to watch

The film centers on a big Polish family. Jadzia is the mother and the ruler of the Pzoniak family (she has five children). Though she's happily married to Bolek, she is also having a long-time affair with Roman. Her young daughter Hala is having an affair with neighbour cop Russell and becomes pregnant by him. Russell is pressed hard to marry Hala.

A story told from three angles. Max meets Elizabeth; they live together, but when she talks of marriage, he balks. He becomes extremely jealous, probably without cause, and thinks she's taken up with a friend of his, Jack. Elizabeth, stung by Max's refusal to marry, catches Jack's eye, but the friendship seems innocent. Lena, who works with Max, likes him and realizes she can manipulate his jealousy and maybe engineer his split from Elizabeth. When she's sure Elizabeth is with a man, she calls Max at work, sending him home to confront the lovers. Then, Lena feels guilty and takes off for Max's apartment. What's really going on? Who's with Elizabeth?

Jake and Brian are friends. They are Jewish and Catholic respectively. They would grow up and become a rabbi and priest. Anna, whom they knew when they were younger, comes back to town a stunning woman. Jake is up to be the head of his synagogue but he is not married which doesn't make his appointment any easier. Jake finds himself attracted to Anna but because she's not Jewish, he can't marry her as it would make his appointment less likely. Brian also finds himself attracted to Anna, but the priesthood doesn't allow that. Their friendship is strained when each learns of the other's feelings for her.

Celebrity couple Joe and Sally Therrian are going through yet another rough stage in their six-year marriage: while Joe's novels have been climbing higher and higher on the best-seller lists, Sally's film career has been steadily sinking into oblivion. Joe's been given the rights to cast and direct the screenplay of his latest book, but rather than resurrect Sally's career by casting her in the lead role, he's given it to Sally's rival, Skye Davidson. Even worse, he's invited Skye to their anniversary bash. Will the marriage, or anything else for that matter, survive the party?

Jennifer does not fit in. A total misfit, she's as wacky as a teenager can be. Goth-ed out with multiple piercings, tattoos, and dyed hair, she listens to strange music, watches vintage TV, eats primarily chocolate, and self injures. But now high school is over and she needs a job. Can she possibly have anything in common with the overweight middle-aged man in the haberdashery window? He gives her a job, not to mention a real friendship.

Gary is a charming guy, but Linda is tired of his grand plans and schemes. All of which have gone down the drain. Gary is a 'scalper'. Together with his friends and his 'Guardian Angel', Benny, he buys tickets to events and sells them off at highly increased prices. This doesn't really make him rich and proves to be more difficult than usual when a new guy gets into town, strong-arming all of Gary's sources. But then the gift of heaven arrives. The Pope is coming for a visit. Gary wants to make a lot of money on this so he can finally get one of his (more decent) plans for Linda off the ground and really work on a lasting relationship with her.

Jonathan, a naive country boy, gets a scholarship to a classy prep school, where he rooms with suave, rich and handsome Skip. Skip decides it is his duty to see that Jonathan loses his virginity, so he sends Jonathan to Chicago, where Jonathan meets Ellen, a beautiful older woman, and they be- gin an affair which ends abruptly when Ellen discovers Jonathan is 17. During Christmas break, Jonathan visits Skip's house and discovers that Ellen is Skip's mother. Ellen tells Jonathan to leave when he rejects her advances, but then begins calling him and begging to see him. Finally, Jonathan agrees to meet her and plans to end the affair, but Ellen seduces him--and that's when Skip, who followed Jonathan, discovers them.

College poetry professor and poet Rebecca Trager Lott's husband Ben Lott has just died in a freak accident. Rebecca's support during this difficult time consists of her best friend Sylvie Morrow, her sister Lucy Trager, and her ex-stepmother Alberta Trager. Earth mother Sylvie is dealing with what she sees as the probable end of her own marriage to her husband Paul Morrow. Chain smoking Lucy is a directionless and insecure woman who is still mourning their mother's death fourteen years earlier from cancer. And Wall Street executive Alberta, who Lucy in particular doesn't like in her life (especially as Alberta and their father have since divorced) is a domineering but admittedly efficient woman who treats her personal life as an extension of her professional life. As time progresses and each woman deals with her own issues while trying to help Rebecca, a hunky house painter who they have nicknamed "Valentino" enters their collective lives. "Valentino" profoundly affects each of their lives, at the same time that Rebecca, the only one who is seen as having had the perfect marriage, provides what they hope is sage advice for their issues. What comes into question is the appropriate time that Rebecca is allowed to feel sorry for herself. She makes an admission about her marriage and about "Valentino" that may provide the answer.

