Lists

Picture of a movie: Wall Street: Money Never Sleeps
Picture of a movie: Glengarry Glen Ross
Picture of a movie: Other People's Money
Picture of a movie: Wall Street
Picture of a movie: Margin Call
Picture of a movie: The Big Short

6 Movies

finance

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Picture of a movie: Collateral
movies

Collateral

2004
This action thriller follows LA cabbie Max Durocher, the type of person who can wax poetic about other people's lives, which impresses U.S. Justice Department prosecutor Annie Farrell, one of his fares, so much that she gives him her telephone number at the end of her ride. Although a dedicated man as seen through the efficiency in which he does his work, he can't or won't translate that eloquence into a better life for himself. He deludes himself into believing that his now twelve year cabbie job is temporary and that someday he will own his own limousine service. He even lies to his hospitalized mother that he already owns one, with a further lie that he tells her as such primarily to make her happy, rather than the truth which is that he won't do anything to achieve that dream. One night, Max picks up a well dressed man named Vincent, who asks Max to be his only fare for the evening. For a flat fee of $600, plus an extra $100 if he gets to the airport on time - Vincent wants Max to drive him to five stops that evening. Max somewhat reluctantly agrees. Max learns the hard way at their first stop when a body falls from a third story apartment window and lands dead on top of his cab that Vincent is a contract hit man. Vincent's main goal, as per his current contract, is to kill five people, one at each of the stops, but he will not let others get in the way of that goal, even if it means killing them, including Max. As Vincent forces Max to continue driving him for the evening, Max tries slyly at every turn to take back control of his life from Vincent, especially when Max learns of one of the names on Vincent's hit list. Meanwhile, LAPD narcotics detective, Ray Fanning, and ultimately the FBI get involved when Vincent's first victim is associated with a case in which Ray is working undercover. Ray is able to piece together information which makes him hot on Max and Vincent's tail.
Picture of a movie: The Town
movies

The Town

2010
The Charlestown neighborhood of Boston is renowned for churning out a high number of armed robbers, generation after generation. These robbers never leave their Charlestown life on their own volition, the neighborhood where there is an unwritten code to protect that lifestyle. Such robbers include friends Doug MacRay, James Coughlin, Albert 'Gloansy' Magloan and Desmond Elden. Doug and James in particular treat each other like family, as the Coughlins have realistically been as such to Doug since Doug's mother ran off and Doug's father, Stephen MacRay, was sent to prison. James' single mother sister, the drugged out Krista Coughlin, and Doug have a casual sexual relationship. The foursome carry out a mostly successful bank robbery, but due to circumstances take the bank manager, Claire Keesey, hostage for a short period before releasing her physically unharmed. They find out that Claire lives in Charlestown, so they want to ensure that she did not see anything that could incriminate them if they were to ever run into her. As such, Doug begins a personal relationship with her to find out what she knows and what she's told the police and the FBI, who have taken charge of the investigation. He learns that she has kept some information from the authorities for her own protection but information that could identify James in particular. But Doug slowly falls for her, as she does for him. Ultimately, Doug dreams about leaving his Charlestown life to be with Claire anywhere but there. But Doug has to try and keep his true identity from her, and keep the fact that he is seeing her from his colleagues. But leaving is not as easy as he would like as he and the gang are tasked with a big job by a local gangster named Fergie whether Doug likes it or not. And Adam Frawley, the FBI's lead investigator, comes into evidence that links the foursome to the bank robbery and a subsequent armored car heist, so is on their tail for evidence that will send them away dead or alive.
Picture of a movie: Syriana
movies

Syriana

2005
American oil companies Connex and smaller Killen are undergoing a merger, the new company named Connex-Killen. The move is in response to Connex losing a number of oil fields in the Persian Gulf region as Prince Nasir Al-Subaai, his country's foreign minister, and the oldest son of the Emir and thus the heir apparent to the throne, signed a contract with the Chinese instead. As Killen somehow managed to get the contract for the oil fields in Kazahkstan, the merger would give Connex-Killen additional control of the industry in the Middle East. Connex's retained law firm, headed by Dean Whiting, assigns Bennett Holiday to demonstrate to the US Department of Justice that due diligence has been done to allow the merger to proceed i.e. that the merger would not break any antitrust regulations. The US government is unhappy with Prince Nasir's decision to award the contract to the Chinese, and in combination with issues around illegal weapons, the CIA assigns field agent Bob Barnes, who has experience in the Middle East, to assassinate the Prince, whose eventual leadership would further undermine US oil security. Barnes becomes a pawn in the goings-on between the players. Meanwhile, Geneva based Bryan Woodman, an energy analyst, eventually becomes associated with the Emir and his family, largely due to a tragic incident. In the process, Woodman learns of Prince Nasir's western leanings and his want to change radically his country into a western democracy with a diversified economy. If the Emir found out, it could threaten Prince Nasir ascension to the throne and thus derail the democratization process. Through all these manoeuvrings, migrant workers are affected, some who cannot retain work with the changing of companies controlling the oil. Some of those may try to take matters into their own hands for their form of justice.