Shortlist

D'oh! I quickly looked through the book, looked at the cover and saw: "haunted", "New Orleans", "Guide" and bought it. I am so silly. I didn't finish reading the rest of the title. Damn you key words!!Anyway, while it is a very well written, informative book on the history of local buildings and locations in New Orleans, it did not discuss the actual haunted history or origins of the tales. Also, as the full title states, all of the locations are connected to Anne Rice books. And while I was a big fan of Anne Rice back in the day and read all of all her books, I have no actual memory of any of them. Which is not a slight on Rice, but on the fact that I am aging at an alarming speed. Also, so ya know, the edition I read was the third revision - updated in 2004.

When it was first published in 1988, Patrick Califia's Macho Sluts, a collection of S/M stories set in San Francisco's dyke bathhouses, sex parties, and S/M gay bars, shocked the lesbian community and caused an upheaval in the field of queer publishing. Nobody had ever written so frankly about the kinky potential of woman-to-woman sex (and nobody has ever done it any better). If any book is responsible for the formation of the modern lesbian leather community, this one is it.Despite its graceful language, imaginative scenarios, and abundant humor, the lesbian press trashed Macho Sluts, and it became a focal point for the infamous legal battles between Canada Customs and Little Sister's, the gay and lesbian bookstore. But readers loved it, and to this day Macho Sluts remains a vital and moving classic that still has the power to educate, radicalize, and expand our notions of the body's potential to provide us with pleasure, pain, and love.This new edition, part of Arsenal Pulp Press' Little Sister's Classics series resurrecting classics of LGBT literature, includes a new afterword by the author, and an introduction by Wendy Chapkis, a professor of sociology and women and gender studies at the University of Southern Maine in Portland.Patrick Califia has written many books about radical sex, queer communities, and the repression of desire. Almost ten years ago, Califia transitioned from female to male; he now lives as a bisexual transman in San Francisco.

Arguably the world's most famous diarist, Anaïs Nin drew much of her acclaim from her shocking accounts of artistic and sexual self-exploration within the avant-garde worlds of Paris, New York, and Hollywood. But who was this woman whose peccadilloes led to relationships of bigamy and incest, who freely offered her body and her husband's money to some of the most brilliant men of her era - including Henry Miller and Edmund Wilson and Otto Rank - whose desperate cravings for love, recognition, and approval from the intellectual elite remained unsatisfied until the end of her life?Deirdre Bair, who had exclusive access to Nin's complete, original diary and the full cooperation of her surviving husband, family, and friends, offers an enthralling portrait of a complex, perplexing writer whose most compelling subject was, unfailingly, herself.

Anais Nin was the ultimate femme fatale, a passionate and mysterious woman, world famous for her extravagant sexual exploits, most notably her simultaneous affairs with Henry and June Miller and her bicoastal bigamous marriages. In the mid-1920s, eager to break the confines of American Victorianism both as an artist and as a woman, Nin traveled to Paris, where she fell in with the legendary artistic and literary circles of the Left Bank."Nin's Diary", published over the years in numerous volumes, has been hailed as a breakthrough document by literary critics and feminists alike. Yet in the published diary, Nin did not lay bare her true self. She instead constructed a carefully stylized image of the woman the world knew as "Anais" while keeping her inner self well hidden. In "Anais", biographer Noel Riley Fitch presents an honest portrait of Nin's passionate, tumultuous, and sometimes bitterly painful life. Fitch reveals, among other things, that behind Nin's coquetry was the desperate yearning of an abused and abandoned child. This, the first biography of Nin, complements, corrects, and demystifies the image that Nin so artfully crafted in her diary.

(Review of Vittorio the Vampire):Disappointing. Though hardly the majority’s favourite, I was still eager to read one of Rice’s ‘new tales of the Vampires series,’ having a curious interest in where she would go with the characters and, suffice to say, holding little enthusiasm regarding Pandora’s release – inadvertently making Vittorio a best bet.In short? Quite dull. I drifted seamlessly through the story with faint interest in what was going on. I’m (what appears to be) in the minority of long-term Rice admirers (really – I even loved Tale of the Body Thief) and even I felt this lacking in fluidity in awe. Throughout the novel I was less drawn to Vittorio than I was to both Pandora and Akasha combined. Having read it so quickly was not a good thing by means of determination, but rather by the rush to finish a dreary story so quickly. Usually I am constantly admiring Rice’s commendable ability to grip the reader, but with Vittorio, I felt absolutely nothing. Truthfully, I regret the time I spent with it; I felt it could’ve been time spent better elsewhere. Queue other Rice titles, please.

