After the death of the blind Sara, who hanged herself in the basement of her house, her twin sister Julia suspects that she was actually murdered. Julia has a degenerative problem with her eyes and is losing her sight, and she temporarily moves with her husband Isaac to Sara's house to arrange her funeral. Julia goes to the Centro Baumann for the blind, which Sara frequented, and she learns from other members that Sara had a boyfriend. Julia is chased by a mysterious man, but police inspector Dimas does not believe her. Julia follows Sara's last steps trying to find the identity of her secret lover. Julia is surrounded by deaths and weird events while she loses her sight.

2010 Spanish-Mexican film by Guillem Morales

Spain, 1950s. Montse's agoraphobia keeps her locked in a sinister apartment in Madrid and her only link to reality is the little sister she lost her youth raising. But one day, a reckless young neighbor, Carlos, falls down the stairwell and drags himself to their door. Someone has entered the shrew's nest... perhaps he'll never leave.

Follows a woman checking into a psychiatric ward to investigate a homicide.

Despite not knowing him, the world's most famous detectives can't pass up the offer of a "dinner and murder" invitation from wealthy Lionel Twain (Truman Capote). Each has no idea until their arrival at Two Two Twain who else will be in attendance. Those detectives are: amateur sleuths and New York City socialites Dick (David Niven) and Dora Charleston (Dame Maggie Smith), accompanied by their pet terrier, Myron; Belgian detective Monsieur Milo Perrier (James Coco), accompanied by his chauffeur, Marcel (James Cromwell); Shanghainese Inspector Sidney Wang (Peter Sellers), accompanied by his Japanese adopted son, Willie Wang (Richard Narita); frumpish Brit Miss Jessica Marbles (Elsa Lanchester), accompanied by her invalid nurse, Miss Withers (Estelle Winwood); and San Francisco gumshoe Sam Diamond (Peter Falk), accompanied by his femme fatale sidekick, Tess Skeffington (Eileen Brennan). The dinner part of the invitation runs into problems due to the non-communication between Twain's blind butler, Jamesir Bensonmum (Sir Alec Guinness), and Twain's new deaf-mute and non-Anglophone cook, Yetta (Nancy Walker). On the murder side, the guests initially believe Twain will try to kill each of them. However, Twain eventually announces his rationale for the gathering: that one of the people at the dinner table will be murdered before midnight, and that Twain will consider himself the greatest detective if his guests, who are now trapped in the house until dawn, cannot figure out who committed the murder, that person also at the dinner table. If one does figure out who committed the crime, he or she will be the recipient of one million dollars and the exclusive rights to the story. So the guests anxiously await the stroke of midnight, with those still alive after that time trying to figure out motive and the opportunity to murder before the rise of dawn, and before the murderer has the opportunity to strike again on one or all of them.

This is a movie about seven guests, a butler, and a maid, who are all involved in a series of murders. The guests all meet at Hill House, where you learn that Professor Plum (Christopher Lloyd) works in Washington, D.C., where everyone else lives. Colonel Mustard (Martin Mull) is a client of Miss Scarlet (Lesley Anne Warren), who is the ex-employer of Yvette (Colleen Camp), the maid, who had an affair with the husband of Mrs. White (Madeline Khan), et cetera. Blackmailer Mr. Boddy (Lee Ving) gives each guest a weapon and tells him or her to kill butler Wadsworth (Tim Curry) to avoid being exposed. Add in Mrs. Peacock's (Eileen Brennan's) craziness and Mr. Green's (Michael McKean's) clumsiness, and meet a whole group tangled in a web of murder, lies, and hilarity.

1985 comedy film directed by Jonathan Lynn

PREDESTINATION chronicles the life of a Temporal Agent sent on an intricate series of time-travel journeys designed to ensure the continuation of his law enforcement career for all eternity. Now, on his final assignment, the Agent must pursue the one criminal that has eluded him throughout time.

2014 film directed by Michael and Peter Spierig

Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible, inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea, but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming.

Following his early retirement as a detective from the San Francisco Police Department, John Ferguson - Scottie to his friends - becomes obsessed with two women in succession, those obsessions which trouble his long time friend and former fiancée, Midge Wood, a designer of women's undergarments. The first is wealthy and elegant platinum blonde Madeleine Elster, the wife of his college acquaintance Gavin Elster, who hires John to follow her in Gavin's belief that she may be a danger to herself in thinking that she has recently been possessed by the spirit of Carlotta Valdes, Madeleine's great-grandmother who she knows nothing about, but who Gavin knows committed suicide in being mentally unbalanced when she was twenty-six, Madeleine's current age. The second is Judy Barton, who John spots on the street one day. Judy is a working class girl, but what makes John obsessed with her is that, despite her working class style and her brunette hair, she is the spitting image of Madeleine, into who he tries to transform Judy. The initial question that John has is if there is some connection between Madeleine and Judy. What happens between John and individually with Madeleine and Judy is affected by the reason John took that early retirement: a recent workplace incident that showed that he is acrophobic which leads to a severe case of vertigo whenever he looks down from tall heights.

