As the rise of the Italian Fascism makes its visible presence in noble 1940s Venice, Professor Nino Rolfe and his much younger wife, the sumptuous Italian beauty, Teresa, sadly, after twenty years of marriage, witness their enthusiasm wither and the passion wane. Inevitably, all that remains now, is to let his imagination run wild and confess his boldly intimate and rousing thoughts to his elaborate diary, in the hope that Teresa will soon find it and read it. There, in his frank and unrestricted confessions, against all risk of being judged as a vile and corrupt man, Nino would admit all the things that he would never be able to say in person, urging his Goddess Teresa to finally get rid of her painful and revolting modesty. The faithful diary may be locked away in safety but the precious key is hidden in plain sight. Will innocent Teresa ever discover it, and with it, the way to unlock what quickens the faint, yet willing heart?

1983 Italian erotic film directed by Tinto Brass

In London, the Venetian Carla Borin is searching an apartment to share with her beloved boyfriend Matteo. She meets the lesbian real estate agent Moira and rents a large apartment. When the jealous Matteo finds some pictures and letters from her former lover Bernard in Venice, he hangs up the phone and the upset and amoral Carla has a brief affair with Moira and intercourse with an acquaintance in a party. When Matteo comes to London, he concludes that his lust for Carla is more important than his jealousy and her behavior.

For a while now, beautiful 24-year-old Diana Bruni who's been happily married for five years, has been feeling distressed, experiencing an inexplicable, rather restless craving to finally live her life to the full and to break free from what society forbids. As this urge grows stronger by the day, Diana will ultimately yield to her carnal longings, and through a parade of particularly explicit nocturnal sensual adventures, she will utterly embrace passion, even if this comes by way of transgression. However, before long, the unaware husband, Paolo, will find all about his headstrong and disobedient wife's extra-marital escapades, raunchy experiences vividly retold by Diana's very lips, with the intention to rekindle their love and spice up their sexual life. Inevitably, poor Paolo disgraced, enraged and green with jealousy (or could it be envy?), will threaten to move out leaving for good his liberated and adulterous wife who seems to feel no contrition at all. But how can Diana make Paolo understand her sincere motive to attract his attention when all she ever wanted was to add a dash of spice in their marriage?

In 1950s Italy, just before the ban of brothels, Mimma, an inexperienced country girl, reluctantly accepts to work as a prostitute. And, just like that, the once-innocent woman becomes Paprika, in high hopes of raising enough money to finance her good-for-nothing boyfriend. Before long, Paprika will learn to enjoy her disreputable but very profitable occupation, working her way up, one client at a time, as she journeys from one brothel to another in the bustling city of Rome. However, despite Paprika's stormy but prosperous voyage of self-discovery, experience, and sexual liberation, there is still one thing missing in her seemingly full life: unearthing the great mystery of true love. Is Paprika meant to experience a passionate romance?

Nurturing a strange, almost morbid bond with his statuesque young wife, Silvia, the recently dumped literature professor, Eduardo, struggles to understand. Now, convinced that Silvia has left him for another man, Eduardo, Dodo to his friends, finds himself unable to resist the pure magnetism of his bedridden father's scantily-clad live-in nurse, Fausta, and his seductive Congolese student, Pascasie. More and more, tormented by suspicion and obsessed with the thought of Silvia, Dodo ends up reconstructing the truth through his memories, assuming the role he's been assigned by destiny: that of the man who loves watching.

After six short months of marriage, the free-spirited and disenchanted housewife, Marta, is already starting to feel the passion wane for her boring literary editor husband, Dario. As a result, against the backdrop of medieval Mantua's renowned literary festival, young Marta will fall for the intriguingly handsome Frenchman, Leon, while admiring Palazzo del Te's vivid murals. Of course, the always-suspicious Dario will soon notice Marta's scandalous affair behind his back--a not-so-shocking discovery that paves the way for a passionate transformation. Perhaps, a dash of infidelity was all that Dario needed to awaken his dormant enthusiasm for the neglected Marta; nevertheless, is his new-found interest too little, too late?

In verdant 1950s rural Italy, the seductively charming bride-to-be, Lola, has no intention of walking down the aisle as a spotless virgin. On the other hand, her traditional bread-baker fiancé, Masetto, has other plans, insisting on deflowering his beloved chosen one not earlier than the night of their wedding. However, Lola is impatient, and above all, unsatisfied--and under those circumstances--she never misses an opportunity to flaunt her smooth, well-rounded derrière, while riding her bicycle. Now, wild curiosity turns into bottled-up sexuality, inflaming Lola's fervent desires. Without a doubt, the untamed Lola knows what she wants, and she wants it now. Can Masetto stop her?

1) "Alibi" ("Alibi") While celebrating the seventh anniversary of marriage in a hotel in Casablanca, Morocco, Gianni convinces his wife Gianni to do a threesome with the room servant Ali. 2) "Double Trouble" ("Dupla Confusão") While playing tennis with Bruno, Stefania has intercourse with him in the bathroom. Meanwhile, Bruno's wife Erika does with Stefania's husband Luigi in his office, to get the position of guest in a talk show. 3) "Two Hearts and a Hut" ("Dois Corações e Uma Cabana") Hotel maid Katarina who wants to open their own hotel with her fiance Ciro is tipped with a high amount and prostitutes with a German couple of sadistic and masochistic. 4) "Jolly Bangs" ("Casos") While on the beach, Raffaella tells her husband Ugo her erotic affairs with other people for his satisfaction. 5) "Honni Soit Qui Mal y Pense" ("May Evil Be with him Who Thinks Evil") The photographer Franco wishes to have anal sex with Anna, who tells him that he can do only after marrying her. When they are invited to a party, she loses her virginity. 6) "Call me Pig, Cause I Like It!" ("Chama-me de Porca, Porque Eu Gosto!") While in London in their honeymoon, Rosy and Oskar disclose the real intentions of a voyeur.

Italian

More lists by Nithin MSV

Sexual Liberation

Intersex

Teen Coming Of Age

Body Horror

Spanish

Incest

French

Genreistic