Henry Charles Bukowski (born as Heinrich Karl Bukowski) was a German-born American poet, novelist and short story writer. His writing was influenced by the social, cultural and economic ambience of his home city of Los Angeles.It is marked by an emphasis on the ordinary lives of poor Americans, the act of writing, alcohol, relationships with women and the drudgery of work. Bukowski wrote thousands of poems, hundreds of short stories and six novels, eventually publishing over sixty booksCharles Bukowski was the only child of an American soldier and a German mother. At the age of three, he came with his family to the United States and grew up in Los Angeles. He attended Los Angeles City College from 1939 to 1941, then left school and moved to New York City to become a writer. His lack of publishing success at this time caused him to give up writing in 1946 and spurred a ten-year stint of heavy drinking. After he developed a bleeding ulcer, he decided to take up writing again. He worked a wide range of jobs to support his writing, including dishwasher, truck driver and loader, mail carrier, guard, gas station attendant, stock boy, warehouse worker, shipping clerk, post office clerk, parking lot attendant, Red Cross orderly, and elevator operator. He also worked in a dog biscuit factory, a slaughterhouse, a cake and cookie factory, and he hung posters in New York City subways.Bukowski published his first story when he was twenty-four and began writing poetry at the age of thirty-five. His first book of poetry was published in 1959; he went on to publish more than forty-five books of poetry and prose, including Pulp (1994), Screams from the Balcony (1993), and The Last Night of the Earth Poems (1992).He died of leukemia in San Pedro on March 9, 1994.

The Marquis de Sade, vilified by respectable society from his own time through ours, apotheosized by Apollinaire as "the freest spirit tht has yet existed, " wrote "The 120 Days of Sodom" while imprisoned in the Bastille. An exhaustive catalogue of sexual aberrations and the first systematic exploration -- a hundred years before Krafft-Ebing and Freud -- of the psychopathology of sex, it is considered Sade's crowning achievement and the cornerstone of his thought. Lost after the storming of the Bastille in 1789, it was later retrieved but remained unpublished until 1935.

I found this book at the local bookstore, so this was the first volume of her diaries that I read. (I have also read parts of Delta of Venus which I wasn't crazy about.) I'm so happy to have found it because it is EASILY one of the most important books I have ever read. Besides the fact that I'd do basically anything to have her life, I adore her descriptions and her mind. She conveys such complex emotions and ideas so concisely, especially when it comes to life as an artist in the United States. She meets so many interesting people and I have so much respect for her (extremely!) romantic/humanistic perspectives. I'm on the look-out for her other journals and my journal is now filled with quotes from this one.

The gothic genius of Lees great works of fantasy are finally available in onevolume. Witness the city of Paradyss life and history through the eyes of itsprovocative and perverse citizens, in this darkly fascinating odyssey as onlythe award-winning author could imagine it.Includes:The Book of the Damned (1988)The Book of the Beast (1988)The Book of the Dead (1991) (collection of short stories)The Book of the Mad (1993)

Descended from one of the most ancient aristocratic families of Europe, Erzsebet Bathory bore the psychotic aberrations of centuries of intermarriage. From adolescence she indulged in sadistic lesbian fantasies, where only the spilling of a woman's blood could satisfy her urges. By middle age, she had regressed to a mirror-fixated state of pathological necro-sadism involving witchcraft, torture, blood-drinking, cannibalism and, inevitably, wholesale slaughter. These years witnessed a reign of cruelty unsurpassed in the annals of mass murder, with the Countess' depredations on the virgin girls of the Carpathians leading to some 650 deaths. Her many castles were equipped with chambers where she would hideously torture and mutilate her victims, becoming a murder factory where hundreds of girls were killed and processed for the ultimate, youth-giving ritual: the bath of blood.The Bloody Countess is Valentine Penrose's disturbing case history of a female psychopath, a chillingly lyrical account beautifully translated by Alexander Trocchi (author of Cain's Book), which has an unequalled power to evoke the decadent melancholy of doomed, delinquent aristocracy in a dark age of superstition.

Nancy Friday's international bestsellers My Secret Garden and Forbidden Flowers revealed that women possess erotic imaginations at least as inventive and powerful as those of men. Women on Top looks at a new generation of women and asks: what are women's sexual fantasies today? How have they responded to the changes brought about by feminism? In a world wallpapered with erotic images, but which still denies them full sexual freedom, women are more determined than ever that they'll be 'nice girls' no longer. Explicit, iconoclastic, often shocking, these erotic daydreams - angry, lustful, tender and dark - blow apart the old taboos. Nothing is forbidden.

ah, anne rice's beauty series. i was fourteen when i asked for this series for christmas. my family knew i loved to read and the only description i gave of the books was that they were just another anne rice goth trilogy. luckily, the box set i unwrapped christmas morning was still sealed in shrinkwrap. I think they would have had a heart attack if they knew they had bought their little catholic school girl bookworm a complete box set of graphic S&M erotica. oh! it was the best christmas ever! I ran up to my room, locked the door, and didn't come out again until the next day.

