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In small-town Washington state in 1964, Czechoslovakian immigrant Selma Jezková and her preteen son Gene live in a rented trailer owned by Bill and Linda Houston; Bill is the town sheriff. Selma also has a small group of friends, including her co-worker and primary confidante Kathy, and Jeff, who wants to be her boyfriend. Jeff regularly waits outside Selma's workplace to drive her home, although she always refuses, not wishing to lead him on. Her primary job is working on the Anderson Tool factory assembly line, but she does whatever else she can to earn money. What only Kathy knows among Selma's friends is that she is slowly going blind from a genetic medical condition. She can see just enough to be able to do her job. Her primary reason for moving to the USA and working all the time is to earn enough money for an operation for Gene when he turns 13; he knows nothing about his mother's or his own degenerative eyesight. Selma allows only one indulgence in her life: anything to do with musicals which she loves, because they're an escape from her bleak life. Kathy often takes her to the cinema to watch old musicals and must describe to her what's happening on the screen, to the other patrons' annoyance. Selma also has the role of Maria in a community-theatre production of "The Sound of Music." Close to having enough money for the operation, Selma races against time before she loses enough sight to lose her job and her role in the musical. What may also threaten Selma's goal of the operation for Gene is some financial problems facing Bill, who feels pressured to provide Linda with the comforts of life to which she's accustomed.

Over two decades ago, Emma left Russia to follow Tancredi Recchi, the man who had proposed to her. Now a member of a powerful industrial Milanese family, she is the respected mother of three: two sons, Edoardo who is engaged to Eva and Gianluca that are businessmen and their lesbian daughter Elisabetta that lives in Nice. Emma, although not unhappy, feels confusedly unfulfilled. One day Edoardo becomes partner in a restaurant with Antonio, a talented chef and Edoardo's friend and Emma has a love affair with him. It does not take long before she embarks on a passionate affair with the sensuous young man. When Edoardo discovers the affair of his mother there is a tragedy that will affect the Recchi family.

Kept on a short leash through a volatile mixture of indoctrination, misinformation and fear, three grown-up siblings--two sisters and one brother--find themselves confined to their lavish, isolated villa. As a result, holed up in their beautiful, high-walled prison, the siblings rely on their cold, manipulative parents to learn about the ways of the world, taking reality-defying lessons from instructional cassette tapes. And, as the cruel patriarch and his frigid wife deliberately keep their unsuspecting, submissive children in the dark, freedom is nothing but a word. Then, a bad influence in the shape of security guard Christina enters the equation, and suddenly, sweet, baffling temptation threatens years of meticulous mind-programming. Is the grass greener on the other side of the fence? With this in mind, how can an ordinary dogtooth stand in the way of happiness?

Journalist Jep Gambardella has charmed and seduced his way through the lavish nightlife of Rome for decades. Since the legendary success of his one and only novel, he has been a permanent fixture in the city's literary and social circles, but when his 65th birthday coincides with a shock from the past, Jep finds himself unexpectedly taking stock of his life, turning his cutting wit on himself and his contemporaries, and looking past the extravagant nightclubs, parties, and cafés to find Rome in all its glory: a timeless landscape of absurd, exquisite beauty.

Late one night, a beautiful and well-dressed young woman, Grace (Nicole Kidman), arrives in the mountainous old mining town of Dogville as a fugitive; following the sound of gunshots in the distance which have been heard by Tom (Paul Bettany), the self-appointed moral spokesman for the town. Persuaded by Tom, the town agree to hide Grace, and in return she freely helps the locals. However, when the Sheriff from a neighbouring town posts a Missing notice, advertising a reward for revealing her whereabouts, the townsfolk require a better deal from Grace, in return for their silence; and when the Sheriff returns some weeks later with a Wanted poster, even though the citizens know her to be innocent of the false charges against her, the town's sense of goodness takes a sinister turn and the price of Grace's freedom becomes a workload and treatment akin to that of a slave. But Grace has a deadly secret that the townsfolk will eventually encounter.

Christian is the respected curator of a contemporary art museum, a divorced but devoted father of two who drives an electric car and supports good causes. His next show is "The Square", an installation which invites passersby to altruism, reminding them of their role as responsible fellow human beings. But sometimes, it is difficult to live up to your own ideals: Christian's foolish response to the theft of his phone drags him into shameful situations. Meanwhile, the museum's PR agency has created an unexpected campaign for "The Square". The response is overblown and sends Christian, as well as the museum, into an existential crisis.

After twenty-eight long days of absence, Sin-Dee is back on the block. It's Christmastime, and everyone wants to get into the festive spirit; however, Sin-Dee is in for a shock when she accidentally discovers that Chester, the love of her life, has been cheating on her. And to think that poor Sin-Dee has been making plans for the future. To save what's left of her dignity, heartbroken Sin-Dee embarks on a desperate mission to locate two-timing Chester, and no one can stop her--not even her best friend Alexandra, who vainly tries to be the voice of reason. Now, nothing can stand in the way of justice. After all, who wants to live a lie?

