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Picture of a movie: Zola
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Picture of a movie: Flashback
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Picture of a movie: Timecrimes
Picture of a movie: The Little Things
Picture of a movie: Last Night in Soho
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Picture of a movie: Blow the Man Down
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Blow the Man Down

2020
Welcome to Easter Cove, a remote and insular fishing village on Maine's rocky coast. In this small town, bonds run as deep as the ocean and secrets are as thick as the morning fog. Each day, droves of men take to sea for the daily catch while a handful of women serve as the community's powerful, albeit discrete, operators. Though the self-interested code of the town's old guard has governed for years, our tale takes place as the tides are turning in Easter Cove. Mary Margaret Connolly, a beloved and integral town matriarch, has just passed away. In the wake of her death, her daughters, Mary Beth and Priscilla, face an uncertain future, haunted by bills and unpaid loans left behind. Priscilla tries to fill her mother's shoes by taking over the family fish shop while her younger sister Mary Beth refuses to accept the new responsibilities. The sisters find themselves at odds and Mary Beth stubbornly defends her dream of leaving town - even if it means abandoning Priscilla altogether. Meanwhile, across town, at a bed and breakfast-turned-brothel, established town elder and madame Enid Nora Devlin is up to business as usual, except for two huge problems: someone stole $50K in cash and one of her girls, Dee, has gone missing. With little else to do, she sends her muscle, an outsider named Gorski, in pursuit of the cash and Dee. After a series of chance wrong turns sets Gorski on a collision course with Mary Beth, she accidentally kills him and must turn to the only person she has left: her sister. Together, the Connolly sisters must cover up Mary Beth's mistake and figure out what to do with the mysterious bag of cash they found in his shack. When Dee's body washes up on shore, the town's remaining matriarchs - Doreen, Gail and Susie - snap into action. These three, along with Enid and Mary Margaret, have quietly maintained the code of conduct for decades, navigating the murky water of the town's dubious past. The matriarchs intervene and make it their business to decide Enid's fate - as well as the fate of the Connolly sisters.
Picture of a movie: Saint Maud
movies

Saint Maud

2021
There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure.