weird

Following her boyfriend's suicide, supermarket clerk Morvern Callar passes off his unpublished novel as her own. With the money her boyfriend left for his funeral, she leaves Scotland for Ibiza where she travels with her closest friend. The journey prompts a series of internal and external transformations for Morvern - ones which bring to light her experiences of grief, memory, freedom, and desire.

Connie Nikas forcibly removes his developmentally disabled brother Nick from a therapy session. The two rob a New York City bank for $65,000. In the getaway car, a dye pack explodes in a money bag, causing the driver to crash. Connie and Nick flee on foot, washing the dye from their clothes in a restaurant restroom. Stopped by police, Nick panics and runs; Nick is arrested while Connie escapes. Connie attempts to secure a bail bond, but needs $10,000 more to get Nick out of jail. He convinces his girlfriend, Corey, to pay with her mother's credit cards, but her mother cancels the cards. Connie learns that Nick has been hospitalized after a fight with an inmate.

A man lives in his car.He is 40 years old and although he does not have a lot of free time, when he has, he chooses to spend it with his family. He meets his wife and two children at a specified day and time in car parking lots. His job is to locate and bring the finest honey to a 50-year old man. A new driver shows up and the man gets fired. Disappointed, he decides to leave his car behind. The man's life changes, and he finds it absurd that no one trusts him anymore.

A fantasy thriller, where one face merges into the next. The thread that connects the worlds of the two protagonists, Niki and Lefteris, is memory, violence and a polemic of hope. A 'solo' performance in many respects by The Boy (director, writer, art director, composer) and his actress Sofia Kokkali, Nima challenges the values of contemporary society, with a unique cinematic articulation.

Alexia suffers a terrible skull injury and has a titanium plate fitted into her head. When she gets out of the hospital, she rejects her parents and embraces passionately the car that almost killed her. The coming years she has problems with her sexuality and meets Vincent. Vincent is a tortured man who tries to preserve his strength by injecting steroids into his aging body. Will they find a way to deal with their emotional problems?

Marina, 23, is growing up with her architect father in a prototype factory town by the sea. Finding the human species strange and repellent, she keeps her distance from it. Instead she observes it through the songs of Alan Vega's Suicide, the mammal documentaries of Sir David Attenborough, and the sexual education lesson she receives from her only friend, Bella. A stranger comes to town and challenges her to a foosball duel, on her own table. Her father meanwhile is preparing for his exit from the 20th century, which he considers to be 'overrated'. Caught between the two men and her collaborator Bella, Marina investigates the wondrous mystery of the human fauna.

Kept on a short leash through a volatile mixture of indoctrination, misinformation and fear, three grown-up siblings--two sisters and one brother--find themselves confined to their lavish, isolated villa. As a result, holed up in their beautiful, high-walled prison, the siblings rely on their cold, manipulative parents to learn about the ways of the world, taking reality-defying lessons from instructional cassette tapes. And, as the cruel patriarch and his frigid wife deliberately keep their unsuspecting, submissive children in the dark, freedom is nothing but a word. Then, a bad influence in the shape of security guard Christina enters the equation, and suddenly, sweet, baffling temptation threatens years of meticulous mind-programming. Is the grass greener on the other side of the fence? With this in mind, how can an ordinary dogtooth stand in the way of happiness?

With his comatose and hospitalised wife into a steadily critical condition, a neat and grief-stricken solicitor finds himself all alone to take care of his teenage son. Struggling to cope with a shocking new reality while shrouded by a thick veil of perpetual sadness, more and more, the stone-faced lawyer realises that extreme pain and misery can evoke intense pleasure, as the neighbours' unconditional sympathy becomes increasingly addictive. Now, the pained father's burgeoning dependence to pity and the kindness of others turns into a plentiful source of bliss, and he's prepared to go to great lengths to prolong it. However, what happens if, God forbid, his wife recovers?

During off-season at the Greek seaside resort of Kinetta, three perfect strangers--a police officer out of uniform with a thing for German luxury cars and Russian women, an eccentric photographer, and a hotel chambermaid--join forces for a rather strange reason: to recreate homicides. Meticulously and with an almost ritualistic approach, the unlikely trio reenact crime scenes of brutal murders, to the point where the boundaries of their own private lives slowly begin to blur. Does this alliance lead somewhere?

