In 2005, David Packouz lives in Miami, Florida, working as a massage therapist and living with his girlfriend Iz. Desiring an additional source of income, David spends his life savings on high-quality Egyptian cotton sheets, planning to sell them to Miami retirement homes, but this venture fails to produce results. At a funeral for a friend, David runs into his high school best friend Efraim Diveroli, who had moved to Los Angeles some years prior to work with his uncle selling guns. Efraim has left his uncle and formed his own company, AEY, which fills orders for arms placed by the US government due to the ongoing war in Iraq. David's life takes another turn when his girlfriend informs him that she is pregnant. Efraim offers him a job at AEY, and even though David and Iz both vehemently oppose the war, David eventually agrees, telling his girlfriend that he has begun selling his cotton sheets to the US government through Efraim's contacts.

We've always known that Spider-Man's most important conflict has been within himself: the struggle between the ordinary obligations of Peter Parker and the extraordinary responsibilities of Spider-Man. But in The Amazing Spider-Man 2, Peter Parker finds that his greatest battle is about to begin. It's great to be Spider-Man. For Peter Parker, there's no feeling quite like swinging between skyscrapers, embracing being the hero, and spending time with Gwen. But being Spider-Man comes at a price: only Spider-Man can protect his fellow New Yorkers from the formidable villains that threaten the city. With the emergence of Electro, Peter must confront a foe far more powerful than he. And as his old friend, Harry Osborn, returns, Peter comes to realize that all of his enemies have one thing in common: Oscorp.

It's a world where everyone tells the truth - and just about anything they're thinking. Mark Bellison is a screenwriter, about to be fired. He's short and chunky with a flat nose - a genetic setup that means he won't get to first base with Anna, the woman he loves. At a bank, on the spur of the moment he blurts out a fib, with eye-popping results. Then, when his mother's on her deathbed, frightened of the eternal void awaiting her, Mark invents fiction. The hospital staff overhear his description of Heaven, believe every word, and tell others. Soon Mark is a prophet, his first inventive screenplay makes him rich, and he's basically a good guy. But will that be enough for Anna?

Since birth, a big fat lie defines the well-organised but humdrum life of the kind-hearted insurance salesman and ambitious explorer, Truman Burbank. Utterly unaware of the thousands of cleverly hidden cameras watching his every move, for nearly three decades, Truman's entire existence pivots around the will and the wild imagination of the ruthlessly manipulative television producer, Christof--the all-powerful TV-God of an extreme 24/7 reality show: The Truman Show. As a result, Truman's picturesque neighbourhood with the manicured lawns and the uncannily perfect residents is nothing but an elaborate state-of-the-art set, and the only truth he knows is what the worldwide television network and its deep financial interests dictate. Do lab rats know they are forever imprisoned?

In the early 1990s, Jordan Belfort teamed with his partner Donny Azoff and started brokerage firm Stratton Oakmont. Their company quickly grows from a staff of 20 to a staff of more than 250 and their status in the trading community and Wall Street grows exponentially. So much that companies file their initial public offerings through them. As their status grows, so do the amount of substances they abuse, and so do their lies. They draw attention like no other, throwing lavish parties for their staff when they hit the jackpot on high trades. That ultimately leads to Belfort featured on the cover of Forbes Magazine, being called "The Wolf Of Wall St.". With the FBI onto Belfort's trading schemes, he devises new ways to cover his tracks and watch his fortune grow. Belfort ultimately comes up with a scheme to stash their cash in a European bank. But with the FBI watching him like a hawk, how long will Belfort and Azoff be able to maintain their elaborate wealth and luxurious lifestyles?

Calvin Joyner was voted in high school the guy most likely to succeed. 20 years later he's an accountant. As his high school reunion approaches, he tries to make contact with his old schoolmates. And someone named Bob Stone contacts him. He says that he was known as Robbie Weirdicht in school. Calvin remembers that he was picked on, as a matter of fact after an extremely nasty prank he left school. They agree to meet and Calvin is surprised by how much he has changed. Bob asks Calvin to help him out. He says yes and the next thing he knows some men burst into his home. They're CIA, the one in charge is looking for Stone, she says he's a rogue agent. When they can't find Bob they leave. Later he approaches Calvin telling him, he is not a rogue agent, he's trying to find a person known as the Black Badger who is planning to sell some information that in the wrong hands can be disastrous. so he needs Calvin's help to stop him. Calvin's not sure whom he should believe.