Beautiful, sophisticated women are all over Oscar Grubman. He is sensitive and compassionate, speaks French fluently, is passionate about Voltaire, and thinks the feature that tells the most about a woman is her hands. On the train home from Chauncey Academy for the Thanksgiving weekend, Oscar confides in his best friend that he has plans for this vacation--he will win the heart of his true love. But there is one major problem--Oscar's true love is his stepmother Eve. Oscar is certain that he could be a better mate to Eve than his work-obsessed father. He fails to win Eve's heart and is consequently dejected. Oscar's path to his true love is further crossed by Diane, Eve's best friend who, one night while wearing Eve's borrowed perfumed scarf, offers him temporary comfort in an unconventional tryst. For Diane, Oscar fills a void in her life. For Oscar, Diane is somewhat of a distraction, as his continued pursuit of Eve leads to an unexpected resolution.

Kansas City waitress, Betty (Renée Zellweger), with dreams of becoming a nurse, becomes delusional after seeing her no-good car salesman husband murdered. Becoming delusional from shock, she becomes convinced that she is the former fiancée of her soap opera idol. What she also believes is that the soap opera is real and goes to Los Angeles, California to find the hospital where he works as a cardiologist. Meanwhile, her husband's murderers are searching for the drugs stolen by her husband and, as luck would have it, they are stored in the trunk of the car in which she drove off. Charlie (Morgan Freeman), an aging hitman planning his retirement after this job, also becomes delusional about the woman he is tracking.

After returning home from the Korean War, two young men search for love and fulfillment in middle America.

While visiting an art museum, a nerdy college student named Adam meets an iconoclastic artist named Evelyn and is instantly smitten. As their relationship develops, she gradually encourages Adam to change in various ways that surprise his older friends, Jenny and Philip. However, as events progress, Evelyn's antics become darker and darker as her influence begins to twist Adam and his friends in hurtful ways.

Brett, a young woman from the suburbs, is an associate editor at a small New York publishing house hoping for a promotion. One day, she first meets literary lion Archie Knox, who's 50 and shows interest in her; then gets a new boss, a dolly-dolly Brit. Brett is soon dating Archie, then moves in with him. He's charming, attentive, and gives advice. He also has a history--ex-wives, a distant daughter, a couple of diseases, and a photo album of former girlfriends. It's no fairy tale: family issues (and more) intervene, and Brett faces decisions. Meanwhile, she's working with a writer who fears peanut butter sticking to the roof of his mouth. Is Archie dinner, an hors d'oeuvre, or a peanut-butter sandwich?

Michael and Elise are about to get married. Their high school and college friends gather together for the wedding and resolve some issues. Lana is in therapy and when Elise's ex shows up from London she begins to realize what has been troubling her all these years. Involves a lot of drunkenness and some drug use.

Theater instructor Jerry starts an affair with Mary, and that starts a chain of events that affect their respective partners Terri and Barry and other characters in the film, creating a web of relationships.

New Year's Eve, 1981, the Lower East Side. Monica's having a party, but as late as 9, no one's there. She stews (and drinks). Folks are on their way, all looking for love, sex, or both. En route, paths cross, gambits misfire: a performance artist, her boyfriend until today and his long-time pal Lucy, two Long Island high-school girls, two punk rockers, a bartender, a Scottish painter who's lousy in bed, a pretty face named Jack who runs when women say they love him, his cute but clumsy date Cindy, two trendy vamps, a loquacious cabby, the man-crazed Hillary, and Elvis Costello. Nearly everybody smokes, and nearly everybody scores. And all get who and what they deserve.

Jesse is charming, romantic, and he knows how to pop the question; he just can't face marriage. So, when he and Hannah split up during the same week that a former fiancée dies, he decides to figure things out. He visits each woman about whom he's been serious to ask what went wrong. His teen flame, an independent woman who sometimes sleeps with him, and a group of lesbians give him advice, as does Anabeth, dead but lively in his dreams. One ex remains furious, but with the help of her inventive colleague, the level-headed insomniac Laura, Jesse even gets to talk to her. It's on to Anabeth's funeral, where he'll see Hannah, and maybe grasp what has been eluding him.

Bernard Chanticleer's father gives him two simple words of advice: "Grow up." Bernard knows that his first step is to find a girl who's "willing," but he passes up a sure thing, Amy Partlett, for a more elusive goal. Her name is Barbara Darling, an inscrutable go-go dancer. More than a few obstacles keep Bernard from his dream world. There's his doting mother, who mails him locks of her hair and weeps at the thought of her baby as a man; there's a malicious rooster, trained to attack pretty girls, patrolling the halls of his New York City rooming house; and most of all, there's Barbara herself. She turns out to be a man hater, emotionally scarred by the lecherous wooden-legged hypnotherapist who "counseled" her in high school. All in all, Bernard finds himself in an improbable universe with a calculated clumsiness designed to evoke his confusing coming-of-age.