A passionate love story between two people of different backgrounds and temperaments, who are fatefully mismatched and yet condemned to each other. Set against the background of the Cold War in the 1950s in Poland, Berlin, Yugoslavia and Paris, the film depicts an impossible love story in impossible times.

Drama set in a repressed, deeply religious community in the north of Scotland, where a naive young woman named Bess McNeil meets and falls in love with Danish oil-rig worker Jan. Bess and Jan are deeply in love but, when Jan returns to his rig, Bess prays to God that he returns for good. Jan does return, his neck broken in an accident aboard the rig. Because of his condition, Jan and Bess are now unable to enjoy a sexual relationship and Jan urges Bess to take another lover and tell him the details. As Bess becomes more and more deviant in her sexual behavior, the more she comes to believe that her actions are guided by God and are helping Jan recover.

Following his discharge from the US Navy after WWII, Freddie Quell is having difficulties adjusting to non-military life partly due to his war experiences in the tropics. He has a violent temper. He is obsessed with sex, which is partly why he can't and won't commit to his teenaged girlfriend, Doris Solstad. And he is an alcoholic, drinking primarily concoctions he creates himself with dangerous ingredients. It is these factors in combination that lead to him being fired from one job after another, from department store portrait photographer to cabbage picker. Wandering one night in 1950 while drunk, he stumbles upon a yacht being used by Lancaster and Peggy Dodd, the yacht aboard which their daughter Elizabeth will get married. Feeling a connection to the stranger, Lancaster invites Freddie to stay aboard to work. In addition to that work, Lancaster indoctrinates him into his cult, named the Cause, which purports to do things as varied as cure serious maladies and create world peace. Peggy, Elizabeth and Elizabeth's husband Clark all subscribe to and support Lancaster's teachings. The only one of the Dodd family that doesn't is Lancaster and Peggy's son, Val Dodd, who believes his father is just making things up as he goes along. Because of being lost psychologically, Freddie is easy prey, he who is looking for something or someone to guide him to a higher plane. But as Freddie travels with the Dodd family as they spout the gospel, he and the Dodds may become at odds with each other if Freddie cannot or does not find from them and the Cause what he needs in life to survive emotionally.

Erika Kohut is a pianist, teaching music. Schubert and Schumann are her forte, but she's not quite at concert level. She's approaching middle age, living with her mother who is domineering then submissive; Erika is a victim then combative. With her students she is severe. She visits a sex shop to watch DVDs; she walks a drive-in theater to stare at couples having sex. Walter is a self-assured student with some musical talent; he auditions for her class and is forthright in his attraction to her. She responds coldly then demands he let her lead. Next she changes the game with a letter, inviting him into her fantasies. How will he respond; how does sex have power over our other faculties?

The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father (

A love story set in a dystopian near future where single people are arrested and transferred to a creepy hotel. There they are obliged to find a matching mate in 45 days. If they fail, they are transformed into an animal and released into the woods.

On the night of her wedding, Justine (Kirsten Dunst) is struggling to be happy even though it should be the happiest day of her life. It was an extravagant wedding paid for by her sister and brother-in-law who are trying to keep the bride and all the guests in line. Meanwhile, Melancholia, a blue planet, is hurtling towards the Earth. Claire (Charlotte Gainsbourg), Justine's sister, is struggling to maintain composure with fear of the impending disaster.

24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a new calm. Meanwhile, guilt consumes Earl's young wife, while two whiz kids, one grown and a loser and the other young and pressured, face their situations. The weather, too, is quirky.

Exactly one week in the life of a young man named Paterson of Paterson, New Jersey is presented. He lives an extremely regimented and routinized life, that routine perhaps most vividly displayed by the fact that he is able to wake up at exactly the same time every day without an alarm. That life includes eating Cheerios for breakfast, walking to work carrying his brown bag lunch packed in his lunch pail by his wife Laura, having a casual chat with his colleague Donny before he begins his shift driving the #23 Paterson bus for the local public transit company, walking home where he straightens out the exterior mailbox which somehow during the day gets knocked crooked, eating dinner with Laura and listening to her goings-on of the day, taking Laura's English bulldog Marvin - who he would admit to himself he doesn't much like - out for a walk to his neighborhood bar where he has one and only one beer before walking home with Marvin. There are day to day variations which are often the result of how certain other routines associated to him manifest themselves, such as what drama will occur in the relationship of Marie and Everett who are always at the bar together despite her always saying that they are no longer together, or in what form Laura's unique and distinctive design sense will affect Paterson's life directly or indirectly. Paterson's keen observances of what happens around him are largely the bases for the poems he writes, he constantly thinking of these and writing them in his secret notebook whenever he has a spare moment during his day. He is influenced by among others Paterson natives such as

Set in the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants, and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock's life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.

The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband's restaurant. Food, colour coding, sex, murder, torture, and cannibalism are the exotic fare in this beautifully filmed, but brutally uncompromising modern fable.