Mirages opens at the dawn of World War II, when Anaïs Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be “the One,” the lover who would satisfy her insatiable hunger for connection. In the middle looms a period Nin describes as “hell,” during which she experiences a kind of erotic madness, a delirium that fuels her search for love. As a child suffering abandonment by her father, Anaïs wrote, “Close your eyes to the ugly things,” and, against a horrifying backdrop of war and death, Nin combats the world’s darkness with her own search for light.Mirages collects, for the first time, the story that was cut from all of Nin’s other published diaries, particularly volumes 3 and 4 of The Diary of Anaïs Nin, which cover the same time period. It is the long-awaited successor to the previous unexpurgated diaries Henry and June, Incest, Fire, and Nearer the Moon. Mirages answers the questions Nin readers have been asking for decades: What led to the demise of Nin’s love affair with Henry Miller? Just how troubled was her marriage to Hugh Guiler? What is the story behind Nin’s “children,” the effeminate young men she seemed to collect at will? Mirages is a deeply personal story of heartbreak, despair, desperation, carnage, and deep mourning, but it is also one of courage, persistence, evolution, and redemption that reaches beyond the personal to the universal.

Adorned with gripping cover art by Man Ray and translated by renowned scholar Dr. Paul J. Gillette, this dramatic collection of de Sade writings includes "Justine," "Juliette," "120 Days of Sodom," "Philosophy In The Bedroom" and many works often scattered among "pastiche" versions of de Sades oeuvre. Free of the author's repetitions, polemics and syntactically complex 18th century phrases, this edition captures the drama of de Sade's forays into human sexuality including such practices as voyeurism, fetishism, and, most famously, sadism. Vilified by critics in the 1800s as "Monstrous… depraved… An odious book by an even more odious man," de Sades depiction of his personal adventures has been studied and enjoyed by readers in light of the 20th and 21st centuries. Readers will also discover a mind as free as de Sades adventures were uninhibited, for he discusses natural evolution 25 years before Darwin's birth; postulates the existence of the unconscious mind a century before Sigmund Freud; and probes social mores decades before the work of Margaret Mead. He also espouses political ideas that were put into practice by such diverse figures as Joseph Stalin, Adolph Hitler and Fidel Castro. Born into French nobility in 1740, Marquis de Sade continues to open minds to new human experience more than 250 years later in this dramatic new release from Holloway House Publishing.

In Bram Stoker's immortal classic, "Dracula," an extraordinary woman named Mina Harker became the living object of a vampire's obsession. He came to her in the night, like a demon lover, opening a vein in his chest - and pressing her tender lips to the wound. Consumed by passion, Mina drank of his blood. And from that moment on, his seductive power filled her senses with strange, forbidden longings. Only one thing saved her soul from eternal damnation: a stake driven through the heart of Count Dracula...

Anaïs Nin’s Ladders to Fire interweaves the stories of several women, each emotionally inhibited in her own way: through self-doubt, fear, guilt, moral drift, and distrust. The novel follows their inner struggles to overcome these barriers to happiness and wholeness. The author’s own experiences, as recorded in her famous diaries, supplied the raw material for her fiction. It was her intuitive, experimental, and always original style that transformed one into the other. Nin herself memorably claimed that “it was the fiction writer who edited the diary.” Ladders to Fire explores the erotic attachments of four young women. Nin described it as a "woman's struggle to understand her own nature." It began a five-volume "continuous novel," Cities of the Interior, which includes Children of the Albatross (1947), The Four-Chambered Heart (1950), A Spy in the House of Love (1954), and Solar Barque (1959).Set in the pre-war, expatriate Paris of Henry Miller, this novel — which shocked Nin’s contemporaries — draws its inspiration from her confessional diaries. Although Nin found in her diaries a profound mode of self-creation and confession, she could not reveal this intimate record of her own experiences during her lifetime. Instead, she turned to fiction, where her stories and novels became artistic “distillations” of her secret diaries. This 1995 reissue of of the 1946 novel Ladders to Fire has a new cover and foreword. This Swallow Press reissue of Ladders to Fire includes a new introduction by Nin scholar Benjamin Franklin V, as well as Gunther Stuhlmann’s classic foreword to the 1995 edition.