Published shortly after his death, the Ethics is undoubtedly Spinoza's greatest work - an elegant, fully cohesive cosmology derived from first principles, providing a coherent picture of reality, and a guide to the meaning of an ethical life. Following a logical step-by-step format, it defines in turn the nature of God, the mind, the emotions, human bondage to the emotions, and the power of understanding - moving from a consideration of the eternal, to speculate upon humanity's place in the natural order, the nature of freedom and the path to attainable happiness. A powerful work of elegant simplicity, the Ethics is a brilliantly insightful consideration of the possibility of redemption through intense thought and philosophical reflection. The Ethics is presented in the standard translation of the work by Edwin Curley. This edition also includes an introduction by Stuart Hampshire, outlining Spinoza's philosophy and placing it in context.

In late 1888, only weeks before his final collapse into madness, Nietzsche (1844-1900) set out to compose his autobiography, and Ecce Homo remains one of the most intriguing yet bizarre examples of the genre ever written. In this extraordinary work Nietzsche traces his life, work and development as a philosopher, examines the heroes he has identified with, struggled against and then overcome - Schopenhauer, Wagner, Socrates, Christ - and predicts the cataclysmic impact of his 'forthcoming revelation of all values'. Both self-celebrating and self-mocking, penetrating and strange, Ecce Homo gives the final, definitive expression to Nietzsche's main beliefs and is in every way his last testament.

"I am neither a theologian, nor a scholar learned in the history of religions, nor an anthropologist. Psychology is the only branch of learning in which I am particularly versed. To the psychologist the religious propensities of man must be at least as interesting as any other of the facts pertaining to his mental constitution. It would seem, therefore, as a psychologist, the natural thing for me would be to invite you to a descriptive survey of those religious propensities."  When William James went to the University of Edinburgh in 1901 to deliver a series of lectures on "natural religion," he defined religion as "the feelings, acts, and experiences of individual men in their solitude, so far as they apprehend themselves to stand in relation to whatever they may consider the divine." Considering religion, then, not as it is defined by--or takes place in--the churches, but as it is felt in everyday life, he undertook a project that, upon completion, stands not only as one of the most important texts on psychology ever written, not only as a vitally serious contemplation of spirituality, but for many critics one of the best works of nonfiction written in the 20th century. Reading The Varieties of Religious Experience, it is easy to see why. Applying his analytic clarity to religious accounts from a variety of sources, James elaborates a pluralistic framework in which "the divine can mean no single quality, it must mean a group of qualities, by being champions of which in alternation, different men may all find worthy missions." It's an intellectual call for serious religious tolerance--indeed, respect--the vitality of which has not diminished through the subsequent decades.

Difference and Repetition, a brilliant exposition of the critique of identity, has come to be considered a contemporary classic in philosophy and one of Deleuze's most original works. Successfully defended in 1969 as Deleuze's main thesis toward his Doctorat d'Etat at the Sorbonne, the work has been central in initiating the shift in French thought away from Hegel and Marx, towards Nietzsche and Freud. The text follows the development of two central concepts, those of pure difference and complex repetition. It shows how the two concepts are related - difference implying divergence and decentering, and repetition implying displacement and disguising. In its explication the work moves deftly between Hegel, Kierkegaard, Freud, Althusser, and Nietzsche to establish a fundamental critique of Western metaphysics. Difference and Repetition has become essential to the work of literary critics and philosophers alike, and this translation his been long awaited.

Written in the 1960s, Truth and Method is Gadamer's magnum opus. An astonishing synthesis of literary criticism, philosophy, theology, the theory of law and classical scholarship, it is undoubtedly one of the most important texts in twentieth century philosophy. Looking behind the self-consciousness of science, he discusses the tense relationship between truth and methodology. In examining the different experiences of truth, he aims to "present the hermeneutic phenomenon in its fullest extent."

Philosopher David Hume was considered to one of the most important figures in the age of Scottish enlightenment. In "An Enquiry Concerning Human Understanding" Hume discusses the weakness that humans have in their abilities to comprehend the world around them, what is referred to in the title as human understanding. This work, now commonly required reading in philosophy classes, exposed a broad audience to philosophy when it was first published. A great introduction to the philosophy of David Hume, "An Enquiry Concerning Human Understanding" and the ideas within it are as intriguing today as when they were first written.

By one of the most profoundly influential thinkers of our century, The Rebel is a classic essay on revolution. For Albert Camus, the urge to revolt is one of the "essential dimensions" of human nature, manifested in man's timeless Promethean struggle against the conditions of his existence, as well as the popular uprisings against established orders throughout history. And yet, with an eye toward the French Revolution and its regicides and deicides, he shows how inevitably the course of revolution leads to tyranny, as old regimes throughout the world collapse, The Rebel resonates as an ardent, eloquent, and supremely rational voice of conscience for our tumultuous times.Translated from the French by Anthony Bower.

