Film

White-collar worker Yamashita finds out that his wife has a lover visiting her when he's away, suddenly returns home and kills her. After eight years in prison, he returns to live in a small village, opens a barber shop (he was trained as a barber in prison) and talks almost to no-one except for the eel he "befriended" in prison. One day he finds the unconscious body of Keiko, who attempted suicide and reminds him of his wife. She starts to work at his shop, but he doesn't let her become close to him.

Episodes from the lives of a group of Tokyo slum-dwellers: Rokkuchan, an intellectually disabled boy who brings meaning and routine to his life by driving an imaginary streetcar; children who support their parents by scrounging or by tedious and ill-paying endeavours; schemers who plot or dream of escaping the shackles of poverty.

In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die. If anyone should refuse he or she would disgrace their family. Old Orin is 69. This winter it is her turn to go to the mountain. But first she must make sure that her eldest son Tatsuhei finds a wife.

This film tells the story of professor Uehida Hyakken-sama (1889-1971), in Gotemba, around the forties. He was a university professor until an air raid, when he left to become a writer and has to live in a hut. His mood has hardly changed, not by the change nor by time. Every year his students celebrate his birthday, issuing the question "Mahda kai?" (not yet?), just to hear Uehida-san's answer "Madada yo!" (No, not yet!), in a ritual of self affirmation, and desires of lasting forever. It's a very "japanese" film who portrays everyday life and customs in Japan.

Amorality in Japan. Tome is born into poverty in rural Japan, in the late 1910s. Chuji, her father, dotes on her; her mother is less faithful. Tome becomes a neighbor's mistress, works at his mill as World War II rages, and has a daughter. After an affair with a mill supervisor, Tome goes to Tokyo to seek her fortune. She leaves the child, Nobuko, in Chuji's care. Tome's a maid at a brothel, learns trade from the madam, enjoys the protection of a businessman whose mistress she becomes, and is soon herself the boss. As Chuji ages and Nobuko grows up with her own ideas, can Tome's self-preserving schemes provide continued comfort? Or will the mice scamper over her?

After securing a major victory on the battlefield, Taketoti Washizu and one of his commanders, Yoshiaki Miki, find themselves lost in the maze-like Spider's Web forest. They come across a spirit-like seer who tells them of their future: both have been promoted because of their victory that day; Washizu will someday be the Great Lord of the Spider's Web castle while Miki's son will someday rule as Great Lord as well. When they arrive at the castle, they learn that the first part of the prophecy is correct. Washizu has no desire to become Great Lord but his ambitious wife urges him to reconsider. When the current Great Lord makes a surprise visit to his garrison outpost, Washizu is again promoted to commander of his vanguard but his wife reminds him of the danger that comes with the position. As pressure mounts, Wahizu takes action leading to its inevitable conclusion.

Two boys, whose parents ply their trade by the mouth of a muddy river in Osaka, become close friends. The two families' "businesses" are in fact dining and prostitution. When Nobou, the restauranteur's son, loses his pocket money during the Tenjin Festival, Kiichi, the prostitute's boy, invites him home, and he learns the truth.

In mediaeval Japan a compassionate governor is sent into exile. His wife and children try to join him, but are separated, and the children grow up amid suffering and oppression.

Russian poet Andrei Gorchakov, accompanied by guide and translator Eugenia's traveling through Italy researching the life of an 18th-century Russian composer. In an ancient town, he meets Domenico, who years earlier had imprisoned his family to save them from the evils of the world. Seeing some truth in Domenico's act, Andrei becomes drawn to him. In a series of dreams, the poet's nostalgia, and his sense of kinship with Domenico become intertwined.

A fifty-year-old prostitute, no longer able to attract men, looks back on her sad life. Once a lady-in-waiting at the imperial court at Kyoto, Oharu fell in love with, and became the lover of, a man below her station. They were discovered, and Oharu and her family were exiled. For Oharu there followed a life filled with one sorrow and humiliation after another.

Deals with the intolerably hard life of a family of four, the only inhabitants of a very small Japanese island in the Setonaikai archipelago. Several times a day they row over to the neighboring island to fetch water for their miserable fields.

The Tokyo engineer Kariya arrives on a primitive tropical island to drill a well to provide water for the sugar mill. He is assisted on the island by Kametaro, from the inbred Futori family. Nekichi Futori is chained in a pit that he has to dig, in order to appease the gods for breaking island customs. Nekichi is in love with his sister Uma, who is a shaman priestess at the sacred shrine, that contains the only good water close to the mill. She is also the mistress of Ryu, the manager of the mill. The patriarch of the Futori family tries to get the engineer to marry his retarded daughter Toriko.

During peace in 1725, aging swordsman Isaburo is living a henpecked life when his clan lord requests that Isaburo's son marry the lord's mistress, with whom he's displeased, even though she's born him a son. Isaburo wants to refuse, but his son Yogoro accepts the woman, Ichi, and they fall deeply in love. Their love renews Isaburo, so when the clan lord's elder son dies and the lord sends for Ichi to return to his side as mother of his heir, Isaburo opposes his lord. Yogoro and Ichi, who now have a baby daughter, stand with him. The clan orders their suicide, then sends soldiers to kill them. Isaburo's only hope is to take his case to Edo to expose the clan's cruelty. Can he?

Kanji Watanabe is a civil servant. He has worked in the same department for 30 years. His life is pretty boring and monotonous, though he once used to have passion and drive. Then one day he discovers that he has stomach cancer and has less than a year to live. After the initial depression he sets about living for the first time in over 20 years. Then he realises that his limited time left is not just for living life to the full but to leave something meaningful behind...

This study of Cuba--partially written by renowned poet Yevgeny Yevtushenko--captures the island just before it made the transition to a post-revolutionary society. Moving from city to country and back again, I AM CUBA examines the various problems caused by political oppression as well as by great discrepancies in wealth and power. Beginning in Havana in the pre-Castro era, we see how foreigners contributed to the city's prostitution and poverty; this sequence features dreamy, hallucinogenic camera work that creates a feeling of unease and dislocation. Then, in glorious images of palm tress and fertile land, the film looks at the sugar cane fields in the countryside, and the difficulties faced by peasants working the land. Finally, back in the city again, leftist students battle the police and a corrupt government--and pay a high price for their rebellion.

It's the early nineteenth century, and young Dr. Noboru Yasumoto has been summoned for a reason unknown to him to rural Koishikawa Medical Clinic from Nagasaki, where he has been stationed for three years completing his internship. The clinic, headed by the outwardly stern Dr. Kyojô Niide - nicknamed "Red Beard" for that attribute - under his very strict guidelines, treats the poor and disadvantaged of the region. Much to his surprise and dismay, Yasumoto is told he is to start work there immediately, staff, including doctors, living on site. As he was expecting a position as a physician for a shogunate in his privilege, Yasumoto shows his displeasure at this fate at every turn. He believes this fate was either orchestrated directly by Red Beard in solely wanting access to his detailed professional notes - Yasumoto believing he a much better doctor than his new, more experienced superior - or by the father of a female acquaintance in an effort to get rid of him. Yasumoto may get a different perspective of life as a doctor at the clinic in getting to view Red Beard's methods first hand, as he gets to know the stories of some of the in-patients at the clinic, and as he is assigned his first patient, Otoyo, a twelve year old orphaned girl who was raised in an abusive brothel environment in an effort to seal her supposed future.

In turn-of-the-century Sweden, cancer-stricken, dying Agnes is visited in her isolated rural mansion by her sisters Karin and Maria. As Agnes' condition deteriorates and pain management becomes increasingly more difficult, fear and revulsion grip the sisters, who seem incapable of empathy, and Agnes' only comfort and solace comes from her maid Anna. As the end draws closer, long repressed feelings of grudging resentment and mistrust cause jealousy, selfishness, and bitterness between the siblings to surface.

Schoolteacher Hisako Oishi struggles to imbue her students with a positive view of the world and their place in it, despite the fact that she knows full well that most of them will die in the war.