TODO

Helen Harris (Kate Hudson) is living the life she's always dreamed of: her career at a top modelling agency is on the rise; she spends her days at fashion shows and her nights at the city's hottest clubs. But her carefree lifestyle comes to a screeching halt when one phone call changes everything. Helen soon finds herself responsible for her sister's children: fifteen-year-old Audrey (Hayden Panettiere), ten-year-old Henry (Spencer Breslin), and five-year-old Sarah (Abigail Breslin). No one doubts that Helen is the coolest aunt in New York City, but what does this glamor girl know about raising kids? The fun begins as Helen goes through the transformation from super-hip to super-mom, but she quickly finds that dancing at 3a.m. doesn't mix with getting kids to school on time, advice that Helen's older sister, Jenny Portman (Joan Cusack), is only too quick to dish out. Along the way, Helen finds support in the most unusual place, with Dan Parker (John Corbett), the handsome young pastor and principal of the kids' new school, and realizes the choice she has to make is between the life she's always loved and the new loves of her life.

A hot one-night stand turns into an awkward morning after when GUY and HOLLY get STUCK in a dead-stopped traffic jam. As they begrudgingly get to know each other, we learn of their sexually raucous evening and then they're led to their surprising destiny.

Friends and family convene at a beach house for the wedding of Lila and Tom. But things don't go swimmingly, mainly because of one thing that Lila and her maid of honor, Laura, have in common - Tom, the groom. Laura and Tom were an item before Lila came along and nobody seems able to forget that. With very few successful marriages to look up to, and friends that she's not sure she can trust, will Lila be able to go through with the wedding?

Julie and Jason have been best friends for years with no romantic interest in each other. He sleeps with someone new every few days, and she's looking for Mr. Right. Now in their thirties, they notice that their friends seem to lose all their good qualities when they have children - child rearing and the spark of Eros don't seem to co-exist. So, they decide to have a child together, share in child rearing, but pursue their own romantic lives. Things go well until he meets Mary Jane and she meets Kurt. Both seem like perfect mates. What could go wrong?

Ambitious young Manhattanite and urban conservationist Beth wants it all: a good job, good friends, and a good guy to share the city with. Of course that last one is often the trickiest of all. Beth falls hard for Tommy, a sexy, young Wall Street hot-shot. But just as everything seems to be falling into place, complications arise in the form of Tommy's sensitive and handsome co-worker Daniel. Beth soon learns that the game of love in the big city is a lot like Wall Street -- high risk, high reward and everybody has an angle.

Sam has a problem with his roommates: they are disgusting, and don't seem to share his views on responsibility, privacy, and basic hygiene. Such is his discomfort with his living arrangements that he agrees to share the occupancy of another flat: he gets two nights a week, the owner (a sleazy frat-boy yuppie named Brian, soon to be married) and Ellen (a would-be painter seeking relief from her boring marriage) each get their separate nights in the flat. Things go extremely well until Sam and Brian swap nights without telling Ellen, who attributes the "nice" things that happen around the place to the slob Brian, while berating the responsible Sam for his hedonistic lifestyle.

The film starts with Mindy and Fred ending up in bed together. In the morning Fred is worried that they had unprotected sex during the night and convinces Mindy to get a "morning after pill". However it turns out that it must be followed by a second pill 12 hours later. To make sure that the care free Mindy takes the second pill Fred decides to spend the day with her. It turns out to be an eventful day. Fred learns to know Mindy better while he tries to sort out some other personal challenges.

When he wakes up the morning after his bachelor party in bed with a strange woman, a man presumes he must have cheated on his fiancée. Guilt leads him to try to cover it up in the week before the wedding, high jinks ensue.

This light-hearted romantic comedy centers tells of love sought, found, lost, and found again, revolving around the lives of two college students in New York City. Sophomore Al Connelly meets the girl of his dreams, freshman Imogen, and true love abounds. The two engage on a whirlwind courtship--they pick a song, eat a cake together, even make love. But Imogen's fear of lost youth causes her to push away from Al, and they go their separate ways. Al attempts to rebound from the relationship, determined to forget Imogen, and he goes to desperate measures to do so. The story is told from the points of view of both Al and Imogen.

Pop superstar Jordan Jaye has a big dream - he just wants to live like a regular teenager. When he's chased down by some excited female fans, he finds a perfect hideout and a reluctant new friend from a small town, high-school art student, Emily Lowe. Despite being from different worlds, they soon discover they have way more in common than they ever imagined. Over the course of several days, the two embark on an unexpected journey of friendship, first love and self-discovery -- proving that maybe opposites really do attract.

Everett Stone, who made it on Wall Street, returns home for Christmas with his new girlfriend, Meredith Morton. His ultra-liberal, anti-conventional rustic Connecticut family doesn't exactly warm to the outsider, who despite her best efforts to please the prospective in-laws, looks, sounds, and acts like the conservative bigots they hate, while various Stones have their own problems. Only matriarch Sibyl Stone's unshakable maverick other son Ben gives her a chance, and as Everett won't actively turn against either, she feels more supported by him and a weird romance blossoms. Feeling beleaguered, Meredith calls in help from her easygoing sister Julie, who proves no help to her but soon develops a chemistry with Everett, so everything may now shift if they dare follow their hearts.

