In the dystopian world of 2027 London, humans have been incapable of reproducing for 18 year for an unknown reason, meaning the imminent extinction of the species. Britain is the one remaining civilized society on the planet, which has resulted in people wanting to migrate there, so it has become a police state to handle the immigrants, who are placed into refugee camps. Lowly government bureaucrat Theo Faron, once an activist, is approached by the Fishes, deemed a terrorist group, led by his ex-wife Julian Taylor, whom he hasn't seen in almost 20 years, since their marriage disintegrated after their infant son Dylan's death during the 2008 flu pandemic. Although the Fishes did use terrorist means in their on-going revolution against the state in the fight for immigrant rights, Julian vows that they now garner support solely by speaking to the people, and she wants Theo to use his connections to get transit papers for a young immigrant woman named Kee who needs to get to the coast. Although initially reluctant to do it because of the difficulty, Theo is able to grant Julian this favor, however with the change that he now needs to accompany Kee on her journey. As Theo and Kee progress on that journey, Theo learns more and more about what's going on, including the reason that Kee needs to get to the coast, the fact that no one in the group knows if their end destination even exists, and that his and Kee's lives are in greater danger than he believed when they started the journey. But Theo's sole mission becomes to help Kee at any cost for the survival of the species.

In a lonesome house in the countryside between woods and cornfields live nine-year-old twin brothers who are waiting for their mother in the heat of summer. When she comes home, bandaged after cosmetic surgery, nothing is like before. The children start to doubt that this woman is actually their mother. An existential struggle for identity and fundamental trust emerges.

2014 film by Veronika Franz and Severin Fiala

Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the streets of Britain..

Despondent over his breakup with Desiree, Zia slashes his wrists and goes to an afterlife peopled by suicides, a high-desert landscape dotted by old tires, burned-out cars, and abandoned sofas. He gets a job in a pizza joint. By chance, Zia learns that Desiree offed herself a few months after he did, and she's looking for him. He sets off with Eugene (an electrocuted Russian rocker) to find her, and they pick up a hitchhiker, Mikal, who's looking for the People in Charge, believing she's there by mistake. They're soon at the camp of Kneller, where casual miracles proliferate. They hear rumors of a miraculous king. Can Zia find Desiree? Then what? Where there's death there's hope.

Though Kevin (James McAvoy) has evidenced 23 personalities to his trusted psychiatrist, Dr. Fletcher (Betty Buckley), there remains one still submerged who is set to materialize and dominate all of the others. Compelled to abduct three teenage girls led by the willful, observant Casey, Kevin reaches a war for survival among all of those contained within him -- as well as everyone around him -- as the walls between his compartments shatter.

A man about forty years of age tells the story from when he was a teenager in upscale suburban Detroit of his and three of his friends' fascination with the mysterious and doomed Lisbon sisters. In 1974, the sisters were seventeen year old Therese, sixteen year old Mary, fifteen year old Bonnie, fourteen year old Lux, and thirteen year old Cecilia. Their fascination still remains as they try to piece together the entire story. The sisters were mysteries if only because of having a strict and overprotective upbringing by their father, who taught math at the girls' private co-ed school, and overly devout Catholic mother, who largely dictated the household rules. The story focuses primarily on two incidents and the resulting situations on the girls' lives. The first was an action by Cecilia to deal with her emotions over her life. And the second was the relationship between Lux - the sister who pushed the boundaries of the household rules most overtly in doing what most teenagers want to do - and Trip Fontaine, he who could have any girl he wanted but wanting solely Lux.

1999 American film directed by Sofia Coppola

Wanting to escape city life for the countryside, New Yorkers Cooper Tilson (Quaid), his wife Leah (Stone) and their two children move into a dilapidated old mansion still filled with the possessions of the previous family. Turning it into their dream house soon becomes a living nightmare when the previous owner (Dorff) shows up, and a series of terrifying incidents lead them on a spine-tingling search for clues to the estate's dark and lurid past...