Christian is the respected curator of a contemporary art museum, a divorced but devoted father of two who drives an electric car and supports good causes. His next show is "The Square", an installation which invites passersby to altruism, reminding them of their role as responsible fellow human beings. But sometimes, it is difficult to live up to your own ideals: Christian's foolish response to the theft of his phone drags him into shameful situations. Meanwhile, the museum's PR agency has created an unexpected campaign for "The Square". The response is overblown and sends Christian, as well as the museum, into an existential crisis.

Despite second thoughts about their relationship, a young woman (Jessie Buckley) takes a road trip with her new boyfriend (Jesse Plemons) to his family farm. Trapped at the farm during a snowstorm with Jake's mother (Toni Collette) and father (David Thewlis), the young woman begins to question the nature of everything she knew or understood about her boyfriend, herself, and the world. An exploration of regret, longing and the fragility of the human spirit, I'M THINKING OF ENDING THINGS is directed and written by Academy Award® winner Charlie Kaufman (Eternal Sunshine of the Spotless Mind). Inspired by Iain Reid's bestselling namesake novel.

When a depressed woman is burgled, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbour. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.

How selective is our memory? Do we remember what we have experienced or what we have chosen to remember? Can we forget the things that hurt us? In the end, are we simply just the sum of all those things we don't forget? Apples, an allegorical and somehow funny story, is in its core an effort to explore the way our memory functions and how this affects our being.

"Safe" has been described as a horror movie of the soul, a description that director Todd Haynes relishes. California housewife Carol White seems to have it all in life: a wealthy husband, a beautiful house, servants, beauty, and a lot of friends. The only thing she lacks is a strong personality: Carol seems timid and empty during all of her interactions with the world around her. At the beginning of the film, one would consider her to be more safe in life than just about anyone. That doesn't turn out to be the case. Starting with headaches and leading to a grandmal seizure, Carol becomes more and more sick, claiming that she's become sensitive to the common toxins in today's world: exhaust, fumes, aerosol spray, etc. She pulls back from the sexual advances of her husband and spends her nights alone by the TV or wandering around the outside of her well-protected home like an animal in a cage. Her physician examines her and can find nothing wrong. An allergist finds that she has an allergic reaction to milk but explains that there is no treatment for that sort of allergy. She sees a psychiatrist who does nothing but make her nervous. In the hospital, Carol sees an infomercial for Wrenwood, a new-age retreat for those who are "environmentally ill," and leaves her husband and stepson to try and find salvation at this retreat: headed by a phony, grandstanding, "sensitive" individual named Peter Dunning.

A contemporary Western about a native farmer who lives and works alone in a farmhouse in the heart of a mountain forest in Northern Greece. For years now, he has been fighting with an expanding industrial Monster digging up the forest, disturbing the lush flora and threatening his property. Yet, the greatest threat comes with the sudden arrival of his young son, after a twenty year separation. They turn into enemies under one roof and confront each other head on, with nature as their only observer. To prevent the muddy ground from being pulled out from under their feet for profit, father and son must dig deep into it.

A night nurse in a hospital provides special services to families who have recently lost their loved ones. She is a member of a group called the Alps, whose members offer, for a fee, to play recently deceased during visits of their grieving relatives.

It's Aggeliki's eleventh birthday, and a well-organised party is held in her honour. All the ingredients of a usual birthday gathering are here: a scrumptious sugar-glazed cake, cheerful music, and the warm embrace of a doting grandfather. However, is any of this real, or is this an elaborate facade? Little by little, as a devastating act of despair unfolds before Aggeliki's shocked family, wolves and lambs alike gradually find themselves lured into an elaborate web of hideous secrets, deceptive appearances, and a frantic downward spiral of lies. In the end, as the sinners' blood-curdling evildoings kept behind closed doors unravel, one can't help but plunge into the depths of the human soul, and the unfathomable secrets within.

Having no recollection of who she is, what happened, or how she ended up with an inflamed wound on her arm, a wary woman meanders through the ruins of an endless, ghastly wasteland, uttering a soliloquy. Scavenging for food and water in the carcass of a desolate, post-Apocalyptic, dog-eat-dog world, all the woman knows is she must keep walking towards the West and fight tooth and nail to stay alive. Indeed, against the backdrop of global civilisation collapse, there can be no heroes, and what's left of the cities is a death trap: silent, well-kept remnants where the pitiless Morning Patrol has laid its snares for the unsuspecting ones who enter the off-limits zone. But with humankind on its knees, who can you trust? And, if resistance is futile, are memories enough to keep us going?