Old movies <3

Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern architecture which is filled with the latest technical gadgets. Caught in the tourist invasion, Hulot roams around Paris with a group of American tourists, causing chaos in his usual manner.

A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along with a friend, they eventually end up visiting their aunt in the wastelands of Cleveland and then proceed to Florida where they lose all their money gambling before unwittingly gaining a fortune.

In the garden of a pension, Eva and her husband Josef are enjoying a siesta. Here, they meet with the lonesome, mysterious-looking Robert. During play, a key falls out of Robert's pocket. The curious Eva picks it up and sets off on an expedition. In Robert's room, she finds a briefcase soiled with mud, which Robert had forgotten by her parsley patch before, and in it, a date-stamp. Soon afterwards, she learns that another victim of an unknown murderer of women has been found, with a number and date stamped on her forehead. Eva concludes that the murderer must be Robert.

Comedy about the people who inhabit a small town. For years the overbearing Pavek has endured Otik, the "town idiot," sharing his meals and the front seat of their dump truck. But Otik is such a sweet-natured fool that Pavek, exasperated as he becomes, always relents on his threats to find another partner. This Laurel and Hardy-like pair are at the heart of a comedy which finds humor in an abundance of everyday situations. The town doctor regularly wrecks his car because he's admiring the scenery, a romantic teenager develops a hopeless crush on his sister's schoolteacher, and an adulterous housewife and her boyfriend are just one step ahead of her suspicious, hot-headed husband.

"O, mio babbino caro" plays as a woman skates gracefully. In contrast, little is graceful and daddy is not dear in Julien's world. His father listens to blues wearing a gas mask; dad prods, lectures, and derides Julien as well as Julien's brother and pregnant sister, while grandma attends to her dog. Julien is different, schizophrenic. He wears gold teeth. He bowls, sings, worships, and chats with a group of young adults with disabilities. His sister's child is probably his own. He talks on the phone, imagining it's his mother, who died in childbirth years before. He may be a murderer of children. From his point of view (perhaps), the film follows this odd family for a few weeks.

Two men, arty though somewhat staid, are drawn to the spirited and quixotic Rosemonde, a young working-class woman whom they meet because they're writing a teleplay about a minor but curious event in which either her uncle was wounded while cleaning his rifle or she shot him. Pierre is a free-lance journalist hired to write the script; he's short of time so he asks a Bohemian novelist friend, Paul, to help. Pierre wants facts and tracks down Rosemonde for interviews that lead to other explorations; Paul only wants to imagine her and needs little more than her name to do so. But he does meet her, and she entangles him, too. Did she cause the shooting? Is she venomous or innocent?

Set against the backdrop of a repressed Czechoslovakia, five non-related vignettes are presented, each showcasing the need and want for human connection. In "Mr. Baltazar's Death", a middle aged couple who are experts at mechanics, travel to a motorcycle race where they congregate with the masses on the section of the course where historically there has been the most action of the destructive kind. In "Imposters", two elderly hospital patients talk about their past professional glories as a journalist and light opera star respectively. Each man wants to hear about the other more than tell his own story for good reason. In "The House of Joy", two national insurance agents believe they have an easy sale when they visit an elderly goat farmer/amateur painter, who uses whatever surface as his canvass, and paints his life and his dreams. But the sale will not be as easy as the men first believe it will be. In "The Restaurant the World", a wedding reception is taking place in one part of a busy self-serve diner. The reception guests are oblivious to the sadness of real life taking place all around their small current vacuum of a world, with the bride determined to make the most of *her* night. And in "Romance", a working class lad, out on the town on his own, is mesmerized by a young Romani girl.

Constructing this film through random scenes, director Harmony Korine abruptly jettisoned any sort of narrative plot, so here we go: Solomon and Tummler are two bored teenage boys who live in Xenia, Ohio. A few years ago, a tornado swept through it, destroying more than half the town and killing the same amount, including Solomon's father. The film, from there, chronicles the anti-social adventures these two boys have. These include sniffing glue, killing cats, having sex, riding dirtbikes, listening to black metal, and meeting a cavalcade of quirky, bizarre, and scary people. These include a man who pimps his mentally ill wife to our anti-heroes, three sisters who play with their cat and practice becoming strippers, a black midget fending off the sexual advances of a troubled man (played by the director Harmony Korine), a 12-year-old gay transvestite who is also a cat killer, Solomon's mother who seems to be the only glimpse of sanity, two foul-mouthed six-year olds, and most importantly, a nymphlike skateboarder who walks around town wearing pink rabbit ears.

