Lysande

The year is 1905. Thomas Richardson travels to a remote island to rescue his sister after she's kidnapped by a mysterious religious cult demanding a ransom for her safe return. It soon becomes clear that the cult will regret the day it baited this man, as he digs deeper and deeper into the secrets and lies upon which the commune is built.

Metal music, paint, and family are the passions of struggling painter, Jesse, who lives a happy life with his wife, and daughter. Things look brighter when Jesse finds a huge old house, in rural Texas, selling at a very low price, due to its mysterious past. They move in and Jesse converts the barn into a studio. But soon, his work starts taking on a new, darker flavour - and things get even more ominous when the hulking, unbalanced son of the former owners appears on the doorstep. Jesse's family won't be safe until they find a way to quiet the Devil himself.

Sara's a video artist whose work primarily explores the intimacy of lonely men. One online advert intrigues her so much, she replies, thinking she may have found the subject for her next project. She drives to a secluded house in the forest, where a man claiming be the advert's poster greets her; and as he said in the posting, he claims to be a serial killer (

In their secluded farmhouse, a mother (a former surgeon) teaches her daughter, Francisca, anatomy, and how life and death are not to be feared. One afternoon, a mysterious visitor shatters the idyll of their family life, and deeply traumatises Francisca, but also awakening curiosities. Years later, Francisca clings to her increasingly distant father, but the trauma she sustained reawaken when her desire to connect with the world around her takes on a dark form.

In a lonesome house in the countryside between woods and cornfields live nine-year-old twin brothers who are waiting for their mother in the heat of summer. When she comes home, bandaged after cosmetic surgery, nothing is like before. The children start to doubt that this woman is actually their mother. An existential struggle for identity and fundamental trust emerges.

Will and Eden were once a loving couple. After a tragedy took their son, Eden disappeared. Two years later, out of the blue, she returns with a new husband... and as a different person, eerily changed and eager to reunite with her ex and those she left behind. Over the course of a dinner party in the house that was once his, the haunted Will is gripped by mounting evidence that Eden and her new friends have a mysterious and terrifying agenda. But can we trust Will's hold on reality? Or will he be the unwitting catalyst of the doom he senses?

When a harmless game between a married couple in a remote retreat suddenly becomes a harrowing fight for survival, wife Jessie must confront long-buried demons within her own mind - and possibly lurking in the shadows of her seemingly empty house.

The sixteen year-old aspiring model Jesse arrives in Los Angeles expecting to be a successful model. The aspirant photographer Dean takes photos for her portfolio and dates her. Jesse befriends the lesbian makeup artist Ruby and then the envious models Gigi and Sarah in a party. Meanwhile, the agency considers Jesse beautiful with a "thing" that makes her different and she is sent to the professional photographer Jack. Jesse attracts the attention of the industry and experiences a successful beginning of her career. Ruby, Gigi and Sarah, however, will do whatever is necessary to get this "thing" for themselves.

After suspecting that their police officer neighbor is a serial killer, a group of teenage friends spend their summer spying on him and gathering evidence, but as they get closer to discovering the truth, things get dangerous.

Secure within a desolate home as an unnatural threat terrorizes the world, the tenuous domestic order he has established with his wife and son is put to the ultimate test with the arrival of a desperate young family seeking refuge. Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within him as he learns that the protection of his family comes at the cost of his soul.

Susie Bannion is a young American ballerina who travels to Berlin to study dancing at Madame Blanc's Markos Tanz Company, one of the world's most renowned schools. On her first day, one of the students who had been recently expelled from the school is murdered. As this appalling happening does not seem to be an isolated occurrence, the brilliant new student soon begins to suspect that the school might be involved in the homicide. Her mistrust heightens when Sarah, one of the girls at the school, tells her that before she was killed, Pat confided to her that she knew and guarded a terrifying secret.

Two Catholic schoolgirls Kat (Kiernan Shipka) and Rose (Lucy Boynton) get left behind at their boarding school over winter break as the other girls leave, where it's rumored that the nuns are satanists. Meanwhile, a disturbed mental patient Joan (Emma Roberts), an escapee, is picked up by a middleage couple (James Remar and Lauren Holly) who drive her on a determined trip to the same school, where the girls must face the supernatural and demonic possession.

There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure.

In order to get away from their busy lives, the Wilson family takes a vacation to Santa Cruz, California with the plan of spending time with their friends, the Tyler family. On a day at the beach, their young son Jason almost wanders off, causing his mother Adelaide to become protective of her family. That night, four mysterious people break into Adelaide's childhood home where they're staying. The family is shocked to find out that the intruders look like them, only with grotesque appearances.

Dani (Florence Pugh) and Christian (Jack Reynor) are a young American couple with a relationship on the brink of falling apart. But after a family tragedy keeps them together, Christian invites a grieving Dani to join him and his friends on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. What begins as a carefree summer holiday in the North European land of eternal sunlight takes a sinister turn when the insular villagers invite their guests to partake in festivities that render the pastoral paradise increasingly unnerving and viscerally disturbing.

Stained by the brutal death of a young woman, the tranquil and vacant New England mansion of the prolific horror authoress, Iris Blum, has become her silent prison. To take care of the ageing writer who suffers from chronic dementia, the property's manager hires the gentle and soft-spoken live-in hospice nurse, Lily Saylor; however, this is far from an ordinary job. Little by little, Lily's imagination will run wild, as shadowy sightings of eerie female spectres blur the frail boundaries between reality and fantasy, fable and truth. Iris has talked about man's coexistence with the spectral realm in her novels that chill the bone to the marrow. Could her secluded white house at the end of the road be an aerial limbo caught in the middle of life and death?

Sawyer Valentini is a troubled woman who moves away from home to escape a stalker. Sawyer finds she is still triggered by interactions with men as a result of her experiences. She makes an appointment with a counselor at Highland Creek Behavioral Center. At her appointment, she unknowingly signs a release voluntarily committing herself to a 24-hour stay. She calls the police but they do nothing when they see the signed release. After physical altercations with a patient and a staff member, Dr. Hawthorne says she is being kept for seven more days. Another patient, Nate Hoffman, gives Sawyer an introduction to the place. Highland Creek is running a scheme to milk health insurance claims for profit. They trick people into voluntarily committing themselves as long as the patients' insurance companies continue to pay; when insurance claims run out, the patient is "cured". One day, Sawyer sees David Strine, her stalker, working as an orderly under the assumed name George Shaw. She has an outburst and is restrained. Her outbursts result in the repeated use of restraints and sedation..

In Daniel Goldhaber and Isa Mazzei's paranoid horror thriller "Cam," an erotic webcam performer finds her followers stolen by a doppelganger who hijacks her channel, pushes the sexual envelope further, and otherwise seems determined to destroy her life. Call it identity theft of a possibly supernatural kind.