After graduating from Montclair State, New Jersey Girl Annie can't make up her mind about what to do with her life. After saving a little boy from being run over in the park, she is quickly employed as a nanny for a rich Upper East Side couple. Mr X is occupied with his business, Mrs X loves shopping, and neither really likes to spend time with their little boy Grayer. Annie quickly learns that she has more than her hands full taking care of him. Her busy schedule doesn't give her much spare time. Mrs X fired her last nanny because she was dating and that gives Annie problems when Harvard Hottie who lives in the same building asks her out on a date.

On a flight home to Chicago for a family wedding, childhood friends Josh and Molly innocently agree to fake a wedding engagement to make Josh's dying father happy. Things quickly get out of hand with their two boisterous families, and a series of events causes them to pretend to be a couple and start planning a phony wedding.

Brett, a young woman from the suburbs, is an associate editor at a small New York publishing house hoping for a promotion. One day, she first meets literary lion Archie Knox, who's 50 and shows interest in her; then gets a new boss, a dolly-dolly Brit. Brett is soon dating Archie, then moves in with him. He's charming, attentive, and gives advice. He also has a history--ex-wives, a distant daughter, a couple of diseases, and a photo album of former girlfriends. It's no fairy tale: family issues (and more) intervene, and Brett faces decisions. Meanwhile, she's working with a writer who fears peanut butter sticking to the roof of his mouth. Is Archie dinner, an hors d'oeuvre, or a peanut-butter sandwich?

Sparks fly and cultures collide in this romantic comedy about a casual night of passion that turns into the love of a lifetime. Alex Whitman is a New Yorker sent to Las Vegas to oversee a construction project. There he meets Isabel Fuentes, and some serious chemistry brings them together for one night. But Alex doesn't see Isabel again until three months later, when he learns she is pregnant. On a whim and prayer, he proposes. However, there's more to marriage than a Vegas chapel and an Elvis impersonator, as Alex and Isabel soon learn.

Michael and Elise are about to get married. Their high school and college friends gather together for the wedding and resolve some issues. Lana is in therapy and when Elise's ex shows up from London she begins to realize what has been troubling her all these years. Involves a lot of drunkenness and some drug use.

Preschool teacher Sarah Nolan (Diane Lane), divorced for eight months, is still grieving the end of her marriage. Although she didn't see it as being perfect, she probably would have stuck it out as what she saw as the "for better or worse" obligation of the wedding vows, that is if her ex-husband, Kevin, didn't end it for what ended up being leaving her for a younger woman. She is urged by her over-supportive family, comprised of her many siblings, their partners, and her widowed father, to get back into the dating scene, something she has been reluctant to do in not feeling ready. As such, her most proactive sister in the matter, Carol (Elizabeth Perkins), sets her up on an Internet dating site. Within her less than prepared state, Sarah does go along with meeting men by the means offered to her. Beyond especially her female siblings, Sarah is given unique perspectives on the whole issue of dating and commitment by her father, Bill (Christopher Plummer), who is exploring dating after losing who was the love of his life in Sarah's mother, thrice divorced Dolly (Stockard Channing), one of Bill's conquests, who he meets on-line, and Sarah's gay teaching colleague, Leo (Brad William Henke), who she sees as being in the most committed loving relationship with his partner Eric (Victor Webster) of anyone she knows. Of the men she meets, Sarah makes what she believes is a connection with two, albeit awkward in both cases. One is Bob Connor (Dermot Mulroney), the divorced father of one of her students, her hesitance in dating him only because of crossing the professional/personal line. The other is custom wooden boat builder Jake Anderson (John Cusack), who too was pushed into trying on-line dating by his best friend/divorce lawyer Charlie (Ben Shenkman), who wants Jake solely to get some action despite Jake wanting his love life to be more like Lara and Yuri in

In New York City, thirty-three year old Patti Petalson is unhappy with her life. Her passion is literature, she having published one book of short stories ten years ago, but not having written anything since. Instead to earn a living, she sells real estate, a job and for a boss she hates. And although unspoken, she hates her husband, self-absorbed restaurateur Chazz Coleman, who doesn't listen to her and does whatever he wants regardless of her. While out for dinner, Patti and her BFF, schoolteacher Kate Scott, run into Brian Callahan and Michael Murphy, who were once Patti and Kate's respective boyfriends, the four who used to do everything together while they were in college, with both relationships ending twelve years ago as they were graduating. Kate has never forgiven self-described lowbrow Murph, now a successful lawyer despite his lack of academic smarts, for what she believed was a sexual indiscretion, while Murph outwardly just wants the opportunity to apologize. However, there is an unspoken attraction still between Patti and Brian. Brian is also somewhat unhappy with his current life. He is a successful writer of a series of what he considers "pulp fiction" detective novels, but has just written his first serious novel - one he doesn't admit to anyone is semi-autobiographical in that its lead character is a man trying to rise to greatness out of mediocrity - which is being panned by the critics, with his fans refusing to read it. He is dating twenty-five year old record company executive Bernadette, the two of them who live in separate generations and as such don't really understand each other. As Patti, Brian, Kate and Murph reconnect, the questions become whether there is a second life for them as couples, and specifically for Patti and Brian if their reconnection can elevate them into being the writers they truly want to be.