Christina Delassalle suffers greatly at the hands of her brutish husband Michel. She inherited the boys' boarding school they run but it's clearly Michel who is in charge. She and Nicole Horner, one of the teachers and Michel's former lover, decide to kill him. Christina, who has a serious condition, is terrified when, by chance, she meets a retired police inspector who decides to look into the case.

Ellie Andrews has just tied the knot with society aviator King Westley when she is whisked away to her father's yacht and out of King's clutches. Ellie jumps ship and eventually winds up on a bus headed back to her husband. Reluctantly she must accept the help of out-of- work reporter Peter Warne. Actually, Warne doesn't give her any choice: either she sticks with him until he gets her back to her husband, or he'll blow the whistle on Ellie to her father. Either way, Peter gets what (he thinks!) he wants .... a really juicy newspaper story.

Ailing barrister Sir Wilfrid Robarts is thrust back into the courtroom in what becomes one of the most unusual and eventful murder case of the lawyer's career when he finds himself defending Leonard Vole, a man being tried for the murder of a wealthy woman. With Robarts choosing to represent him, the two find themselves up against Leonard's cold-hearted wife, Christine - who, in a surprising turn of events, chooses to appear in court against her husband.

1957 American film directed by Billy Wilder

Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.

In order to get away from their busy lives, the Wilson family takes a vacation to Santa Cruz, California with the plan of spending time with their friends, the Tyler family. On a day at the beach, their young son Jason almost wanders off, causing his mother Adelaide to become protective of her family. That night, four mysterious people break into Adelaide's childhood home where they're staying. The family is shocked to find out that the intruders look like them, only with grotesque appearances.

In the middle of the night, a guard working the night shift at a morgue located deep in the woods has a terrible car accident. But, why did the guard panic and left his post in the first place? Furthermore, according to the register, the body of Mayka Villaverde--a beautiful and affluent businesswoman--is mysteriously missing from the morgue. Presumably, Mayka died of a heart attack; nevertheless, who signed the death certificate, as her autopsy is still pending? In the end, there is a general principle in forensic medicine which specifically states that every death is a homicide until proven otherwise. But, finding out who is behind this fiendishly difficult case is going to be an arduous task. Can Inspector Jaime Peña get to the bottom of it?

On November 9, 1989 (the same day the Wall of Berlin falls), Nico is a 12-year-old boy passionate about videotaping himself while playing guitar. He is being raised by his single mother María. On the same night, a 72-hour electric storm breaks out, and Nico looking through his room window witnesses a violent scene in the house of his neighbour, Ángel Prieto. He ventures into the house and stumbles on Hilda Weiss, Prieto's wife, lying dead in the house. Running scared from Prieto, who has discovered him in his home, Nico is run over by a passing car and dies as a result. Twenty-five years later, on November 9th, 2014, Vera Roy is a woman who divides her time between working as nurse in the hospital and her family: her husband David Ortiz and her little daughter Gloria. To celebrate moving into their new house in the suburbs, they invite her friend and former boyfriend Aitor Medina and his mother Clara to their house where Vera learns that she and David are living in Nico's house and that after his death, Ángel Prieto was arrested and committed suicide in prison three months later. That night after dinner, Vera comes across the old analog TV set and camera equipment used by Nico the same night that the 72-hours storm broke out. After turning the TV on, the storm connects the two devices together as one, and Vera talks to Nico and warns him off his impending death. But after the conversation, Vera wakes up in the hospital in a parallel timeline: puzzled and confused, Vera realizes that she's not a nurse but a doctor spending a few days on sick leave after the death of a patient; her daughter Gloria no longer exists; David is married to his former girlfriend, Úrsula; Aitor Medina never was her boyfriend; and Prieto is still alive and happily married to Clara Medina. With her memories constantly crossing both timelines each time that Vera touches someone, she meets Inspector Leyra in an attempt to prove the credibility of her story. Reluctant to believe her, Leyra agrees to investigate with her and both embark on a search for clues and evidence that can help to uncover the truth. With time running out and a few hours left before the storm blows itself out. In the belief that the key to this time riddle is finding out Nico Lasarte's whereabouts and proving the murder of Hilda Weiss, Vera tries not only to recover Gloria, but also to arrest Prieto and talk to the child Nico again. Which one of her two parallel lives is real? Is it her previous life a delusion? Will Vera be able to find a way to fix the things before the storm subsides?

Adrián Doria, a wealthy businessman named Man of the Year due to his high-tech company and his trade agreements with the Asian market, meets Virginia Goodman, a veteran lawyer expert in witness preparation and judicial declaration, recommended by Adrián's lawyer Felix Leiva in order to create a credible defense. Arrested by the police in a mountain hotel room with the corpse of his lover at his side, photographer Laura Vidal, Adrián talks Virginia about the crime and his relationship with Laura, revealing that both suffered a car crash where a man called Daniel Garrido died, and how Laura manipulated Adrián to avoid the jail by Daniel's death. At the same time that Félix is looking for a clue that it could change the course of the events, Virginia and Adrián keep talking about the case but her, unconvinced of the Adrián's testimony, forces him to clear the dark points of his history, in a puzzle where the truth and the lie are easily exchangeable.

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