Murphy is an American cinema school student, living in Paris. He had a French girlfriend, called Electra, whom he dated for two years. One day, they met and had a no-strings-attached threesome with another woman, a young blonde Danish teenager named Omi, as a way to add some excitement to their love life. But later, he had sex with her behind Electra's back, as a result of which Omi became pregnant. This unplanned pregnancy ended the relationship between Murphy and Electra on a horrible note, and it forced Murphy to marry Omi. In one morning, Electra's mother, Nora, phones him to ask if he's heard from Electra, because she hasn't heard from her for three months, and given her daughter's suicidal tendencies. For the rest of this day, he recalls his past two years with Electra in a series of fragmented, nonlinear flashbacks; how they first met in Paris, their quick hookup, and their lives over the next two years which is filled with drug abuse, rough sex and tender moments.

The movie highlights ten years in the life of a literature teacher named Laurence who transforms himself into a woman after years of concealing his feelings. Her tremulous relationship with her family is further complicated by revealing herself to them while she struggles to find comfort with her significant other Frédérique. Though others may not initially accept or understand Laurence in her true form, those who knew her before her transformation still know her as Laurence, anyways.

In 1994 Oregon became the first state to legalize a terminally ill person's request to end his or her life with medication. At the time, only Belgium, Switzerland, and the Netherlands had legalized the practice. 'How to Die in Oregon' tell the stories of those most intimately involved with the practice today -- terminally ill Oregonians, their families, doctors, and friends -- as well as the passage of a similar law in Washington State.

On December 6, 1989, a lone gunman walked into Montréal's École Polytechnique (in Canada), a post-secondary institution focusing primarily in engineering, and began a shooting massacre. This event and its aftermath are shown from the perspective of three people. The first is the shooter himself, who blamed the problems in his life on who he considered feminists, such as female engineering students, who were his primary targets. This event was the culmination of a seven year plan, which had a self-defined end. The second is female mechanical engineering student Valérie, who earlier that day had an interview for her dream internship, working on an aerospace project. The interview process itself was a disturbing one for her in the stereotypical view by the male interviewer, who did not believe that females could work in the business and still have aspirations to have a family. And the third is Jean-François, Valérie's friend and fellow mechanical engineering student, who was one of the few who did whatever he could to help the targeted women.

Three part documentary series that tells the story of the birth of the personal computer, with the candid recollections of PC pioneers, like Steve Wozniak, Steve Jobs and Bill Gates.

From the dealer to the narcotics officer, the inmate to the federal judge, a penetrating look inside America's criminal justice system, revealing the profound human rights implications of U.S. drug policy.

2012 documentary film about the War on Drugs in the United States directed by Eugene Jarecki

The modern day Four Horsemen continue to ride roughshod over the people who can least afford it. Crises are converging when governments, religion and mainstream economists have stalled. 23 international thinkers come together and break their silence about how the world really works and why there is still hope in re-establishing a moral and just society. Four Horsemen is free from mainstream media propaganda, doesn't bash bankers, criticize politicians or get involved in conspiracy theories. The film ignites the debate about how we usher a new economic paradigm into the world which, globally, would dramatically improve the quality of life for billions.

Jennifer Baichwal's cameras follow Edward Burtynsky (1955- ) as he visits what he calls manufactured landscapes: slag heaps, e-waste dumps, huge factories in the Fujian and Zhejiang provinces of China, and a place in Bangladesh where ships are taken apart for recycling. In China, workers gather outside the factory, exhorted by their team leader to produce more and make fewer errors. A woman assembles a circuit breaker, and women and children are seen picking through debris or playing in it. Burtynsky concludes with a visit to Shanghai, the world's fastest growing city, where wealth and poverty, high-rises and old neighborhoods are side by side.

WE ARE LEGION: The Story of the Hacktivists, takes us inside the complex culture and history of Anonymous. The film explores early hacktivist groups like Cult of the Dead Cow and Electronic Disturbance Theater, and then moves to Anonymous' own raucous and unruly beginnings on the website 4Chan. Through interviews with current members - some recently returned from prison, others still awaiting trial - as well as writers, academics and major players in various "raids," WE ARE LEGION traces the collective's breathtaking evolution from merry pranksters to a full-blown, global movement, one armed with new weapons of civil disobedience for an online world.

2012 documentary film directed by Brian Knappenberger

The story of programming prodigy and information activist Aaron Swartz. From Swartz's help in the development of the basic internet protocol RSS to his co-founding of Reddit, his fingerprints are all over the internet. But it was Swartz's groundbreaking work in social justice and political organizing combined with his aggressive approach to information access that ensnared him in a two year legal nightmare. It was a battle that ended with the taking of his own life at the age of 26. Aaron's story touched a nerve with people far beyond the online communities in which he was a celebrity. This film is a personal story about what we lose when we are tone deaf about technology and its relationship to our civil liberties.

2014 American documentary film by Brian Knappenberger

AN HONEST LIAR is a feature documentary about the world-famous magician, escape artist, and world-renowned enemy of deception, James 'The Amazing' Randi. The film brings to life Randi's intricate investigations that publicly exposed psychics, faith healers, and con-artists with quasi-religious fervor. A master deceiver who came out of the closet at the age of 81, Randi created fictional characters, fake psychics, and even turned his partner of 25 years, the artist Jose Alvarez, into a sham guru named Carlos. But when a shocking revelation in Randi's personal life is discovered, it isn't clear whether Randi is still the deceiver - or the deceived.

1968 was the year that changed the world. And for four young Aboriginal sisters from a remote mission this is the year that would change their lives forever. Around the globe, there was protest and revolution in the streets. Indigenous Australians finally secured the right to vote. There were drugs and the shock of a brutal assassination. And there was Vietnam. The sisters, Cynthia, Gail, Julie and Kay are discovered by Dave, a talent scout with a kind heart, very little rhythm but a great knowledge of soul music. Billed as Australia's answer to 'The Supremes', Dave secures the sisters their first true gig, and flies them to Vietnam to sing for the American troops. Based on a true story, THE SAPPHIRES is a triumphant celebration of youthful emotion, family and music.

Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.

Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity.

2013 documentary film by Gabriela Cowperthwaite

Captain Phillips is a multi-layered examination of the 2009 hijacking of the U.S. container ship Maersk Alabama by a crew of Somali pirates. It is - through director Paul Greengrass's distinctive lens - simultaneously a pulse-pounding thriller, and a complex portrait of the myriad effects of globalization. The film focuses on the relationship between the Alabama's commanding officer, Captain Richard Phillips (two time Academy Award®-winner Tom Hanks), and the Somali pirate captain, Muse (Barkhad Abdi), who takes him hostage. Phillips and Muse are set on an unstoppable collision course when Muse and his crew target Phillips' unarmed ship; in the ensuing standoff, 145 miles off the Somali coast, both men will find themselves at the mercy of forces beyond their control.

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