practical Guide to Ethical Polyamory
books

More Than Two: A Practical Guide to Ethical Polyamory

Eve Rickert, Franklin Veaux, Tatiana Gill
Can you love more than one person? Have multiple romantic partners, without jealousy or cheating? Absolutely! Polyamorous people have been paving the way, through trial and painful error. Now the new book More Than Two can help you find your own way. With completely new material and a fresh approach, Franklin Veaux and Eve Rickert wrote More Than Two to expand on and update the themes and ideas in the wildly popular polyamory website morethantwo.com.From partners, authors and practicing polyamorists Franklin Veaux and Eve Rickert comes the long-awaited, wide-ranging resource exploring the often-complex world of living polyamorously. Highlighting the nuances (no, this isn’t swinging), the relationship options (do you suit a V, an N, an open network?), the myths (don’t count on wild orgies and endless sex—but don’t rule them out, either!) and the expectations (communication, transparency and trust are paramount), the authors share not only their hard-won philosophies about polyamory, but also their hurts and embarrassments. More Than Two is entirely without judgment and peppered with a good dose of humor. Franklin and Eve underscore the importance of engaging in ethical polyamory, while gently guiding readers through the thorny issues of jealousy and insecurity. And no, they’re not trying to convert you: they know that polyamory isn’t for everyone. Franklin and Eve simply provide those who might be embarking on this lifestyle, or those who have already begun, with a toolkit to help them make informed decisions and set them on a path to enjoying multiple happy, strong, enriching relationships. More Than Two is the book the polyamory community has been waiting for. And who knows? It may just be the book you didn’t even know you were waiting for.
Picture of a book: Transgender Warriors: Making History from Joan of Arc to Dennis Rodman
books

Transgender Warriors: Making History from Joan of Arc to Dennis Rodman

Leslie Feinberg
I've read a few reviews of this and a lot seem to bash Feinberg for not presenting a thoroughly academic history of transgender identity. I do think this kind of critique misses the point: quite spectacularly. It's definitely true that if you want a meticulous, detailed, jargony drudge through trans history then this is not the book: it neither has the style, content or length for that kinda project.But this book from the beginning opens as a personal story of discovering oneself *through* history, rather than the more boring (in my view!) task of discovering history per se (though this is important in other contexts of course).As someone who has always had an atypical gender expression, when you start discovering the possibility of gender variance the way the world neatly compartmentalizes into two - male and female - begins to smack you quite rudely in the face. And then you see it everywhere: in the way people talk, walk, their hairstyles, their mannerisms, their beliefs, their favourite colour, their partners, the way they have sex or who they want to have sex with. All neatly carved into a tidy dichotomy: male and female. Useful, as Feinberg argues, not for us as free people but for the ruling classes who need to mechanically restrict our gender expression for their own devices.Trans identity has a history of being invisible. Which is strange because trans people also have a history of being loved, celebrated and respected across the globe and across times.It's within this framework that "Transgender Warriors" operates: it attempts to find the invisible trans self in the rich and bountiful trans history that exists; bringing that self to light, through history. Hence, elucidating the history in the process.From Joan of Arc to Two-Spirit people or from Aphrodite to Brandon Teena: trans people - and gender variance more generally - has a deeply rich history. And perhaps unexpectedly a rich history in working class resistance. This book is about Feinberg discovering that history in tandem with discovering hirself. As someone who was repressed and oppressed on the basis of gender identity and exploited from the standpoint of class, Feinberg was attempting to locate hirself - through history - as part of a collective able to fight back and resist. Hir use of history is on the whole factual but as a result of hir form, somewhat biographical. This was supplemented by the picture gallery at the end which the author again used as a way of quite creatively melding history with the biographical stories of people's personal lives and struggles. Perhaps the downside was the only argument Feinberg offered for why trans oppression exists is because it's yet another way of reinventing and enforcing class hierarchy. and of course she's not wrong, but hir argument was crude in places.On the whole though, a fantastic book. Read it. If not, your loss.
Picture of a book: Gender Outlaw: On Men, Women and the Rest of Us
books

Gender Outlaw: On Men, Women and the Rest of Us

Kate Bornstein
my mind was BLOWNLots and lots of food for thought (aka just read it):"But the need for a recognizable identity, and the need to belong to a group of people with a similar identity--these are driving forces in our culture, and nowhere is this more evident than in the areas of gender and sexuality"(3-4)."I know I'm not a man--about that much I'm clear, and I've come to the conclusion that I'm probably not a woman either, at least not according to a lot of people's rules on this sort of thing. The trouble is, we're living in a world that insists we be one or the other--a world that doesn't bother to tell us exactly what one or the other is"(8)."Two days after my lover and I appeared on The Donahue Show, the five-year-old child of our next door neighbor came up to me and asked me, 'So, are you a boy or a girl?' We'd been living next door to these folks for over two years. 'I'm a girl who used to be a boy', I replied. She was delighted with that answer and told me I'd looked very pretty on television. I thanked her and we smiled at each other and went about our days. I love it that kids will just ask"(9)."They [guys] want to know, 'what do lesbians do with one another.' It's a sad question really: it shows how little thought they give to exactly what pleases a woman"(10)."I've no idea what 'a woman' feels like. I never did feel like a girl or a woman; rather, it was my unshakable conviction that I was not a boy or a man. It was the absence of feeling, rather than its presence, that convinced me to change my gender"(24)."Variants to...gender-based relationship dynamics would include heterosexual female with gay male, gay male with lesbian woman, lesbian woman with heterosexual woman, gay male with bisexual male, and so forth. People involved in these variants know that each dynamic is different from the other. A lesbian involved with another lesbian, for example, is a very different relationship than that of a lesbian involved with a bisexual woman, and that's distinct from being a lesbian woman involved with a heterosexual woman. What these variants have in common is that each of these combinations forms its own clearly-recognizable dynamic, and none of these are acknowledged by the dominant cultural binary of sexual orientation: heterosexuality/homosexuality"(33)."...in other words, the sexual encounter is queer because both partners are queer and the genders of the participants are less relevent. Just because Batman is male and Catwoman is female does not make their interactions heterosexual--think about it, there is nothing straight about two people getting it on in rubber and latex costumes, wearing eyemasks and carrying whips and other accoutrements"(36)."In any case, if we buy into catergories of sexual orientation based solely on gender--heterosexual, homosexual, or bisexual, we're cheating ourselves of a searching examination of our real sexual preferences. In the same fashion, by subscribing to the categories of gender based solely on the male/female binary, we cheat ourselves of a searching examination of our real gender identity"(38)."As an exercise, can you recall the last time you saw someone whose gender was ambiguous? Was this person attractive to you? And if you knew they called themselves neither a man nor a woman, what would it make you if you're attracted to that person? And if you were to kiss? Make love? What would you be"(40)?"I try to engage these folks by asking, 'What's a woman? What's a man?' I wish someone would answer me that--it would make my life a lot easier. I could get on playing some other kind of game. But no one has been able to answer that"(43)."I never hated my penis; I hated that it made me a man--in my own eyes, and in the eyes of others"(47)."I remember one time walking into Woolworth's in Philadelphia. I'd been living as a woman for about a month. I came through the revolving doors, and stood face to face with a security guard--a young man, maybe nineteen or twenty years old. He did a double take when he saw me and began to laugh--very loud. He just laughed and laughed. I continued round through the revolving doors and left the store. I agreed with him that I was a joke; that I was the sick one. I went back in there almost a year later. He came on to me"(48)."It doesn't really matter what a person decides to do, or how radically a person plays with gender. What matters, I think, is how aware a person is of the options. How sad for a person to be missing out on some expression of identity, just for not knowing there are options"(51)."Are you a woman because your birth certificate says female? A man because your birth certificate says male? If so, how did that happen? A doctor looked down at your crotch at birth. A doctor decided, based on what was showing of your external