Based on the best-selling pair of memoirs from father and son David and Nic Sheff, Beautiful Boy chronicles the heartbreaking and inspiring experience of survival, relapse and recovery in a family coping with addiction over many years.

Exactly one week in the life of a young man named Paterson of Paterson, New Jersey is presented. He lives an extremely regimented and routinized life, that routine perhaps most vividly displayed by the fact that he is able to wake up at exactly the same time every day without an alarm. That life includes eating Cheerios for breakfast, walking to work carrying his brown bag lunch packed in his lunch pail by his wife Laura, having a casual chat with his colleague Donny before he begins his shift driving the #23 Paterson bus for the local public transit company, walking home where he straightens out the exterior mailbox which somehow during the day gets knocked crooked, eating dinner with Laura and listening to her goings-on of the day, taking Laura's English bulldog Marvin - who he would admit to himself he doesn't much like - out for a walk to his neighborhood bar where he has one and only one beer before walking home with Marvin. There are day to day variations which are often the result of how certain other routines associated to him manifest themselves, such as what drama will occur in the relationship of Marie and Everett who are always at the bar together despite her always saying that they are no longer together, or in what form Laura's unique and distinctive design sense will affect Paterson's life directly or indirectly. Paterson's keen observances of what happens around him are largely the bases for the poems he writes, he constantly thinking of these and writing them in his secret notebook whenever he has a spare moment during his day. He is influenced by among others Paterson natives such as

Lucy and others demonstrate outside a prison about to execute a mentally disabled man for killing a cop. She meets Mercy, who is there with her mom and dad, a cop, to support the execution. Once home again with her big sister Martha and kid brother Ben, Lucy googles Mercy. She's a lawyer. Lucy's dad is to be executed in a few months for allegedly killing her mom 8 years ago, when Lucy was 14 and Ben a baby. Martha has been like a mom for them since. The siblings have a pro bono lawyer trying to get their dad off death row. The cute Mercy keeps meeting up with Lucy.

1930's rural Nova Scotia. Maud Dowley, who suffers from rheumatoid arthritis, smokes heavily to deal with the pain. Because of her unusual gait from the arthritis, she is often mistaken as a stupid, incapable woman, that perception which does make her feel stupid and incapable. That view is held by her surviving family, her brother Charlie and her Aunt Ida with whom she lives. After an action by Charlie, Maud decides to seek some independence and is the only applicant for a posted job as housekeeper for brusque Everett Lewis, a poor fish seller. Despite not wanting to hire a cripple which only adds to their antagonism, Maud negotiates to get the job for room and board. Their antagonistic relationship ends up including Everett exacting beatings on Maud whenever she doesn't do what he wants. To keep herself happy, Maud begins to paint the interior of the house with happy pictures and paint similar pictures on small cards, these folk art pictures are how she wants to see the world. Maud's paintings come to the attention of one of Everett's customers, Sandra, a New York socialite, who ultimately commissions Maud to paint some pictures for her if Maud won't or can't sell what she's already painted. This begins Maud's possible independence from her violent relationship with Everett, who in turn admits that he may need Maud more than she needs him. In the process, Maud is able to revisit an issue from her past which she believed had long died in a literal sense.

CALL ME BY YOUR NAME, the new film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman. It's the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17-year-old young man, spends his days in his family's 17th-century villa transcribing and playing classical music, reading, and flirting with his friend Marzia (Esther Garrel). Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows with natural delights. While Elio's sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver (Armie Hammer), a 24-year-old American college graduate student working on his doctorate, arrives as the annual summer intern tasked with helping Elio's father. Amid the sun-drenched splendor of the setting, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever.

This story is a narration from an Australian man who falls in love with two kinds of Candy: a woman of the same name and heroin. The narrator changes from a smart-aleck to someone trying to find a vein to inject, while Candy changes from an actress, call girl, streetwalker, and then a madwoman. Starting in Sydney, the two eventually end up in Melbourne to go clean, but they fail. This leads them to turn to finding money and heroin, while other posessions and attachments become unimportant.

When an adopted fox and a to-be hunting hound become inseparable friends as pups, their friendship grows stronger every day in their "childhood." But as they grow older, they grow farther and farther apart, to the day when the two old comrades' bond is put to the ultimate test.

Wealthy Mary Haines is unaware her husband is having an affair with shopgirl Crystal Allen. Sylvia Fowler and Edith Potter discover this from a manicurist and arrange for Mary to hear the gossip. On the train taking her to a Reno divorce Mary meets the Countess and Miriam (in an affair with Fowler's husband). While they are at Lucy's dude ranch, Fowler arrives for her own divorce and the Countess meets fifth husband-to-be Buck. Back in New York, Mary's ex is now unhappily married to Crystal who is already in an affair with Buck. When Sylvia lets this story slip at an exclusive nightclub, Crystal brags of her plans for a still wealthier marriage, only to find the Countess is the source of all Buck's money. Crystal must return to the perfume counter and Mary runs back to her husband.

A woman (Jacobson) learns her brother (Franco) has relapsed on heroin.

Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.

A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy.

Proud father Stanley T. Banks (Spencer Tracy) remembers the day his daughter, Kay (Dame Elizabeth Taylor), got married. Starting when she announces her engagement through to the wedding itself, we learn of all the surprises and disasters along the way.

Leona Stevenson is sick and confined to her bed. One night while waiting for her husband to return home, she picks up the phone and accidentally overhears a conversation between two men planning a murder. She becomes increasingly desperate as she tries to work out who the victim is so the crime can be prevented.

An aspiring playwright in New York strikes up a friendship with a guy while on the rebound from a break-up.

Detective Virgil Tibbs is caught up in the racial tension of the US South when he is arrested after the murder of a prominent businessman. Tibbs was simply waiting for his next train at the station in Sparta, Mississippi and the confusion is soon resolved but when local police chief Gillespie learns that Tibbs is the Philadelphia PD's number one homicide expert, he reluctantly asks for his assistance. The murdered man, Mr. Colbert, had come to Sparta from the North to build a new factory and his wife and business associates immediately point the finger at Endicott, the most powerful man in the county and the one who had the most to lose if a major new employer comes to the area. Tibbs' life is clearly in danger but he perseveres in a highly charged and racially explosive environment until the killer is found.

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