Castle Rock, New England, is a nice place to live and grow and Sheriff Alan Pangborn moves from the big city to the town expecting a quiet life. When Leland Gaunt opens the store Needful Things, he seems to have the object of desire for each dweller. He charges small amounts to the things but requests a practical joke for each of them against another inhabitant. Soon hell breaks loose in town with deaths, violence and riot and Sheriff Pangborn discovers that Leland Gaunt is the devil himself. Further, Gaunt is manipulating the population like puppets exploring the weakness and greed of each person.

On the eve of Halloween, on October 1977, four friends--Bill, Jerry, Mary, and Denise--embark on an exciting cross-country road trip to write a guidebook about offbeat roadside attractions in America's less-travelled roads. Before long, the young explorers chance upon Captain Spaulding's Museum of Monsters and Madmen, only to become infatuated with the local legend of a deranged serial-killer doctor, and cross paths with the mysterious hitchhiker, Baby. However, when the unsuspecting group meets Baby's eccentric family after having a flat tyre, an endless night of terror, torture, and murder ensues. Has anyone ever got out alive from the House of Thousand Corpses?

Haunted by a persistent writer's block, the aspiring author and recovering alcoholic, Jack Torrance, drags his wife, Wendy, and his gifted son, Danny, up snow-capped Colorado's secluded Overlook Hotel after taking up a job as an off-season caretaker. As the cavernous hotel shuts down for the season, the manager gives Jack a grand tour, and the facility's chef, the ageing Mr Hallorann, has a fascinating chat with Danny about a rare psychic gift called "The Shining", making sure to warn him about the hotel's abandoned rooms, and, in particular, the off-limits Room 237. However, instead of overcoming the dismal creative rut, little by little, Jack starts losing his mind, trapped in an unforgiving environment of seemingly endless snowstorms, and a gargantuan silent prison riddled with strange occurrences and eerie visions. Now, the incessant voices inside Jack's head demand sacrifice. Is Jack capable of murder?

In a devastated Earth overrun by invincible predators of a possible extraterrestrial origin, the Abbotts find themselves struggling to survive in the isolation of upstate New York, defined by a new era of utter silence. Indeed, as this new type of invader is attracted to noise, even the slightest of sounds can be deadly; however, it's been already twelve months since the powerful monsters' first sightings, and this resilient family still stands strong. Of course, learning the rules of survival in this muted dystopia is essential; nevertheless, now, of all times, an otherwise joyous event puts in jeopardy the already fragile stability. And now, more than ever, the Abbotts must not make a sound.

All of us have made certain efforts so our in-laws will like us, but Grace is going to have to give it her all if she wants to fit in with her brand new husband's wealthy dynasty, who require her to follow a brutal tradition: for the bride to try to survive her wedding night while the rest of them hunt her down. The class struggle stuff hits the proverbial fan in this extremely black satire starring a brilliant

2019 film by Matt Bettinelli-Olpin and Tyler Gillett

Arthur and his two children, Kathy and Bobby, inherit his Uncle Cyrus's estate: a glass house that serves as a prison to 12 ghosts. When the family, accompanied by Bobby's Nanny and an attorney, enter the house they find themselves trapped inside an evil machine "designed by the devil and powered by the dead" to open the Eye of Hell. Aided by Dennis, a ghost hunter, and his rival Kalina, a ghost rights activist out to set the ghosts free, the group must do what they can to get out of the house alive.

Death stalks the dreams of several young adults to claim its revenge on the killing of Freddy Kruger. Chased and chastised by this finger-bladed demon, it is the awakening of old memories and the denials of a past of retribution that spurns this hellish vision of a dreamlike state and turns death into a nightmare reality.

While babysitting a boy and his infant brother, Casey Beldon has a dreadful nightmare involving a weird dog and an evil child, and she tells her best friend Romy over the phone. Casey is haunted by this boy, and when she goes to the ophthalmologist, he asks if she has a twin brother or sister. She asks her father and discovers that her mother lost a son that died in the womb. Casey suspects that she is haunted by the spirit of her brother. She finds a letter addressed to a woman called Sofi Kozma and a creepy picture at home that belonged to her mother. She goes with Romy to a retirement home to meet Sofi, a survivor of the experiments during the Holocaust. But Sofi tells Casey that she had never met her mother and later calls Casey to tell her she is in great danger.

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