genitals, that you would be one gender or another. You never had a say in that most irreversible of all pronouncements--and according to this culture as it stands today, you never will have a say"(57). "We are trapped in the wrong body. I understand that many people may explain ther preoperative transgendered lives in that way, but I'll bet that it's more likely an unfortunate metaphor that conveniently conforms to cultural expectations, rather than an honest reflection of our transgendered feelings...It's time for transgendered people to look for new metaphors--new ways of communicating our lives to people who are traditionally gendered"(66)."I really would like to be a member of a community, but until there's one that's based on the principle of constant change, the membership would involve more rules, and the rules that exist around the subject of gender are not rules I want to obey"(69)."'Ladies' are the kind of people who won't let my girlfriend use that public ladies' room, thinking she's not a woman. Oh, but they're not going to let her use the men's room either-they're not going to let her be a man either. If she's not a man, and she's not a woman, then what is she? Once I asked my mother what fire was: a solid, liquid or gas? And she said it wasn't any of those things-It was something that happened to things: a force of nature, she called it. Maybe that's what she is: a force of nature. For sure she is something that happened to me.-Holly Hughes, Clit Notes, 1999 (102).""The preferred gender in our patriarchal society is male, and so males mostly take gender for granted, most men do not try and analyze what it means to be male. Even the men's movement seems more predicated on a desire to not be drawn into some web of femininity, rather than a desire to question the construct of male identity. Women, on the other hand, have been taught that they're the 'second sex,' the distaff gender, so their lives are an almost daily struggle with the concept of gender. The trap for women is the system itself: it's not men who are the foe as much as it is the bi-polar gender system that keeps men in place as more privileged"(106)."Please--don't call it 'biological sex,' or 'social gender.' Don't call it 'sex' at all--sex is fucking, gender is everything else"(116)."Let me tell you what happened, the way it looked from inside my head. The world slowed down...The words echoed in my ears over and over and over. Attached to that simple pronoun was the word failure, quickly followed by the word freak. All the joy sucked out of my life in an instant, and every moment I'd ever fucked up crashed down on my head. Here was someone who'd never known me as a man, referring to me as a man"(126)."Straights and gays alike demand the need for an orderly gender system: they're two sides of the same coin, each holding the other in place, neither willing to dismantle the gender system that serves as a matrix for their (sexual) identity. Because of the bi-polar nature of both sexual orientation and gender, one system strengthens the other. Bisexuality and androgyny also hold two sides in place by defining themselves as somewhere in the middle of two given polar opposites"(133)."So let's reclaim the word 'transgendered' so as to be more inclusive. Let's let it mean 'transgressively gendered,' Then, we have a group of people who break the rules, codes, and shackles of gender...It's the transgendered who need to embrace the lesbians and gays, because it's the transgendered who are in fact the more inclusive category"(135)."I've come to see gender as a divisive social construct, and the gendered body as a somewhat dubious accomplishment. I write about this because I am a gender outlaw and my issues are gender issues. The way I see it now, the lesbian and gay community is as much oppressed for gender transgressions as for sexual distinction. We have more in common, you and I, than most people are willing to admit. See, I'm told I must be a man or a woman. One or the other. Oh, it's OK to be a transsexual say some--just don't talk about it. Don't question your gender any more, just be a woman now--you went to so much trouble--just be satisfied. I am so, not satisfied"(144-145)."I grew this body.It's a girl body.All of it.Over the past seven years every one of these cells became girl,so it's mine now.It doesn't make me female.It doesn't make me a woman.And I'm sure not a man.What does that make me"(234)?"'My grandmother,' he said, 'told me something I've never forgotten. 'Never fuck anyone you wouldn't want to be.' The room went silent for a long time"(245)."And I'm looking forward to the day when people look at this book and say to themselves, 'How curious to have put all that energy into talking about gender. I wonder what the world must have been like in those days for folks with only two choices"(246).