Movies I want to see :)

The year is 1905. Thomas Richardson travels to a remote island to rescue his sister after she's kidnapped by a mysterious religious cult demanding a ransom for her safe return. It soon becomes clear that the cult will regret the day it baited this man, as he digs deeper and deeper into the secrets and lies upon which the commune is built.

Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.

Three brothers and a sister have just lost their mother. After her death they fear to be separated, so to protect themselves and prevent this from happening they decide to flee to an abandoned farm, a place that is not what it seems, because it hides a dark secret between its walls.

In their secluded farmhouse, a mother (a former surgeon) teaches her daughter, Francisca, anatomy, and how life and death are not to be feared. One afternoon, a mysterious visitor shatters the idyll of their family life, and deeply traumatises Francisca, but also awakening curiosities. Years later, Francisca clings to her increasingly distant father, but the trauma she sustained reawaken when her desire to connect with the world around her takes on a dark form.

When her mentally ill mother passes away, Annie (Toni Collette), her husband (Gabriel Byrne), son (Alex Wolff), and daughter (Milly Shapiro) all mourn her loss. The family turn to different means to handle their grief, including Annie and her daughter both flirting with the supernatural. They each begin to have disturbing, otherworldly experiences linked to the sinister secrets and emotional trauma that have been passed through the generations of their family.

In a lonesome house in the countryside between woods and cornfields live nine-year-old twin brothers who are waiting for their mother in the heat of summer. When she comes home, bandaged after cosmetic surgery, nothing is like before. The children start to doubt that this woman is actually their mother. An existential struggle for identity and fundamental trust emerges.

Will and Eden were once a loving couple. After a tragedy took their son, Eden disappeared. Two years later, out of the blue, she returns with a new husband... and as a different person, eerily changed and eager to reunite with her ex and those she left behind. Over the course of a dinner party in the house that was once his, the haunted Will is gripped by mounting evidence that Eden and her new friends have a mysterious and terrifying agenda. But can we trust Will's hold on reality? Or will he be the unwitting catalyst of the doom he senses?

When a harmless game between a married couple in a remote retreat suddenly becomes a harrowing fight for survival, wife Jessie must confront long-buried demons within her own mind - and possibly lurking in the shadows of her seemingly empty house.

Forty-six year old Reverend Ernst Toller is the pastor at the historic First Reformed Church in upstate New York. It is seen as the "tourist" church or the "souvenir shop" (its historical significance partly it being a stop on the underground railroad before the slaves crossed into Canada) by Abundant Life, which owns the church and which operates a modern self-named five thousand seat church overseen by Reverend Joel Jeffers. First Reformed is celebrating its two hundred fiftieth anniversary this year, for which a major event is planned, modest in size only at First Reformed itself although the dignitaries like the governor and mayor will be at attendance there, while the event will be simulcast at Abundant Life. Most of the speech-making will be done by local industrialist Ed Balq, a major benefactor of Abundant Life and who is the major donor for the necessary upgrades at First Reformed to be able to hold the event there, and for the event itself, while Toller's participation will be minimal beyond the introductory sermon. First Reformed is generally a sparsely attended church meaning that Toller doesn't have to do much direct ministering, although he does have the stock answers when asked how God factors into this or that situation in one's life. Toller himself has long been divorced, his marriage which could not survive the death of their son, Joseph, in war. Because of that history, Toller believes he is incapable of human love, despite a brief relationship with Esther, the choir mistress at Abundant Life, she who is arguably still in love with him. Toller is neglecting the warning signs about his poor health, the symptoms pointing to a probable diagnosis of stomach cancer, which is only exacerbated by his largely liquid (i.e. alcohol) diet. Toller is already examining his life and work in writing a daily journal for a year, that journal which he intends no one ever to read, but these issues in Toller's life become more pointed when a new pregnant congregant, Mary, asks him to speak to her husband Michael, who Toller will learn is an environmentalist concerned about bringing another human life into what he already sees as a world doomed because of man's role in climate change.

Kept on a short leash through a volatile mixture of indoctrination, misinformation and fear, three grown-up siblings--two sisters and one brother--find themselves confined to their lavish, isolated villa. As a result, holed up in their beautiful, high-walled prison, the siblings rely on their cold, manipulative parents to learn about the ways of the world, taking reality-defying lessons from instructional cassette tapes. And, as the cruel patriarch and his frigid wife deliberately keep their unsuspecting, submissive children in the dark, freedom is nothing but a word. Then, a bad influence in the shape of security guard Christina enters the equation, and suddenly, sweet, baffling temptation threatens years of meticulous mind-programming. Is the grass greener on the other side of the fence? With this in mind, how can an ordinary dogtooth stand in the way of happiness?

Secure within a desolate home as an unnatural threat terrorizes the world, the tenuous domestic order he has established with his wife and son is put to the ultimate test with the arrival of a desperate young family seeking refuge. Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within him as he learns that the protection of his family comes at the cost of his soul.

Susie Bannion is a young American ballerina who travels to Berlin to study dancing at Madame Blanc's Markos Tanz Company, one of the world's most renowned schools. On her first day, one of the students who had been recently expelled from the school is murdered. As this appalling happening does not seem to be an isolated occurrence, the brilliant new student soon begins to suspect that the school might be involved in the homicide. Her mistrust heightens when Sarah, one of the girls at the school, tells her that before she was killed, Pat confided to her that she knew and guarded a terrifying secret.

While holidaying in Berlin, Australian photojournalist Clare meets Andi, a charismatic local man, and there is an instant attraction between them. A night of passion ensues. But what initially appears to be the start of a romance suddenly takes an unexpected and sinister turn when Clare wakes the following morning to discover Andi has left for work and locked her in his apartment. An easy mistake to make, of course, except Andi has no intention of letting her go again. Ever.

After returning to his childhood home, a disgraced children's puppeteer is forced to confront his wicked stepfather and the secrets that have tortured his entire life.

Two Catholic schoolgirls Kat (Kiernan Shipka) and Rose (Lucy Boynton) get left behind at their boarding school over winter break as the other girls leave, where it's rumored that the nuns are satanists. Meanwhile, a disturbed mental patient Joan (Emma Roberts), an escapee, is picked up by a middleage couple (James Remar and Lauren Holly) who drive her on a determined trip to the same school, where the girls must face the supernatural and demonic possession.

There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure.

Amidst a wild flat meadow encircled by an Edenic lush forest, a couple have cocooned themselves in a secluded mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus; however, he seems unable to break out of the persistent creative rut that haunts him. Then, unexpectedly, a knock at the door, the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer's stagnant imagination. Little by little, much to the perplexed wife's surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish, irreparably, the couple's inviolable sanctuary?

Dani (Florence Pugh) and Christian (Jack Reynor) are a young American couple with a relationship on the brink of falling apart. But after a family tragedy keeps them together, Christian invites a grieving Dani to join him and his friends on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. What begins as a carefree summer holiday in the North European land of eternal sunlight takes a sinister turn when the insular villagers invite their guests to partake in festivities that render the pastoral paradise increasingly unnerving and viscerally disturbing.