Aspiring emcee DJay works the angles to get his first record made with help from assorted people in his Memphis 'hood. And when he hears that hip-hop superstar Skinny Black is heading to his area, he throws together a supreme hustle to grab Skinny's attention.

A coming of age story about an inner-city youth raised by a hardworking single mother. When his dream of becoming a basketball player fails to materialize, he finds himself employed in a supermarket. After his mother is tragically gunned down, Clarence (played by Jackson) is consumed by revenge and takes up a life of crime in order to support his younger brother.

This action film, directed by the Hughes brothers, depicts a heist of old bills, retired from circulation and destined by the government to be "money to burn." However, more broadly, it addresses the issues of Black Americans' involvement in the Vietnam War and their subsequent disillusionment with progress in social issues and civil rights back home in the United States, during the 1960's.

1995 film directed by Albert Hughes and Allen Hughes

Hardened, uncomprimising drug dealer Roemello Skuggs decides to quit his scumbag profession so he may start a new life with his girlfriend. However, he soon learns getting out is nowhere near as easy as getting in, as everything gradually builds up to end in tragedy.

Writer and Director John Singleton's portrayal of social problems in inner-city Los Angeles, California takes the form of a tale of three friends growing up together in the "hood". Half-brothers Doughboy (Ice Cube) and Ricky Baker (Morris Chestnut) are foils for each other's personality, presenting very different approaches to the tough lives they face. Ricky is the "All-American" athlete, looking to win a football scholarship to USC and seeks salvation through sports, while Doughboy succumbs to the violence, alcohol, and crime surrounding him in his environment, but maintains a strong sense of pride and code of honor. Between these two is their friend Tre Styles (Cuba Gooding, Jr.), who is lucky to have a father, Furious Styles (Laurence Fishburne), to teach him to have the strength of character to do what is right and to always take responsibility for his actions.

A man is sent to prison for 10 years. Coming out of prison he wants to live a normal life and stop crime but his son has now followed the criminal path of his father.

1992 film directed by Stephen Milburn Anderson

Ace is an impressionable young man working for a dry cleaning business. His friend, drug dealer Mitch goes to prison. In an unrelated incident, he finds some cocaine in a pants pocket. Soon, Ace finds himself dealing cocaine for Lulu. Via lucky breaks and solid interpersonal skills, Ace moves to the top of the Harlem drug world. Of course, unfaithful employees and/or rivals conspire to bring about Ace's fall.

Fresh (Sean Nelson) is a 12-year-old drug dealer who finds himself trapped in a web of poverty, corruption and racial tension in Brooklyn, New York. When his drug-addict sister Nichole (N'Bushe Wright) starts sleeping with local drug lord Esteban (Giancarlo Esposito), Fresh calls upon the skills he learned playing chess with his alcoholic father and speed-chess champion Sam (Samuel L. Jackson) and devises a complex strategy that will free both himself and his sister.

1994 American crime film directed by Boaz Yakin

Tommy Brown and his friend Sincere are gangsters who have learned how to make a good living by dealing drugs and pulling armed robberies. Tommy and Sincere have been able to move out of the ghetto in Queens where they were raised and relocate to an upscale section of Manhattan; they would seem to have it made, but both realize that their lives are headed toward a dead end. Sincere begins getting in touch with his African roots and tries to convince his girlfriend Tionne that they should emigrate to the Motherland, while Tommy has a religious awakening and joins the Nation of Islam.

Frustrated with being broke, Beans (Beanie Sigel) decides that the only way to grasp the American Dream is to take it. The film follows Beans and his crew, the ABM, as they take over the city, creating mayhem as their empire builds. Beans now struggles to maintain his family life while bumping heads with opposing gangsters and police. It all comes to a head when he cannot surpass the city's most notorious crew, run by Untouchable J (Jay-Z) and Dame (Damon Dash). The moves Beans and the ABM decide to make come with severe consequences.

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