Fragments of wisdom from the ancient worldIn the sixth century b.c.-twenty-five hundred years before Einstein-Heraclitus of Ephesus declared that energy is the essence of matter, that everything becomes energy in flux, in relativity. His great book, On Nature, the world's first coherent philosophical treatise and touchstone for Plato, Aristotle, and Marcus Aurelius, has long been lost to history-but its surviving fragments have for thousands of years tantalized our greatest thinkers, from Montaigne to Nietzsche, Heidegger to Jung. Now, acclaimed poet Brooks Haxton presents a powerful free-verse translation of all 130 surviving fragments of the teachings of Heraclitus, with the ancient Greek originals beautifully reproduced en face.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In The Gift of Death, Jacques Derrida's most sustained consideration of religion to date, he continues to explore questions introduced in Given Time about the limits of the rational and responsible that one reaches in granting or accepting death, whether by sacrifice, murder, execution, or suicide. Derrida analyzes Patocka's Heretical Essays on the History of Philosophy and develops and compares his ideas to the works of Heidegger, Levinas, and Kierkegaard.A major work, The Gift of Death resonates with much of Derrida's earlier writing and will be of interest to scholars in anthropology, philosophy, and literary criticism, along with scholars of ethics and religion.Collection: Religion and Postmodernism Series

In THE CRITIQUE OF JUDGMENT (1790), Immanuel Kant (1724-1804) seeks to establish the a priori principles underlying the faculty of judgment, just as he did in his previous critiques of pure and practical reason. The first part deals with the subject of our aesthetic sensibility; we respond to certain natural phenomena as beautiful, says Kant, when we recognize in nature a harmonious order that satisfies the mind's own need for order. The second half of the critique concentrates on the apparent teleology in nature's design of organisms. Kant argues that our minds are inclined to see purpose and order in nature and this is the main principle underlying all of our judgments. Although this might imply a super sensible Designer, Kant insists that we cannot prove a supernatural dimension or the existence of God. Such considerations are beyond reason and are solely the province of faith.

Leibniz, el filósofo más polifacético del Siglo de las Luces y el fundador al mismo tiempo de la filosofía alemana, es uno de los grandes sabios que han existido; no hay territorio de las ciencias en que no haya participado e influido activamente. Este pensador se eleva por encima de tiempos y doctrinas y capta cuanto perdura a través de las circunstancias. Ésta es la filosofía perenne. La visión totalizadora de la realidad es presupuesto del concepto de la philosophia perennis, a condición de ponderar, primero, y ligar orgánicamente, después, los filosofemas sucesivos en un conjunto de verdades acerca del ser y del valor de la existencia.

This seminal text in the history of moral philosophy elaborates the basic themes of Kant's moral theory, gives the most complete statement of his highly original theory of freedom of the will, and develops his practical metaphysics. This new edition, prepared by an acclaimed translator and scholar of Kant's practical philosophy, presents the first new translation of the work to appear for some years, together with a substantial and lucid introduction.

Meditationes de prima philosophia = Meditations on First Philosophy, René DescartesMeditations on First Philosophy is a philosophical treatise written by René Descartes first published in Latin in 1641. The book is made up of six meditations, in which Descartes first discards all belief in things which are not absolutely certain, and then tries to establish what can be known for sure. The meditations were written as if he was meditating for 6 days: each meditation refers to the last one as "yesterday". However, Descartes did not take 6 days to complete this work; it actually took several years.تاریخ نخستین خوانش: سال 1982 میلادیعنوان: ت‍ام‍لات‌ در ف‍ل‍س‍ف‍ه‌ اول‍ی‌؛ نویسنده: رن‍ه‌ دک‍ارت‌؛ مت‍رج‍م: اح‍م‍د اح‍م‍دی‌؛ ت‍ه‍ران‌: م‍رک‍ز ن‍ش‍ر دان‍ش‍گ‍اه‍ی‌‏‫‏‏، 1361؛ 138 ص؛ چاپ دوم 1369؛ در 102 ص؛ چاپ دیگر: ت‍ه‍ران‌: س‍ازم‍ان‌ م‍طال‍ع‍ه‌ و ت‍دوی‍ن‌ ک‍ت‍ب‌ ع‍ل‍وم‌ ان‍س‍ان‍ی‌ دان‍ش‍گ‍اه‍ه‍ا (س‍م‍ت‌)‏‫، چاپ سوم 1381؛ در 112 ص؛‬ چاپ چهارم 1384؛ چاپ ششم 1385 ؛ چاپ هفتم 1387؛ چاپ دوازدهم 1394؛ چاپ سیزدهم 1395؛ شابک: 9789644596537؛ موضوع: فلسفه ی دکارت - سده 17 مدر اين کتاب عناوين زير مورد خوانش قرار خواهند گرفت: «اجمالی از زندگی دکارت»، «عصر دکارت»، «موقعیت فلسفه دکارت»، «رساله تاملات خلاصه تاملات ششگانه». مترجم کتاب: (حجت الاسلام و مدیر سازمان سمت و عضو شورای عالی انقلاب فرهنگی و نماینده مجلس در دوره هفتم). ا. شربیانی

Throughout history, some books have changed the world. They have transformed the way we see ourselves—and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives—and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. Inspired by the myth of a man condemned to ceaselessly push a rock up a mountain and watch it roll back to the valley below, The Myth of Sisyphus transformed twentieth-century philosophy with its impassioned argument for the value of life in a world without religious meaning.

'What if everything in the world were a misunderstanding, what if laughter were really tears?' Either/Or is the earliest of the major works of Søren Kierkegaard, one of the most startlingly original thinkers and writers of the nineteenth century, and the first which he wrote under a pseudonym, as he would for his greatest philosophical writings. Adopting the viewpoints of two distinct figures with radically different beliefs--the aesthetic young man of Part One, called simply 'A', and the ethical Judge Vilhelm of the second section--Kierkegaard reflects upon the search for a meaningful existence, contemplating subjects as diverse as Mozart, drama, boredom, and, in the famous Seducer's Diary, the cynical seduction and ultimate rejection of a young, beautiful woman. A masterpiece of duality, Either/Or is an exploration of the conflict between the aesthetic and the ethical--both meditating ironically and seductively upon Epicurean pleasures, and eloquently expounding the noble virtues of a morally upstanding life.This lightly abridged edition fully conveys the vigour and eloquence of the original. Alastair Hannay's introduction explains the philosophical background to the work and places it in the context of its times.

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