Natasha is a girl who believes in science and facts. Not fate. Not destiny. Or dreams that will never come true. She is not the type of girl who meets a cute boy on a crowded New York City street and falls in love with him. Not when her family is twelve hours away from being deported. Falling in love with him will not be her story. Daniel has always been the good son, the good student, living up to his parents' high expectations. Never a poet. Or a dreamer. But when he sees her, he forgets all that. Something about Natasha makes him think that fate has something much more extraordinary in store - for both of them. Every moment has brought them to this single moment. A million futures lie before them. Which one will come true?

Beautiful, wild, funny, and lost, Katie Kampenfelt takes a year off before college to find herself, all the while chronicling her adventures in an anonymous blog into which she pours her innermost secrets. Eventually, Katie's fearless narrative begins to crack, and dark pieces of her past emerge.

Kate is working on a career at Mercer Advertising but is passed up for promotion because she's 'not stable enough', still being single and having no ties to the company. A story is made up about her being engaged to Nick, a guy whom she just met at a friend's wedding, and all seems to work out well for Kate. She even gets the attention of a colleague she had always wanted, but events soon take a dramatic turn, forcing her to 'present' her alleged fiance to her boss.

The plot of "Committed" is centered around the story of an intense young woman, played by Graham, whose husband leaves her in order to find himself. She then follows him cross-country and when she catches up with him, complications arise.

District Attorney Tom Logan is set for higher office, at least until he becomes involved with defence lawyer Laura Kelly and her unpredictable client Chelsea Deardon. It seems the least of Chelsea's crimes is the theft of a very valuable painting, but as the women persuade Logan to investigate further and to cut some official corners, a much more sinister scenario starts to emerge.

Doug is a Secret Service Agent who has just completed his stint in charge protecting Tess Carlisle, widow of a former U.S. President, and close personal friend of the President. He finds that she has requested that he not be rotated but instead return to be her permanent detail. Doug is crushed. He wants off her detail. She is very difficult to guard and makes her detail crazy with her whims and demands. Doug returns with no idea of how to continue dealing with her.

How do siblings deal with each other in their targets? This is the question tackled in this movie. Blue-collared Mickey drives a New York taxicab since the breakup with his promiscuous ex-fiancée Heather two years ago. His younger, white-collared brother, Francis, cannot let Mickey forget the tragedy of the "hairy ass": (Mickey's image of his apartment floor of the guy having sex with Heather after walking in on them). Finding relief in driving his cab, Mickey meets an art student named Hope whom he marries after knowing her for only 24 hours. Mickey also meets his old lover Heather, and learns more about life itself as taxi fares in the course of a summer. Francis, a young Wall Street corporate raider, unhappy in his marriage to Renee and led by his infidelity, continues his shots at Mickey throughout the film, only to find himself a plot device that lends humor and lessons about marriage and brotherhood when he meets and starts an dangerous affair with Heather, despite Mickey's warnings that Heather is a gold-digging nymphomaniac who goes through sexual partners as often as a person changes clothes. Given Mickey's frame of reference on the past and his bride of 24 hours, it is no wonder that the two brothers, along with their father, an ego-eccentric and emotionally bereft bigot and a hard-core chauvinist who does not allow women aboard his fishing boat, learn about the strength of women, and their own lives.

Ben and Katie married fifteen years ago and gifted with two children. They stay together but their hearts had separated long back. After the kids are send to summer camp both start living separately and eventually preparing to break news of their separation to the kids. But being alone in each one's own world makes them to think about the other. When the D-day comes Katie and Ben stick together for the good of their children.

Based on the true story, Good Girls Revolt follows the lives of women working in fictional "News of the Week" newsroom (based on Newsweek magazine) as "researchers" under a group of male reporters. The story focuses on the lead up to their battle for equal rights in the workplace, notably their right to be reporters.

Based on Lily Koppel's best-selling titular novel, which tells the real story of the women who stood beside some of the biggest heroes in American history during the height of the space race.

The ex-wife of a Hollywood studio boss restarts her life after their divorce.

This series follows the eventful lives of some high-school kids in Tree Hill, a small but not too quiet town in North Carolina, where the greatest source of pride is the high school basketball team, the Ravens, since living memory coached by old Whitey Durham. Its greatest talent ever was Dan Scott, who now runs a successful car dealership. The present talents are his two sons, Nathan Scott, a beautiful and popular athlete, the absolute star, who was molded and stifled by his proud dad, ambitious Dan Scott, who pushes him harder then even the coach approves of, but rather neglected by his spoiled, impulsive mother Deb, an alcoholic, and Lucas, abandoned at birth with his devoted mother, hard-working café-owner Karen Roe, who grew up with Dan's older but poor brother Keith as substitute father as a social reject, only playing hoops on a public yard in the park with street-kids, his passion being reading; when an incident forces the coach to replace suspended players, Lucas soon proves the revelation, and after a while gets accepted and develops a dynamic, in the long run good relationship with his brother, who turns on his dad. Of course the teenage boys have friends, and especially a confusing series of usually short-loved 'eternal' love affairs with musical talents Peyton and Haley, also a tutor, and irresistible man-eater Brooke...

The often unlikely joint lives of Katie Morosky and Hubbell Gardiner from the late 1930s to the late 1950s is presented, over which time, they are, in no particular order, strangers, acquaintances, friends, best friends, lovers and adversaries. The unlikely nature of their relationship is due to their fundamental differences, where she is Jewish and passionate about her political activism both in political freedoms and Marxism to an extreme where she takes life a little too seriously, while he is the golden boy WASP, being afforded the privileges in life because of his background but who on the most part is able to capitalize on those privileges. Their lives are shown in four general time periods, in chronological order when they attend the same college, their time in New York City during WWII, his life as a Hollywood screenwriter post-war, and his life as a writer for a New York based live television show. It is during college that Hubbell finds his voice in life as a writer, and that Katie sees beyond his good looks to find a person with substance who realizes his position in a life as something that does not give him an inherent right to those opportunities. External world events, such as the Spanish Civil War, WWII and the House Un-American Activities investigation, do affect their lives directly, but it is how they deal with these effects personally, largely in relation to personal relationships - such as with Hubbell's long term friends J.J. and Carol Ann, the latter his college girlfriend - that may dictate if Katie and Hubbell are able to make it in the long term as a couple.

Brett, a young woman from the suburbs, is an associate editor at a small New York publishing house hoping for a promotion. One day, she first meets literary lion Archie Knox, who's 50 and shows interest in her; then gets a new boss, a dolly-dolly Brit. Brett is soon dating Archie, then moves in with him. He's charming, attentive, and gives advice. He also has a history--ex-wives, a distant daughter, a couple of diseases, and a photo album of former girlfriends. It's no fairy tale: family issues (and more) intervene, and Brett faces decisions. Meanwhile, she's working with a writer who fears peanut butter sticking to the roof of his mouth. Is Archie dinner, an hors d'oeuvre, or a peanut-butter sandwich?

Grace Bichon, who is managing her father Wyly King's riding-stable, discovers that her husband, Eddie, deceives her with another woman. After confronting him in the middle of the night on the streets of their small home town, she decides to stay at her sister Emma Rae's house for a while to make up her mind. Breaking out of her everyday life, she starts to question everyone's authority, especially Wyly's, thus causing a stir in her parents' marriage, too.

On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are reunited time and time again, they go from being acquaintances to close friends to ... lovers?

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