Four middle-aged friends and members of the professional bourgeoisie, Ugo, a chef and restaurant owner, Marcello, an incorrigible womanizer and Alitalia pilot, Michel, a delicate television producer, and Philippe, a venerable magistrate, gather for a debaucherous weekend at the latter's Parisian villa. There, as the four men prepare for a Romanesque feast, truckloads of fine food and wine arrive, accompanied by three elegant and lithe prostitutes. Without a doubt, the rapacious and degraded hedonists are determined to eat themselves to death, one elaborate morsel after another, nevertheless, for what reason?

This excoriating satire of the fashion industry follows 20-year-old Brooklyn-born fashion model Polly Maggoo in Paris, on the runway at the big shows where magazine editor Ms. Maxwell is the reigning opinion maker and the ridiculous passes for sublime. Polly becomes the subject of an episode of vapid TV news-documentary series "Qui êtes-vous?" and is pursued by the filmmaker and by the prince of Borodine, a small country in the Soviet bloc. We watch as the documentary is shot, we await Polly's arrival in the principality, we observe a lunch in the suburbs, and we learn of her childhood. Is there more to Polly than her pretty face? Is anything below the surface?

Czech Karel Kopfrkingl enjoys his job at a crematorium in the late 1930s. He likes reading the Tibetan book of the dead, and espouses the view that cremation relieves earthly suffering. At a reception, he meets Reineke, with whom he fought for Austria in the first World War. Reineke convinces Kopfrkingl to emphasize his supposedly German heritage, including sending his timid son to the German school. Reineke then suggests that Kopfrkingl's half-Jewish wife is holding back his advancement in his job.

In New York City, Susan Weinblatt and Anne Munroe are longtime roommates and friends. Susan is a struggling photographer who wants to get out of the wedding and bar mitzvah racket, those jobs which she primarily gets through her friend, Rabbi Gold, to selling the photographs she wants to take, but she realizes that she has to pay the rent. Anne is an aspiring poet and academic who looks to Susan as her primary guidance. As they move into a new apartment, Anne drops the news that she will not be moving in as she is getting married to her boyfriend, Martin. This news is bittersweet for Susan who is somewhat happy for her friend, but isn't sure if she likes all that Martin now represents to her. Both Susan and Anne will have to make professional and personal adjustments to their new situations, especially in what it means for not having the other as a constant in each their lives. While Anne has a "Martin", Susan has no one currently to replace all that Anne has been in her life. So Susan goes through a series of new professional and personal relationships all in trying to find her way, while the two of them have to decide how and if to maintain their friendship in light of all these changes.

Ira is a nervous playwright waiting and hoping to succeed with his art, which he takes it very seriously. But following his dreams and ambitions isn't something easy to do, specially when he has to consider the points of view his family, his artist friends and his girlfriend will provide to him whenever he exposes his incomprehensible works of art.

Bunuel's first feature has more of a plot than

In this humorous paean to the joys of food, the main story is about trucker Goro, who rides into town like a modern Shane to help Tampopo set up the perfect noodle soup restaurant. Woven into this main story are a number of smaller stories about the importance of food, ranging from a gangster who mixes hot sex with food, to an old woman who terrorizes a shopkeeper by compulsively squeezing his wares.

Stories about seven friends in a small Moravian village following the socialization of Czechoslovakia in 1948, developing gradually into the story of Frantiek, the resister. The film offers some direct political criticism, particularly of the process of collectivizing agriculture. After the 1968 Soviet invasion of Czechoslovakia, it was promptly banned.

After the Prague Spring of 1968 leaves Yorick, Martha and Ondrej orphaned, the trio of young characters find shelter in a bombed church and construct a surrealistically anarchic existence based on a philosophy of denial of life circumstances and careless playfulness with the purpose of pretending they enjoy the peace and freedom they do not have. Each character undergoes a personal growth process after Yorick and Ondrej competitively seek to develop a relationship with Martha, which escalates to unforeseen consequences.

Francine Fishpaw is an upper middle class suburban housewife in Baltimore. Unfortunately, the money to support her lifestyle comes from her husband's porno theater, the neighbors are protesting, her son is a "stomper", her daughter is knocked up by a local hoodlum, and her husband is having an affair.